
Set in nineteenth‑century Łódź, three enterprising friends pool their resources to build and invest in a textile factory, hoping to strike it rich. Their story frames a vivid portrait of the town’s swift industrial boom, capturing the ambitions, risks and social changes that reshaped Poland’s textile hub.
Does The Promised Land have end credit scenes?
No!
The Promised Land does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Promised Land, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Andrzej Wajda

Daniel Olbrychski
Karol Borowiecki

Andrzej Seweryn
Maks Baum

Krzysztof Majchrzak
Socha

Emilia Krakowska
Gitla

Piotr Fronczewski
Horn

Jerzy Nowak
Zucker

Wojciech Pszoniak
Moryc Welt

Jerzy Braszka
Engineer (uncredited)

Anna Nehrebecka
Anka

Bożena Dykiel
Mada Müller

Franciszek Pieczka
Müller

Kazimierz Kaczor
Kipman

Maciej Góraj
Adam Malinowski

Zbigniew Zapasiewicz
Kessler

Marian Glinka
Wilhelm Müller

Wojciech Siemion
Wilczek

Marek Walczewski
Bum-Bum

Jerzy Zelnik
Stein

Mariola Kukuła
Maks' Lover (uncredited)

Tomasz Lengren
Kessler's Foreman

Zdzisław Kuźniar
Kaczmarek

Bogusław Sochnacki
Grosglück

Jerzy Przybylski
Bucholz's Doctor

Kalina Jędrusik
Lucy Zuckerowa

Włodzimierz Boruński
Halpern

Andrzej Łapicki
Trawiński

Lena Wilczyńska
Edelmanowa (uncredited)

Teodor Gendera
Endelman

Halina Gryglaszewska
Malinowska

Andrzej Szalawski
Herman Bucholz

Bernard Ładysz
Russian Merchant

Andrzej Wohl
Clerk (uncredited)

Grażyna Michalska
Zośka Malinowska

Jan Paweł Kruk
Mateusz, Borowiecki's Servant

Stanisław Igar
Grünspan

Bolesław Płotnicki
Malinowski (voice) (uncredited)

Witold Dederko
Old Dyer

Bohdana Majda
Grosglückowa

Zofia Wilczyńska
Grunspanowa (uncredited)

Alicja Sobieraj
Anka's Maid

Kazimierz Wichniarz
Zajączkowski

Aleksander Dzwonkowski
Priest Szymon

Danuta Wodyńska
Müllerowa

Tadeusz Białoszczyński
Karol's Father

Kazimierz Opaliński
Maks' Father

Mieczysław Waśkowski
August, Bucholz's Servant

Jerzy Obłamski
Malinowski

Jadwiga Andrzejewska
Bucholzowa

Lidia Korsakówna
Widow

Janina Grzegorczyk
Sochowa

Janina Tur-Kiryłow
Theatre Singer

Ryszard Bromowicz
Theatre Singer

Antoni Byszewski
Coachman (uncredited)

Jerzy Stasiuk
Theatre Patron (uncredited)
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Challenge your knowledge of The Promised Land with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is the name of the young Polish nobleman who serves as the managing engineer at the Bucholz textile factory?
Karol Borowiecki
Max Baum
Moritz Welt
Mada Müller
Show hint
Read the complete plot summary of The Promised Land, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Karol Borowiecki, a young Polish nobleman serving as the managing engineer at the Bucholz textile factory, moves with a single-minded drive to expand his power and wealth. He cares little for the fading fortunes of his family, and his ambition pushes him to join forces with two friends who share his hunger for control: Max Baum, a German heir to an old handloom empire, and Moritz Welt, an independent Jewish businessman. Together they hatch a plan to build a new factory, pooling their resources and risks to challenge the old order.
The trio’s ascent is fueled by a dangerous personal liaison. Lucy Zuckerowa, the wife of another powerful textile magnate, becomes romantically entangled with Borowiecki. This affair gives Borowiecki a crucial edge: it lets Welt anticipate a shift in cotton tariffs and position themselves to profit in the Hamburg futures market. But as money and influence accumulate, so too do the pressures to secure ever more capital, and the sense that pride must bow to strategy.
On the day the new factory finally opens, Borowiecki must confront the consequences of his double life. He denies the affair to a jealous husband, who himself bears a complicated past, and is forced to swear on a sacred Catholic object as a public confrontation looms. After a tense escape with Lucy to Berlin, the betrayal catches up with him: Zucker, through a trusted envoy, confirms the affair and exacts his revenge by burning down the brand-new, uninsured plant. The loss is total, and Borowiecki’s hard-won gains collapse in an instant as the factory goes up in flames and the trio loses everything they had built.
Time passes, and fortunes shift again. Borowiecki rebuilds by aligning with Mada Müller, a wealthy heiress, and soon he owns a factory of his own. Yet success cannot shield him from the grinding tensions of labor. A looming workers’ strike threatens his enterprise, and Borowiecki faces a moral crucible: does he fire on the workers who dare to protest, or find another path? An associate reminds him that it is never too late to change one’s ways, but Borowiecki’s reputation for cold calculation verges on hardline pragmatism. When the moment comes, he authorizes the police to open fire, signaling a costly, irrevocable turn in his life and in the fate of the factory.
The film moves deftly between personal desire, brutal business calculations, and the political and social currents of the time. It portrays a man who climbs to power through shrewd manipulation and ruthlessness, only to see his world fracture around him as loyalty, risk, and consequence collide. The story is framed by the tensions of a society on the cusp of upheaval, where ambition can buy success but can never fully shield a man from the cost of his choices, especially when those choices imperil his workers and the community that sustains them.
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