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The Burning of the Imperial Palace 1983

A dramatized account of the Second Opium War’s climax in 1860, when Anglo‑French forces marched on Beijing and looted the imperial Yuan Ming Yuan, the Old Summer Palace. The film portrays the siege, the pillaging of priceless artworks, and the palace’s ultimate destruction, highlighting the cultural loss inflicted upon China.

A dramatized account of the Second Opium War’s climax in 1860, when Anglo‑French forces marched on Beijing and looted the imperial Yuan Ming Yuan, the Old Summer Palace. The film portrays the siege, the pillaging of priceless artworks, and the palace’s ultimate destruction, highlighting the cultural loss inflicted upon China.

Does The Burning of the Imperial Palace have end credit scenes?

No!

The Burning of the Imperial Palace does not have end credit scenes. You can leave when the credits roll.

Meet the Full Cast and Actors of The Burning of the Imperial Palace

Explore the complete cast of The Burning of the Imperial Palace, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.


Full Plot Summary and Ending Explained for The Burning of the Imperial Palace

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Read the complete plot summary of The Burning of the Imperial Palace, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


In 1852, a 17-year-old girl named Yulan is chosen for the Imperial Harem during a triennial selection. Her beauty is renowned, yet a centuries-old vow tied to the Yehenara clan keeps her at a distance from the Xianfeng Emperor, Tony Leung Ka Fai, who is wary of stirring old rivalries with the Aisin Gioro clan. The court’s politics loom as a background to a personal destiny that will test loyalties, traditions, and the future of a nation.

Everything shifts when the Emperor hears a song sung near the palace and is drawn to Yulan’s temperament in the Yuanming Garden. He falls in love, and over the course of a single year, she rises from a concubine to a noble consort after giving birth to his only son. Their marriage unfolds away from the public gaze, often within the tranquil confines of the Yuanming Garden, where the Emperor even guides her in how to respond to regional officials’ reports, blending intimate affection with the responsibilities of rule.

As foreign powers advance, Yulan steps into a more assertive political role. She collaborates with Prince Gong, Zhang Tielin, to advocate for peace with Western powers, challenging the prevailing military hardline. Their dialogue at a crucial meeting, presided over by the Emperor, marks a shift in how China might engage with the outside world. The idea of peace, once dismissed by many officials, gains traction, and the Emperor accepts her counsel to pursue negotiations at Tungchow, where a heavily armed Qing Army is stationed and the risk of conflict looms large.

The diplomacy scene broadens to the Tongzhou frontier as British envoy Harry Parkes pushes for a spectacular entry into Peking and refuses to bow to the Qing Emperor. The standoff intensifies when Sengge Rinchen, who had already faced defeats at earlier battles, asserts Qing strength in a daring display that culminates in Parkes’s defeat and the capture of the foreign delegations. Yet the momentum does not translate into sustained success; the Qing Army suffers crushing losses at the Battle of Palikao, and the capital’s fate hangs in the balance.

With Palikao fallen, the Xianfeng Emperor is forced to flee to the Summer Resort in Jehol, entrusting Prince Gong with the lead in negotiations. The foreign powers seize the moment, and the capital buckles under the weight of European and British forces, who march into the city with relatively little resistance. In the chaos, a determined peasant family volunteers to defend the city and succeeds in causing heavy casualties among the invaders, as Qing officials watch the landscape of power unravel.

The advance continues as the joint expeditionary force overruns the Yuanming Garden, turning it into a ground of confrontation rather than retreat. The sacking and destruction that follow—ordered by Lord Elgin—result in a fire that endures for three days, marking a devastating blow to the once-great palace complex that stood at the heart of imperial life. The ruins become a stark symbol of the period’s upheaval.

The narrative closes with a painful reflection: the ruins of Yuanming Garden stand as a lasting reminder of a time of national humiliation, a turning point where tradition met modern forces and the balance of power shifted forever.

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The Burning of the Imperial Palace Themes and Keywords

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destruction

The Burning of the Imperial Palace Other Names and Titles

Explore the various alternative titles, translations, and other names used for The Burning of the Imperial Palace across different regions and languages. Understand how the film is marketed and recognized worldwide.


Burning of Imperial Palace 火烧圆明园

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