
A charming used-car salesman in the 1950s decides to make his own low-budget film. The comedy follows his ambitious, if misguided, attempt to create a B-movie about a truck driver whose accidental involvement in a traffic incident with a child sets off a chain of hilarious events.
Does The Woman Chaser have end credit scenes?
No!
The Woman Chaser does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Woman Chaser, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.
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46
Metascore
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User Score
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TOMATOMETER
0%
User Score
54
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User Score
Challenge your knowledge of The Woman Chaser with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
In what year does 'The Woman Chaser' take place?
1955
1960
1965
1970
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Read the complete plot summary of The Woman Chaser, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In the blazing heat of the summer in 1960, Richard Hudson made a significant move, leaving behind his familiar San Francisco roots to embrace the vibrant streets of Los Angeles. Armed with a wealth of experience as a savvy car dealer, he quickly established himself in the city. However, a feeling of profound creative restlessness soon emerged within him, prompting Richard to leave his car lot behind in pursuit of a new passion: filmmaking. His inaugural script, The Man Who Got Away, showcased his dedication, capturing the harrowing tale of a truck driver who spirals out of control, tragically running down an innocent child and ultimately facing a devastating demise as he confronts a squad of police officers in a hail of gunfire.
As Richard pursued his bold vision, an unexpected partnership blossomed with his father-in-law, Leo - a once-renowned film director whose career had dimmed much like the colors of his treasured Rouault painting featuring a clown. The duo took a leap of faith and pitched their unique project to The Man, the elusive head of Mammoth Pictures, who surprisingly gave the green light to the film. Yet, Richard’s steadfast dedication to his artistic integrity soon conflicted with The Man’s commercial priorities, creating a tension-filled battleground where their wills clashed.
Amidst the escalating pressures of production, Richard’s personal life also began to unravel in unexpected ways. His mother, a former ballerina whose creative brilliance had long dimmed, urged him into a series of awkward yet comic dance routines that danced on the edge of absurdity. Concurrently, his sexually curious stepsister, Becky, seized upon her brother’s fragile state, engaging him in a flirtatious game filled with intrigue. Meanwhile, Laura, Richard’s faithful secretary, found herself facing an unplanned pregnancy, an announcement Richard received with the gentleness of a blunt sledgehammer. This whirlwind of personal and professional conflicts underscored the tumultuous journey Richard embarked on in pursuit of his cinematic dreams.
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