
During the early 1920s Russian Civil War in Central Asia, a Red Army unit captures Sultan Mazar, leader of the Basmachi rebels, and orders seasoned mountain trapper Mirzo to escort him to Bukhara. Mirzo, his brother Kova, the Sultan, his daughter Zaranghis and slave Saifulla cross treacherous ridges, harsh weather and hostile forces en route.
Does The Bodyguard have end credit scenes?
No!
The Bodyguard does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Bodyguard, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Ali Khamraev

Oleg Fedulov

Aleksandr Kaydanovskiy
Mirzo

Anvara Alimova

Saidmurad Ziyautdinov

Gulcha Tashbayeva
Aibash

Shavkat Abdusalamov
Fottabek

Nikolay Grinko
Nikolai Grigorievich

Anatoliy Solonitsyn
Sultan Nazar

Radzhab Adashev

Jamol Hoshimov

Anvar Kenjaev

Khikmat Gulyamov

Maksud Mansurov

Marat Khasanov
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Read the complete plot summary of The Bodyguard, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
The setting is Central Asia during the Russian Civil War. In the post-revolutionary twenties, when the power in European Russia is officially in the hands of the workers and peasants, the struggle against the Basmachi rebels intensifies. When a Red Army detachment captures Sultan Nazar, Anatoliy Solonitsyn, the brains behind the Basmachi faction, a decision is made to escort him urgently to the Bukhara province. The mission is urgent, dangerous, and steeped in vigilance as the region’s politics ripple through every mile of the journey.
Leading the mission is Mirzo, [Aleksandr Kaydanovskiy], a grizzled mountain trapper and conscientious revolutionary. His hard-won experience with treacherous terrain becomes essential as the group threads their way through precarious paths and climbs steep mountain ridges that would overwhelm the inexperienced. The expedition brings together a small, uneasy band: Mirzo, his brother Kova, the captured Sultan Nazar, Nazar’s daughter Zarangis [Anvara Alimova], and the slave Saifulla. Each member carries a different burden and motive, yet they are bound by a fragile purpose: get Sultan Nazar to safety and to the authorities in Bukhara.
Behind them, the chase tightens. Fottabek [Shavkat Abdusalamov], the ruthless new head of the Basmachis, pursues with relentless resolve, turning the pursuit into a high-stakes test of endurance and nerve. The group must not only hold together under pressure but also contend with the mountain’s harsh elements and its natural dangers. The terrain itself becomes a formidable adversary, testing every plan and every instinct for survival.
As the caravan moves through narrow ledges and wind-swept passes, the story unfolds with a quiet, steady intensity. The bonds between Mirzo and the others are tested by isolation, the weight of their mission, and the constant threat of pursuit. The simple objective of escorting a prisoner evolves into a meditation on duty, resilience, and the human costs of war in a landscape where nature and politics collide.
In the end, the journey through the high country becomes more than just a convoy across perilous terrain; it is a window into a turbulent era where loyalties are strained, bravery is measured in small, careful steps, and survival depends on trust forged in the most unlikely of circumstances. Mirzo’s leadership and the fragile coalition around him illuminate the grit required to navigate a world where power shifts and danger never fully recedes.

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