During a seemingly idyllic vacation, a woman’s life is upended when she begins investigating a suspicious financial transaction. Her search for answers leads her to a Panama City law firm and exposes a complex scheme involving charming con artists. Gary Oldman and Antonio Banderas portray key figures who exploit loopholes in the financial system, revealing a widespread network of corruption and greed that impacts the world's wealthiest individuals.
Does The Laundromat have end credit scenes?
No!
The Laundromat does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Laundromat, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.
Matthias Schoenaerts
Jeffrey Wright
Malchus Irvin Boncamper
Gary Oldman
Jürgen Mossack
Antonio Banderas
Ramón Fonseca
Rosalind Chao
James Cromwell
Joe Martin
Meryl Streep
Ellen Martin
Will Forte
AJ Meijer
Hominid #1
Alex Pettyfer
Arsenio Castellanos
Hominid #2
David Schwimmer
Matthew Quirk
Jane Morris
Barb Sidley
Jeff Michalski
Norm Sidley
Lucy Morningstar
Hominid #3
Melissa Rauch
Melanie
Robert Patrick
Captain Paris
Sharon Stone
Hannah
Shoshana Bush
Discover where to watch The Laundromat online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Rotten Tomatoes or Metacritic.
See how The Laundromat is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where The Laundromat stands among top-rated movies in its genre.
This film demonstrates uneven strengths across its elements, resulting in a generally disjointed experience. While its creative framing and occasional tonal shifts draw interest, the narrative thread often falters due to episodic structure and underdeveloped connections. Performances by lead actors are noted for their competence but are undermined by superficial character arcs and an inconsistent emotional resonance. Visually, the film benefits from an appealing color palette but struggles with cohesion. Overall, The Laundromat offers intriguing insights yet falls short of cohesive engagement, yielding a modest overall impact.
The Movie Echo Score Breakdown for The Laundromat
Art & Craft
In terms of direction and craft, The Laundromat displays inventive visual choices and a deliberate color palette but lacks coherence in its overall design. The editing frequently shifts between vignettes without smooth transitions, undercutting narrative flow. Production design captures varied international settings but feels sketch-like in isolated segments. These discontinuities limit the film’s stylistic unity, resulting in a production that shows creativity yet feels uneven in execution.
Character & Emotion
When it comes to character and emotion, performances from lead actors deliver measured moments yet are often hampered by shallow development. The portrayal of key figures features occasional nuance, but rapid shifts and cameo-style appearances prevent meaningful growth. Chemistry between characters is uneven, with some engaging exchanges overshadowed by superficial interactions. As a result, the emotional resonance remains sporadic, providing glimpses of depth without sustained connection.
Story & Flow
In terms of story and flow, the film’s episodic structure leads to a fragmented narrative that can feel unwieldy. Pacing alternates between deliberate exposition and abrupt interludes, making it challenging to maintain engagement. Originality is evident in its documentary-inspired format, yet coherent plot threads often fall by the wayside. Viewers frequently encounter confusion as vignettes fade without resolution. Consequently, narrative coherence is limited, diminishing the film’s overall momentum.
Sensory Experience
When evaluating the sensory experience, the film benefits from a clean color palette and selective visual flourishes that highlight thematic contrasts. The soundtrack and sound design provide adequate support but rarely stand out, reinforcing information rather than emotion. Visual style varies by segment, sometimes offering sharp composition and other times feeling haphazard. This uneven cohesion impacts immersion, creating moments of visual interest amid an otherwise inconsistent sensory presentation.
Rewatch Factor
Regarding rewatch potential, The Laundromat’s unique framing and informational ambition offer insight on subsequent viewings, yet fragmented storytelling reduces its lasting appeal. While viewers may appreciate hidden thematic details and clever exposition styles, the lack of narrative cohesion and emotional depth makes repeat viewings less rewarding. The film’s satirical tone retains some value but largely depends on interest in the subject matter, limiting widespread replay appeal.
57
Metascore
5.7
User Score
41%
TOMATOMETER
40%
User Score
6.3 /10
IMDb Rating
60
%
User Score
2.7
From 16 fan ratings
3.64/5
From 22 fan ratings
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Who plays the character of Ellen Martin?
Read the complete plot summary of The Laundromat, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
The movie begins with Jürgen Mossack (Gary Oldman) and Ramón Fonseca (Antonio Banderas) presenting themselves alongside a detailed explanation of money laundering and its mechanisms. As the story unfolds, Mossack and Fonseca serve as narrators for three distinct tales illustrating the global impact of their firm, Mossack Fonseca.
One central narrative follows Ellen Martin (Meryl Streep) and her husband Joe (James Cromwell), who are enjoying a leisurely outing on a boat at Lake George, New York, when tragedy strikes and the vessel capsizes, leading to Joe’s untimely drowning. In her quest for justice, Ellen seeks compensation from the boating company doomed by her husband’s death; however, she faces an uphill battle as the reinsurance entity linked to the boat owner’s policy is shrouded in confusion, having been sold to a company based in Nevis (Panama). This entity is, in truth, a mere façade, connected to one of Mossack’s shell companies currently under IRS investigation for acts of fraud. Initially, the response from Mossack’s firm to Matthew (David Schwimmer)—the owner’s son—is dismissive and states that their insurance had lapsed before the incident. The director of the trust, Malchus Boncamper (Jeffrey Wright), is merely a figurehead, receiving $15 per signature from Mossack while being ignorant of the company’s actual operations.
After numerous fruitless attempts to reach Mossack and the Nevis-based company, Ellen decides to take matters into her own hands by confronting Malchus directly in Nevis. Sadly, he outsmarts her and flees to Miami, only to be apprehended by IRS agents at the airport. Following his arrest, Mossack retroactively alters his transactions and designates another unsuspecting employee as the owner of thousands of shell companies in his group. The scale of Mossack’s operations is staggering; he has facilitated the establishment of around 240,000 shell firms globally, including for notorious members of Mexican drug cartels.
The second story revolves around Simone (played by Jessica Allain), the daughter of an African billionaire, Charles ([Nonso Anozie]). Simone uncovers a disheartening truth about her best friend’s clandestine affair with her father. In a desperate attempt to keep her silent, Charles entices her with shares purportedly valued at $20 million from one of his investment companies. However, when Simone travels to Mossack’s offices in Panama City to secure her shares, she discovers that they hold no real value, existing only as part of an empty shell company created by Mossack.
The film further dramatizes the infamous Wang Lijun incident, particularly the demise of Neil Heywood, who is depicted as Maywood (Matthias Schoenaerts). Maywood facilitates wealthy Chinese families wanting to transfer their money overseas and unexpectedly meets Gu Kailai (Rosalind Chao) at a hotel in Chongqing. In a climactic encounter, Maywood pressures Gu for a significantly greater sum to continue laundering her family’s wealth through one of Mossack’s creation. Gu reacts decisively, poisoning him to eliminate the threat he poses. The narrative escalates as she incriminates herself in conversations secretly recorded, leading to the arrest of both her and her husband, Bo Xilai (Jesse Wang), for corruption and complicity in Maywood’s murder.
Ultimately, the film closes with the explosive revelations of the Panama Papers, featuring police raids on Mossack Fonseca and the subsequent brief detainment of Mossack and Fonseca themselves. However, even amidst the unfolding chaos, both Mossack and Fonseca—along with Meryl Streep as Ellen—caution the audience that the existence of such companies persists, fundamentally sustaining the systemic problems of money laundering and corruption via sham trusts and shell corporations thriving in tax havens around the world. The story culminates with a powerful statement from Streep’s character, advocating for urgent reforms to campaign finance in the United States.
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