The Jerk 1979

As we embark on the journey of this cinematic narrative, we are introduced to Navin Johnson, portrayed by Steve Martin, a homeless man who has taken refuge in a stairwell in Los Angeles. With a gentle, almost confessional tone, Navin begins to share his life story, pulling us into his world filled with vulnerability and hope.

Born as the adopted son of African American sharecroppers in Mississippi, Navin’s formative years are steeped in naivety and innocence. The rich culture of his family, depicted through lively folk songs, becomes a backdrop to his struggle to find his own rhythm. However, it all changes when he discovers a lively tune on the radio, awakening his innate dance skills as if answering a calling. Fueled by this newfound passion, Navin embarks on a journey to St. Louis, the source of the music that ignited his spirit, leaving behind the comforts of his youth.

Along the way, he adopts a dog and humorously names it “Shithead.” This name emerges from a miscommunication during a motel mishap that leads to chaos. Upon reaching St. Louis, Navin finds work as a gas station attendant, but his clumsiness inadvertently results in catastrophic damage to a local church while trying to catch some thieves.

As if things couldn’t get any more chaotic, a deranged individual, seemingly picked at random from a phone book, is determined to hunt him down. In the midst of this turmoil, Navin finds an opportunity with an eccentric inventor named Stan Fox, played by Dick Anthony Williams, who is eager to market Navin’s innovative eyeglass repair service.

The crazed pursuer’s attempts on Navin’s life ultimately come to nothing, leading him to seek refuge at a traveling carnival. Here, he takes on the role of a weight guesser and becomes infatuated with the daring and formidable Patty Bernstein, portrayed by Bernadette Peters.

As Navin juggles his budding romance with Patty, he also becomes entangled with Marie Kimble, played by M. Emmet Walsh, a captivating cosmetologist. Their passionate connection, however, quickly fades as Marie becomes frustrated with Navin’s inability to provide stability. Heartbroken and disheartened, he and Shithead make their way back to Los Angeles.

Upon his return, the various threads of Navin’s life begin to intertwine. The private investigator who sought to end his life tracks him down with a message from Stan Fox, suggesting a meeting. As the story builds toward a climactic moment, the audience is left in suspense, curious about the fate awaiting Navin amidst the swirling chaos.

As Navin meets Stan, he is presented with a whopping check for $250,000—the fruits of their partnership featuring the Opti-Grab, a device that has grown into a significant commodity. With newfound wealth, Navin indulges in a lifestyle of extravagance alongside Marie, reveling in the excesses of their affluence.

Yet, this lavish period is short-lived as Navin finds himself facing a class-action lawsuit from countless Opti-Grab customers claiming irreversible vision damage, notably permanent cross-eyedness. The dire outcome results in a monumental loss, with the court demanding Navin pay an astonishing $10 million in damages, leaving him destitute and alone after an explosive fallout with Marie.

As he grapples with the stark transition to poverty, an unexpected twist unfolds—his adoptive family, having grown wealthy through wise investments fueled by the money Navin had previously sent them, arrives to take him in. They offer him a place in their grand new home, reminiscent of his upbringing yet magnified in scale.

In this surprising turn, Navin rediscovers the rhythms of his youth. Stepping onto the porch surrounded by familiar folk songs, he begins to dance, a poignant embodiment of resilience and redemption, his steps now infused with newfound grace and harmony.