
Wada, a corporate salaryman, is sent to China to scout a possible jade mine. Upon arriving, he meets a fierce but sentimental yakuza who insists on accompanying him. Guided by the enigmatic Shen, the trio embarks on a treacherous trek across the countryside. Their search for the mine leads them to an even more wondrous and alluring discovery.
Does The Bird People in China have end credit scenes?
No!
The Bird People in China does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Bird People in China, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.
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Challenge your knowledge of The Bird People in China with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who is sent to replace Mr. Okamura on the jade‑vein expedition?
Mr. Okamura
Mr. Wada
Ujiie
Shen
Show hint
Read the complete plot summary of The Bird People in China, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
When Mr. Okamura is sidelined by a hernia, Mr. Wada Masahiro Motoki is sent to replace him and assess a jade vein hidden in a remote village in Yunnan, China. His Chinese guide Shen Mako can speak Japanese but communicates in limited English, which creates moments of miscommunication as they trek through rugged terrain. A money-minded yakuza enforcer named Ujiie Renji Ishibashi makes it clear that Wada’s company owes him money and forces him to bring Ujiie along to settle the debt with precious stones. Along the way, they cross paths with a Japanese researcher who has traced carvings of bird-people across Japan and believes Yunnan could be the cradle of this culture.
After a storm wipes out their belongings and papers, the travelers reach the village and meet a blue-eyed Si-chang Yan, Li Li Wang, who runs a school teaching students to fly as bird-people, trained by diagrams from manuscripts left by her grandfather, a Royal Air Force pilot who crashed nearby years earlier. The group studies the English translation of an ancient book found in the area, and Mr. Wada translates it from English into Japanese at Ujiie’s request, weaving together two languages in a tense collaboration. The enigmatic school and its daring lessons become a focal point for the story.
Powered by the discovery of jade, the village’s future seems bright—electricity, new opportunities, and a potential boost in tourism. But Ujiie fears that modern wealth will bring crime and upheaval to their preserved way of life. He acts with ruthless practicality, even killing the tortoises used to pull their raft, and he later threatens to shoot Mr. Wada, Shen, and the ferryman to deter outsiders from exploiting the village. In a dramatic turn, Wada persuades him to test a bold plan: to fly using the artificial wings taught at the school, though the attempt ends in a crash that reshapes everyone’s path.
In the years that follow, Ujiie becomes the village development advisor, steering the community from behind the scenes, while Mr. Wada returns to Japan and starts a family. The journey leaves viewers contemplating the tensions between progress and preservation, and the ways a distant expedition can ripple through lives long after the voyage ends.
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