
A slap‑happy comedy follows naive Indiana boxer Homer Baston, whose gruff manager ‘Square Shooting’ Murphy tries to keep in the ring. When Homer seeks his real parents, Murphy hires two ex‑con inmates to pose as his long‑lost mother and father. Meanwhile, a tough country lad named Kid Galahad fights for a world title and a shoplifting mama, delivering nonstop laughs.
Does The Kid from Kokomo have end credit scenes?
No!
The Kid from Kokomo does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Kid from Kokomo, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Edward Brophy
Eddie Black

Ward Bond
Ladislaw Klewicki

Pat O'Brien
William Jennings 'Billy / 'Square Shooting Murph' Murphy

Maxie Rosenbloom
Curley Bender

May Robson
Margaret 'Maggie' / 'Ma' Manell

Stanley Fields
Muscles Malone

Joan Blondell
Doris Harvey

Jane Wyman
Marian Bronson

Sidney Toler
Judge William 'Gashouse' Bronson

Wayne Morris
Homer Baston

Noble 'Kid' Chissell
Boxer

Winifred Harris
Mrs. Bronson

Loia Cheaney
Bronson's Maid
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Read the complete plot summary of The Kid from Kokomo, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In Kokomo, Indiana, a determined boxing manager named Billy Murphy Pat O’Brien and his devoted partner Doris Harvey Joan Blondell are on the lookout for a new prizefighter to save their operation. Their search leads them to Homer Baston Wayne Morris, a scrappy, eager kid with raw talent and a simple, stubborn streak. Homer is bright and capable in the ring, yet carries a heavy burden: his mother abandoned him as a baby and promised to return, a promise that still haunts him as he dreams of a chance at the big time.
Seeing potential in the young fighter, Billy and Doris coax him to hit the road, hoping a traveling stint will bring him closer to the long-missing mother who might still be out there. Homer agrees, lured by the idea of finding family and a title shot that could change everything. But the road proves emotionally rough, and the homesickness that gnaws at him grows harder to ignore. To keep him moving, Billy funds a plan that hinges on a thin, fragile shield of family. Margaret ‘Maggie’ / ‘Ma’ Manell May Robson is recruited to pose as Homer’s mother, a ruse that inflates his confidence while masking the financial strain and risky gambles behind the scenes. Maggie’s arrival brings a mix of warmth and trouble, as she begins spending most of Homer’s money, complicating the already delicate balance of trust and manipulation.
What starts as a ruse takes an even stranger turn when Homer’s world expands beyond his surrogate mother. He becomes convinced that Muscles Malone Stanley Fields is his father, a belief that entangles him with Malone and his circle while stirring fresh loyalties and tensions. The tangle of loyalties deepens as Homer grows close to Marian Bronson Jane Wyman, a perceptive reporter who sees through the noise and becomes a genuine partner in his ascent toward a championship bout against Curley Bender Maxie Rosenbloom. The budding romance adds a layer of tenderness to the hard-edged world of boxing, journalism, and gambling debts.
As the fight draws near, the shadow of debt looms large. Maggie, who has become a kind of mother to Homer in the absence of the real one, is pressed into a moral dilemma by gamblers who want their money back. The family unit she’s helped to construct is put to the test when she is pressured to steer Homer toward losing on purpose, a plan she initially resists but which lures her with the weight of old debts. In the ring, a pivotal moment arrives when Curley insultingly targets Homer’s mother, a provocation that provokes Homer to dig deep and deliver a knockout that changes the night—and the future of everyone involved.
From the stands, Billy and Doris watch the drama unfold with a mix of relief and concern, witnessing a victory that comes at a personal cost but also a surprising reward. The triumph on the canvas culminates in a symbolic, almost celebratory moment: a double wedding that binds Homer to Marian, while Maggie and Muscles step into a new, unconventional family role as his foster parents. The ring’s roar fades into a quiet certainty: the road, the ruse, the money, and the love of a makeshift family have all shaped a future that none of them could have foreseen, but that now feels inevitable and right.

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