
A helicopter crash on a remote island leaves Nick presumed dead. Amnesic, he calls himself Darwin and is taken in by marine biologist Dr. Mallari. He meets Mallari’s daughter, painter Diosa; they fall in love, have a child. An accident later restores Nick’s memories of his former life and Vanessa, erasing his recollection of Diosa and their child.
Does Una Kang Naging Akin have end credit scenes?
No!
Una Kang Naging Akin does not have end credit scenes. You can leave when the credits roll.
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Challenge your knowledge of Una Kang Naging Akin with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is the name of the marine biologist who rescues the amnesiac stranger?
Ely
Modesto Mallari
Nick Adriano
Armando Reyes
Show hint
Read the complete plot summary of Una Kang Naging Akin, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Nicolas Soriano Adriano III [Gabby Concepcion] is set to celebrate his 26th birthday in Palawan with his fiancée Vanessa Yumol [Dawn Zulueta], a well-connected socialite, and under the watchful eye of his mother, Doña Margarita Soriano Vda. de Adriano [Armida Siguion-Reyna]. But their plans are shattered when hijackers seize the helicopter, killing Nick’s personal secretary and leaving him fighting for his life as the chopper crashes into the rugged Palawan mountains. Rumors of the crash spread quickly, and Nick is presumed dead even as he survives with a shock to the system that strips away most of his memories.
On the edge of collapse, a chance moment saves an old man from danger, and that man turns out to be Modesto Mallari [Eddie Gutierrez], a respected marine biologist living with his sister Agnes [Charito Solis], a cautious spinster, and his daughter Diosa Mallari [Sharon Cuneta], a gifted artist who often keeps people at a distance. Darwin Salvador—an alias Nick uses after the amnesia—forms an uneasy bond with Modesto and his wary household. Diosa, initially aloof, softens when Darwin saves her from a deadly cobra, and an unspoken pull develops between them. Modesto urges Darwin to stay, sensing there is more to the stranger than meets the eye, while Diosa shares a painful past: a former fiancé who died in a plane crash only to be revealed as someone who was already married with children. Through the orbit of Diosa’s circle, Vanessa’s name surface again as a patron who buys her artwork, and Ely [Michael De Mesa], a friend who helps with the art market, becomes part of the story’s fabric.
As Darwin and Diosa grow closer, Modesto’s concern deepens. He fears what might happen if Darwin regains his true identity, but a pregnancy changes the stakes: Diosa learns she is carrying Nick’s child, and Modesto, faced with a future that could tear his family apart, ultimately concedes to their marriage. The couple’s happiness is short-lived, however, as a road journey to fetch a doctor ends in a harsh car accident. During a tense interview scene that follows, Darwin’s real name surfaces, and with that revelation, his memory returns in full. Diosa gives birth to a baby boy, Darwin Salvador Jr., and the newfound family tries to make sense of their tangled pasts.
Nick’s return to Manila is met with warmth, but the truth remains elusive until organzier of time, Fate, refuses to stay silent. Diosa decides to bring their son to Manila, a choice that unsettles Modesto and triggers tragedy: he suffers a heart attack and passes away, leaving a void in the family and a bitter reminder of the costs of truth. The wedding between Vanessa and Nick looms, complicating loyalties and forcing everyone to reckon with a shared history.
Vanessa learns of Diosa’s place in Nick’s life and the two women confront the rocky web of affection that binds them. In a volatile confrontation, Nick tells Vanessa that to win his love again, she would need to bear him a child—the blunt, painful calculus of a man torn between two women and two versions of his past. On Junior’s birthday, Nick visits Diosa in Palawan, and Vanessa arrives the next day, intent on severing what remains of their bond. In the aftermath, friends intervene while Vanessa wrestles with anger, jealousy, and the ache of a lost future.
In a devastating reveal, Diosa lays bare the truth: she is Nick’s legal wife, and Darwin Salvador is none other than Nick himself, whose memory returned after the bus crash that accompanied Junior’s birth. She presents Nick with the memory fragments he shared with her, showing him that he and Darwin are one and the same person, and that she was his first love. The revelation shifts the balance of power in the story, and Nick makes a choice to follow Diosa, regardless of the name he bears in that moment.
In the film’s quiet, sun-bleached final image, Diosa, Nick, and Darwin walk along a shoreline as the sun sinks below the horizon. The two lovers face a future marked by the weight of memory, legitimacy, and the stubborn, enduring pull of a family formed through trials, losses, and an undeniable bond that transcends names. Along the way, Ely remains a steady friend who witnessed the art that connected Diosa to Nick, and the pair’s intertwined destinies close on a note of reconciliation, memory, and the enduring power of love.
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