
A boozy college student mistakenly invites a glamorous dance‑hall hostess to the campus’s premier dance. When she turns up, he tries to send her away, but she refuses to leave, turning the event into a showdown as she boldly confronts him and his classmates’ pretentious dates, upending their high‑society expectations.
Does These Glamour Girls have end credit scenes?
No!
These Glamour Girls does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for These Glamour Girls (1939) via JustWatch.
Explore the complete cast of These Glamour Girls, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Russell Wade
College Boy (uncredited)

Richard Carlson
Joe

Lana Turner
Jane Thomas

Marsha Hunt
Betty Ainsbridge

John Kelly
The Sailor 'Feather Foot' (uncredited)

Ann Rutherford
Mary Rose Wilston

Tom Kennedy
Joy Lane Manager (uncredited)

Lew Ayres
Philip S. Griswold III

Gladys Blake
Joy Lane Cashier (uncredited)

Mary Beth Hughes
Ann

Eddie Hall
Student Cutting in on Dance (uncredited)

Owen Davis Jr.
Greg Smith

Tom Collins
Tommy Torgler

Tom Brown
Homer Ten Eyck

David Oliver
Cabby (uncredited)

Lee Bennett
College Boy (uncredited)

Lee Phelps
Policeman (uncredited)

Arthur Q. Bryan
Dance Customer (uncredited)

Peter Lind Hayes
Skel (as Peter Hayes)

Anita Louise
Daphne Graves

Rudy Germane
Dance Hall Patron (uncredited)

Ernie Alexander
Parking Attendant (uncredited)

James Pierce
Joy Lane Bouncer (uncredited)

Sumner Getchell
'Blimpy'

Jesse Graves
Porter (uncredited)

Nella Walker
Carol's Mother Mrs. Christy (uncredited)

Henry Kolker
Philip S. Griswold II (uncredited)

Robert Emmett Keane
Mr. Wilston (uncredited)

Mary Forbes
Mrs. Van Reichton (uncredited)

Aldrich Bowker
Charlie the Counterman (uncredited)

Helena Phillips Evans
Ann's Personal Maid (uncredited)

Dennie Moore
Jane's Roommate Mavis (uncredited)

Don Castle
Jack

Robert Winkler
Newsboy (uncredited)

Ernest Truex
Alumnus

Dorothy Lovett
(uncredited)

Rod Bacon
College Boy (uncredited)

Jane Bryan
Carol Christy

Frederika Brown
Mrs. Wilston (uncredited)
Discover where to watch These Glamour Girls online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
Read the complete plot summary of These Glamour Girls, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Elite New York society gathers around a forthcoming Kingsford College house party, where the spotlight shines on the wealthy debutantes and their families. The spotlighted debutante Ann van Reichton receives an exclusive invitation, yet her mother Mrs. Van Reichton is horrified to learn that her daughter’s date, Greg Smith, does not belong to the social register. The tension between appearance and pedigree threads through every whispered conversation, as the parents parry with pride and anxiety about keeping up appearances.
In the week leading up to the weekend, Philip S. Griswold III, the son of a prestigious Wall Street family, slips away to Manhattan with his friends, Homer Ten Eyck and Greg Smith. The trio bar-hops through the city, trading barbed jokes and loud laughter, and Philip, in a drunken moment, invites the taxi dancer Jane Thomas to accompany them to the party. Jane accepts, even though the invitation hangs over her as a challenge to the rigid social order, and Philip, in a rare moment of honesty, forgets the promise he made.
Days later, the action shifts to the Kingsford train station, where Philip S. Griswold III awaits his girlfriend Carol Christy with a gleam of expectation. Instead, another arrival disrupts the scene: Jane Thomas steps off the same train, and Philip’s face waves between embarrassment and discomfort. A fellow Kingsford student, Blimpy, mistakes her for someone from the elite Philadelphia circle and asks her to be his date, a request that underscores the fragile wall between social classes. When Blimpy discovers Jane’s farm-born background, he quickly withdraws, while Philip, torn between surfaces and feelings, asks Jane to stay. The two share a dance as Carol Christy dances with Joe, a bright but poorer student from a working-class family, setting up a quiet clash of ambitions and loyalties.
In a sharp turn of social politics, the manipulative Daphne Graves Daphne Graves steers Phil and Carol toward an engagement announcement. The plan unsettles both Jane and Joe, who leave the gathering with a mix of hurt and clarity about what they want from life. The party atmosphere strains under the weight of rumor and expectation, and underneath the glitter, a deeper fear persists: the fear that love might threaten the carefully curated future these families have earned through status and wealth.
Meanwhile, Betty Ainsbridge Betty Ainsbridge, a twenty-year-old debutante, overhears her younger peers mock her as if she’s past her prime for marriage. She attempts to seize a match by pressing a drunken Homer Ten Eyck Homer Ten Eyck into marrying her. Homer recoils when he sobers, and the social snare tightens around her. In the aftermath, a despondent Betty drives toward escape, parking her car on railroad tracks where a train ends her pain. The tragedy shocks the party and crystallizes the harsh truth that social games can mask real heartbreak.
As the dust settles, Philip Griswold’s world begins to crack. His father, Philip S. Griswold II, is indicted for fraud, a scandal that shatters the family’s carefully crafted image and pressure Phil to reassess the emptiness of surface values. The scandal also intensifies Phil’s introspection about love and loyalty, and it pushes him to confront what truly matters. In the end, the story threads together a difficult, hopeful realization: genuine connection—especially the bond between Phil and Jane Thomas—offers a sturdier path than the pretenses of high society.

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