
San Francisco businessman Harry Graham and his wife‑partner Eve are preparing to adopt a child when private investigator Mr. Jordan discovers Graham is already married to Phyllis in Los Angeles and has a young son. Faced with the evidence, Graham confesses his double life, leaving both women to confront the betrayal.
Does The Bigamist have end credit scenes?
No!
The Bigamist does not have end credit scenes. You can leave when the credits roll.
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SDExplore the complete cast of The Bigamist, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Edmond O'Brien
Harry Graham / Harrison Graham

Edmund Gwenn
Mr. Jordan

Joan Fontaine
Eve Graham

Ida Lupino
Phyllis Martin

Jane Darwell
Mrs. Connelley

Kenneth Tobey
Tom Morgan, Defense Attorney

John Brown

George Lee

Walter Bacon
Attorney

Peggy Maley
Phone Operator

Ralph Brooks
Courtroom Spectator

James Young
Graham's Former Boss

John Maxwell
Judge

Jerry Hausner
Roy Esterley

Donald Kerr
Hollywood Tour Bus Pitchman

Bess Flowers
Bus passenger

Mike Lally
Courtroom Spectator

James Todd
Carl Forbes

Jack Chefe
Waiter

Monty O'Grady
Bus Passenger

Lilian Fontaine
Miss Higgins, Landlady

Matt Dennis
Himself, Singer

Ken Drake
Court Clerk

Kem Dibbs
Tour Bus Driver

Mac McKim
Ricky, Boy on the Street

Mack Williams
Prosecuting Attorney

Collier Young
Canton Cafe Barfly
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What is the name of Harry Graham's first wife?
Read the complete plot summary of The Bigamist, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Harry Graham and Eve Graham dream of expanding their family through adoption, a path that becomes tangled in secrets, longing, and a web of loyalties. Eve’s infertility casts a quiet shadow over their marriage, nudging them toward the hopeful routine of paperwork, background checks, and the guidance of an adoption agent, Mr. Jordan. Jordan approaches the case with professional calm, but the moment he sees Harry’s wary, almost haunted look, he senses that something more than standard due diligence is at stake.
In San Francisco, where the couple run a shared business, the domestic rhythm is disrupted by Harry’s frequent trips to Los Angeles for work. When Jordan travels to investigate, he searches for a stable trace of [Harry Graham] in the City of Angels and is met with a baffling picture: hotel registers are inconsistent, managers remember a man, but nothing fits cleanly. The trail grows colder until Jordan discovers a disturbing anomaly—the name Harrison Graham appears in records alongside a different wife and a baby. Just as he is about to call the police, a longer memory begins to unfold through a lengthy flashback, a narrative within the narrative that reveals how Harry slipped into this predicament.
The flashback traces a sequence of loneliness and moral compromise. After Eve’s infertility becomes a private ache, Harry suggests that Eve join him in his business as a way to cope with the ache and to feel connected again. Eve, though capable and successful at work, becomes absorbed by the enterprise to the point of emotional distance, leaving Harry feeling isolated and unseen. While staying in L.A., Harry encounters a captivating woman on a bus tour of Hollywood stars’ homes—a woman named Phyllis. Their time together is spark-filled but initially platonic, and they part ways with no expectation of crossing paths again.
On a call with Eve that night, Harry tries to convey the depth of his loneliness and the rift between them, but Eve’s conversation remains focused on business. When he returns home, he attempts to rekindle their closeness by proposing a vacation, only to be met with disappointment; Eve’s priorities still lie with the company, and she resists the break from routine. Yet Harry’s struggle to open up deepens. In a twist of timing, he reconnects with Phyllis in L.A., and what begins as companionship soon matures into genuine affection. Phyllis, wary of being tangled in someone else’s life story, withholds details about her own past and resists becoming entangled in a life she doesn’t fully know.
The affair intensifies, and on Harry’s final night in Los Angeles, the two share a night together that complicates every assumption about marriage, fidelity, and responsibility. When he returns to the domestic sphere, his priorities shift again. He resolves to stand by his marriage and to restructure the business so that Eve can focus on home life. Eve, for her part, rediscovers a longing for motherhood and welcomes the possibility of adoption with renewed warmth. A family crisis soon arrives—Eve’s father falls ill—and she leaves for Florida to be with her family, bringing a new sense of urgency to their fragile arrangement.
Back in the quiet routine at home, Harry begins the adoption process in earnest, hoping to steady the life he’s built. Three months slip by, and Eve remains away; Harry travels back to L.A. to tend to business and learns a shocking truth—Phyllis is pregnant. Phyllis weighs her options and tells Harry that she doesn’t want to trap him, that he is free to walk away. But the responsibilities he feels toward Phyllis and their child pull harder than the desire to disappear. He contemplates confessing his infidelity and requesting a divorce, yet a fresh wave of tragedy—news of Eve’s father’s death—stops him from breaking her heart. He cannot abandon Phyllis, but he also cannot abandon Eve’s hopes entirely, so he makes a grim, desperate choice and marries Phyllis bigamously, hoping to navigate the complicated future until the adoption can be finalized.
Back in the present, Jordan’s judgment lingers as he exits without turning Harry in, a complicated mix of contempt and pity shaping his decision. Harry writes a final letter to Phyllis and steels himself for the consequences that lie ahead. Eve, meanwhile, returns to San Francisco as police await outside the house. The bigamy charge is the centerpiece of the courtroom drama that follows, and when the two wives finally confront one another in court, the judge weighs the consequences of love, marriage, and obligation. It is a stark reminder that the law will require support for both women for as long as Harry remains a free person, and the verdict frames a dilemma about where a man’s true loyalties lie. The closing image lingers on Harry as he awaits his sentencing, a man caught between two families and two futures, with no easy resolution in sight.

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