
Frances Austen, a 32‑year‑old affluent but isolated spinster, discovers a mute 19‑year‑old teenager shivering in the park beside her home and invites him into her apartment. Her attempts to protect him only deepen her solitude; as they struggle to communicate, her growing possessiveness drives her into increasingly unsettling, obsessive behavior now.
Does That Cold Day in the Park have end credit scenes?
No!
That Cold Day in the Park does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for That Cold Day in the Park (1969) via JustWatch.
Explore the complete cast of That Cold Day in the Park, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

David Garfield
Nick

Susanne Benton
Nina

Sandy Dennis
Frances Austen

Luana Anders
Sylvia

Michael Murphy
The Rounder

Linda Sorensen
Prostitute

Lloyd Berry
Mr. Parnell

Michael Burns
The Boy

Edward Greenhalgh
Dr. Stevenson

Doris Buckinham
Mrs. Ebury

Rae Brown
Mrs. Parnell

Frank Wade
Mr. Ebury

Alicia Ammon
Mrs. Pitt
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Challenge your knowledge of That Cold Day in the Park with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Which actress portrays Frances Austen in the film?
Read the complete plot summary of That Cold Day in the Park, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Frances Austen, Sandy Dennis, inherits her late parents’ Vancouver apartment and soon spots a quiet, nineteen-year-old boy sitting in the rain outside a nearby park. He does not speak, yet there’s a sense that he understands more than words can convey. Frances brings him inside, runs a bath, serves a warm meal, and offers a bed in her spare room, quietly locking the door when night falls. The next day, she buys him fresh clothes, setting a careful boundary around their budding routine.
That night the boy slips away, briefly visiting his parents and younger siblings, then heads to a houseboat owned by his older sister Nina, Susanne Benton. He shares what happened with Nina and her boyfriend Nick, David Garfield. Although the boy can speak, Nina explains that he often chooses silence. The three of them exchange cookies—homemade by Nina—that secretly contain cannabis, a detail neither Frances nor her visitor seems to notice as the atmosphere grows more intimate.
The following day, the boy returns with more of the same cookies and unexpectedly encounters Frances’ maid. Mrs. Parnell. Frances welcomes him again and tells Mrs. Parnell to leave early. The cookies are burnt, yet Frances opens an expensive bottle of wine to accompany them; the true nature of the treats escapes them both. Frances becomes absorbed in one-sided conversations and playful flirting with the boy, developing a growing attachment that unsettles the quiet balance she has tried to maintain.
The next morning Frances must go out and will not return until evening. While she’s away, Nina slips in through the spare-room window, takes a bath, and pulls her half-dressed brother into the water. Frances has had a contraceptive diaphragm fitted at a local clinic and later joins a lawn bowls outing with friends significantly older than herself. A doctor from the group, Charles, offers romantic and sexual advances when she returns home, but she rejects him, insisting that she is not attracted to him.
Back in the dark spare room, a shape under the bedclothes appears. Frances speaks to the boy about Charles, explaining that he has long desired her, while she repeats that she is not drawn to him, that he smells old and repels her. Eventually she lies down and asks the boy to make love to her, only to discover that no one else is there—the supposed companion is merely a bundle of dolls and stuffed toys.
The boy slips back to his room and finds all doors and windows nailed shut. Frances apologizes, but insists that she wants things to stay as they are, leaving him imprisoned as she goes out to a bar. She spots a woman sitting alone and invites her to spend the night with the boy, but the woman grows unsettled. A bystander helps Frances locate a prostitute named Sylvia, Luana Anders, at a nearby diner. Frances brings Sylvia home and locks her in the room with the boy, then listens at the door as they have sex. Overcome with emotion, Frances enters the room and stabs Sylvia through the heart.
The boy desperately searches for an exit, but Frances reassures him that he can stay with her and need not fear. As the credits roll, she kisses him repeatedly and tells him she wants him to make love to her while he remains in a horrified state.

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