
He hypnotizes! He thrills…! Any woman caught in his spell must obey. A music maestro uses hypnotism on a young model he meets in Paris to make her both his muse and wife.
Does Svengali have end credit scenes?
No!
Svengali does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Svengali (1931) via JustWatch.
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SDExplore the complete cast of Svengali, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Ferike Boros
Marta (uncredited)

Luis Alberni
Gecko

Rose Dione
Trilby's Mother (uncredited)

Donald Crisp
The Laird

John Barrymore
Svengali

Bramwell Fletcher
Billee

Carmel Myers
Madame Honori

Paul Porcasi
Bonelli

Marian Marsh
Trilby O'Farrell

Lumsden Hare
Monsieur Taffy

Adrienne D'Ambricourt
Mme. Vinard (uncredited)

Yola d'Avril
Maid (uncredited)
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Read the complete plot summary of Svengali, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In a tale woven through Paris’s art studios and European stages, the dangerous bond between a claiming yet untalented singer and a magnetic, manipulative mentor unfolds with stunning precision. Madame Honori confesses to her ominous singing teacher Svengali that she has left her husband, and she refuses her former partner’s monetary offer. His response is chilling: a single, piercing stare that drives her to flee in terror, and soon after, her body is found in the Seine.
From the shadows of that tragedy, Svengali and his flatmate Gecko drift into the studio world of English artists—the Laird, Monsieur Taffy, and Billee—where they wander in search of a meal and distraction. There they encounter a radiant young milkmaid and artist’s model, Trilby O’Farrell, whose simple charm and natural talent captivate them all. Svengali is incensed by the girl’s appeal, but she finds herself drawn to the dashing, kind-hearted Billee.
Under the pretext of curing her headaches, Svengali hypnotizes Trilby O’Farrell, binding her to his will and making it possible for him to control her thoughts and actions. The budding romance with Billee collides with this new power, and when he uncovers Trilby’s nude posing in the artists’ circle, a fierce quarrel erupts. Svengali engineers a dramatic ruse—Trilby’s supposed suicide—and she departs Paris to follow him into a life shaped by his mind rather than her own heart.
Five years pass, and Trilby has become “Madame Svengali,” a celebrated European singer whose performances are fueled entirely by his uncanny influence. Guests—old friends and colleagues who once believed she lay dead—arrive for her Paris debut, astonished to see the woman they thought they had lost. Billee remains a steadfast observer, attending every show as Svengali’s control tightens and then unwinds. Yet Trilby’s deep attachment to Billee weakens Svengali’s grip, forcing him to cancel performances and reduce her schedule to a single engagement in an Egyptian cabaret.
As the strain of power takes its toll, Svengali suffers an “attack” that shatters his hold over Trilby. Her voice falters, singing off key as his supernatural command slips away. In the final, fateful moment, Svengali pleads to be granted Trilby’s love even in death, a plea that mirrors the moment of his own downfall. Trilby answers in the only way she can, collapsing into Billee’s arms and whispering his name, a quiet farewell that seals the tragedy.
In the end, the story is a meditation on artistry, obsession, and the dangerous allure of absolute control, where talent becomes a battleground for possession and love, and where the line between muse and instrument is dangerously thin. The world the characters inhabit—an amalgam of Parisian studios, European stages, and a distant cabaret in Egypt—serves as a backdrop for a romance that is as much about power as it is about passion.
Svengali….

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