
A shy high school senior and his loyal friends pile into a car for a road trip to a major music festival. Determined to finally win the affection of the girl he's been longing for, he sees this as his last chance to make a memorable impression before graduation. The journey tests their friendship and leads to unexpected discoveries along the way.
Does This Is the Year have end credit scenes?
No!
This Is the Year does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of This Is the Year, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Jeff Garlin
Mr. Elmer

Jeremy Howard
Party Patron, Carnival Patron (uncredited)

Bug Hall
Donnie

Sammy Voit
Dr. Spacecakes

Jake Short
Mikey

Vanessa Marano
Molly

Emily Towles
Bohemian Girl

David Henrie
Sebastian

Josh Rhett Noble
Homeless Jared

Chris Mullinax
Officer Greg

Gregg Sulkin
Kale

Billy Culbertson
Concert Security Guard

Kate Katzman
Sofia

Montserrat Espadalé
Mrs. Shockley

Boston Pierce
Young Josh

Lorenzo James Henrie
Josh

Gregg Christie
Luca

Alyssa Jirrels
Zoey

Savanna Renee
Emo Senior Student

Josh Dunn
Teen Nerd

Yvette Gregory
Danica

Bruce Cooper
Concert Fan

Dianna M. Cruz
Liz

Frankie Manes
Carnie

Mark Baggs
Carnival Worker

Kenneth Lee Tolbert
Yokel #1

Kirby Elizabeth Self
Amberly

Adam Woldtvedt
Yokel #2

Kodai Yamaguchi
Party Goer

Morgan Tooles

Colby Shabel
Jock Anchor

Trey Shabel
Leo
Discover where to watch This Is the Year online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
See how This Is the Year is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where This Is the Year stands among top-rated movies in its genre.
The film elicits a largely mixed to negative response, with critics divided between modest praise for its feel‑good tone and strong debut direction, and criticism for its derivative romance formula. User feedback is overwhelmingly harsh, citing unconvincing teenage characters, stale dialogue, and a lack of originality, though a few viewers found it enjoyable for casual family viewing. Overall, the consensus points to a movie that struggles to rise above genre clichés, resulting in a modest net rating.
The Movie Echo Score Breakdown for This Is the Year
Art & Craft
In terms of direction and overall craft, the film shows signs of competent debut work, blending nostalgic elements with contemporary attitudes. However, the visual execution lacks distinctiveness, and cinematography receives little praise. The production design remains serviceable but unremarkable, and editing does not elevate the material. Consequently, the artistic execution is judged as modestly effective, landing in the middle of the rating scale.
Character & Emotion
When evaluating character depth and performances, there are isolated strengths such as likable leads and occasional strong acting. Nonetheless, the majority of characters, particularly female roles, are described as one‑dimensional and poorly written, diminishing emotional resonance. The chemistry among the cast feels uneven, and the script offers limited development. Overall, character work is viewed as below average, reflecting more weaknesses than strengths.
Story & Flow
The narrative structure receives criticism for adhering closely to familiar teen‑romance tropes without delivering fresh twists. Plot pacing is seen as predictable, and the story lacks tension and originality, resulting in a derivative feel. While some reviewers note occasional feel‑good moments, they are insufficient to offset the overall sense of a stale, unengaging storyline. The story component is therefore rated as notably weak.
Sensory Experience
Sensory elements such as soundtrack and visual style are mentioned only sporadically, with the film delivering a competent but unremarkable auditory backdrop. The heightened emotions and occasional humor provide modest engagement, yet there is little evidence of distinctive sound design or striking visual motifs. This leads to a perception of adequate sensory delivery that does not significantly enhance or detract from the viewing experience.
Rewatch Factor
Rewatch potential is mixed; a small segment of viewers found the movie enjoyable for light, family‑friendly viewing and appreciated its occasional humor. Conversely, the overwhelming criticism regarding stale dialogue, weak characterization, and predictable plot reduces its appeal for repeat viewings. The lack of memorable moments limits lasting enjoyment, resulting in a modest rewatch factor that reflects both limited enthusiasm and occasional casual appeal.
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