
A young female actor dreams of becoming famous and building a successful career despite being a stand-in and extra on most sets.
Does The New King of Comedy have end credit scenes?
No!
The New King of Comedy does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The New King of Comedy, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Tenky Tin Kai-Man
Director

Wang Baoqiang
Ma Ke

Zhao Fanghua
Ceremony Guest

E Jingwen
Ru Meng

Zhang Quandan
Charlie

Jing Ruyang
Xiao Mi

Yuan Xingzhe
Ru Meng's Mother

Huang Xiaopeng
Li Yang

Cai Zherui
Director

Guo Ziheng
Snow White Director's Assistant

Wu Guobao
Director Assistant

Huang Zi Hao
Long Tao
Discover where to watch The New King of Comedy online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
See how The New King of Comedy is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where The New King of Comedy stands among top-rated movies in its genre.
The New King of Comedy generates a divided response, with critics highlighting Stephen Chow's direction as a notable return, while many viewers lament the remake's lack of originality and uneven humor. Praise centers on select performances and a few uplifting moments, yet criticism targets the recycled plot, tonal inconsistency, and diminished comedic impact. The net impression is that the film offers occasional enjoyment but falls short of its predecessor's reputation.
The Movie Echo Score Breakdown for The New King of Comedy
Art & Craft
In terms of art and craft, the film displays moments of visual competence, such as improved filming and occasional striking shots, but overall suffers from a lack of cinematic polish. Reviewers note that the cinematography is less engaging than the original, with pacing issues and a sense of inferiority in production values. Consequently, the artistic execution is assessed as modestly competent but uneven.
Character & Emotion
When examining character and emotion, several reviewers commend the lead and supporting actors for delivering solid performances and conveying earnest dedication. Praise includes top‑notch acting and effective emotional resonance in certain scenes. However, other comments point to a miscast protagonist and unappealing secondary characters that dilute the overall impact. The balance of feedback yields a generally positive view of the character work.
Story & Flow
Regarding story and flow, the consensus is largely unfavorable. Critics describe the plot as derivative, poorly paced, and lacking the originality of the source material. Viewers mention disjointed narrative threads, an incomplete storyline, and humor that feels forced rather than organic. While a few find the premise mildly inspiring, the predominant assessment labels the story as weak and unsatisfying.
Sensory Experience
The sensory experience receives mixed observations. Some reviewers cite improved filming quality and occasional effective visual moments, whereas others find the overall aesthetic underwhelming compared to Chow's earlier works. Soundtrack and sound design are not a focal point in the commentary, leading to a neutral to slightly positive appraisal of the film's sensory components.
Rewatch Factor
Rewatch factor is assessed as moderate. Certain audience members appreciate the light‑hearted, festive tone and acknowledge moments that warrant a second viewing, especially during holiday periods. Conversely, many express that the film's redundancy and lack of fresh humor diminish its replay value. The aggregated sentiment suggests limited but not negligible incentive to revisit the movie.
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