Splitsville 2025

Carey Kyle Marvin and Ashley Adria Arjona are a married couple who hit the road for a casual drive, trading light songs and playful closeness as they weave through the day. The mood shifts when Ashley loses interest mid-song, and a bold, impulsive moment follows: a handjob while they cruise. A passing couple honks, and soon they crash—careening over a dirt mound, the other vehicle’s driver badly injured and his wife ejected from the car. On the roadside, Ashley tries to revive the woman as a police officer arrives and confirms the tragedy. Carey’s awkward moment in the chaos—his entirely exposed state—drops the scene into a surprising, uncomfortable realism that sets the film’s tone for what follows.

The aftermath pushes Ashley to voice a difficult truth: she wants a divorce. She confesses she has been sleeping with other people, and she begins reading a letter she wrote for this moment. Carey bolts from the car, sprinting into a field, his emotions tangled with shock, hurt, and a reluctance to accept the end of their marriage.

Seeking refuge, Carey makes his way to the home of his and Ashley’s wealthy friends, Paul Michael Angelo Covino and Julie Dakota Johnson. There, he finds shelter and a listening ear, and an unsettling new truth emerges: Paul and Julie live in an open relationship. Carey spends the night with them, and a world of complicated feelings unfurls as the trio navigates trust, desire, and boundaries within this unconventional arrangement.

The next day brings a reluctant confrontation with a man who claims Paul and Julie’s son Russ Simon Webster stole his jet ski, a charge the man repeats with insult. Carey stands up to him, the confrontation turning physical before Julie intervenes, smashing the intruder with a well-timed strike. As the day unfolds, Carey and Julie grow closer, and their bond deepens into a moment of intimacy that complicates everyone’s beliefs about loyalty and honesty.

When Carey returns home, Ashley has moved on to another relationship, this time with a man named Jackson Charlie Gillespie. Carey’s reaction is complex: he seems unfazed on the surface, even preparing food for Jackson, while Ashley slowly reads her letter and contemplates the future. In time, Carey confesses he has slept with someone, and the truth behind the open relationship begins to surface in painful ways. Ashley consents to the idea of an open arrangement, but the emotional stakes remain high as Jule and Paul observe the shifting dynamics with wary eyes.

As the days pass, the group’s delicate balance frays further. Ashley introduces new lovers, including Fede David Castaeda and Antoneta Nahéma Ricci, who start living in the house, which irritates Ashley even as Carey maintains casual friendships with them. Paul, who has separated from Julie, arrives to confront Carey about his entanglement with Julie, stirring tension unless Ashley steps in with a practical stance. Julie admits she never slept with anyone during the marriage’s open phase, and a tense, awkward pause hangs in the air as accusations and insecurities surface.

The school becomes a focal point when Russ lands in trouble—pantsing another child leads to a broken arm, an uncomfortable meeting with the school director Dr. Ott [Tyrone Benskin], and an eventual expulsion. Paul is pulled into financing issues and finds himself facing tax troubles that threaten their asset base, including the beach house. The revelation that Julie has been sleeping with Carey compounds the strain, even as Carey’s own admission lands with a heavy weight. The adults’ fights spill into legal and financial consequences, culminating in a situation where Paul faces jail time, divorce papers, and a reconsideration of what they owe one another.

The tension reaches a fever pitch at Russ’s birthday, where Matt The Mentalist Nicholas Braun performs for the kids, while Paul presents a plan to appear as if he has a new girlfriend—Keri Jessika Mathurin in disguise—to provoke jealousy. Ashley sings a song that reminds Carey of their early connection, and the group’s fragile alliances begin to crumble under the weight of jealousy, longing, and the fear of loss. A kitchen confrontation erupts into a brawl as the four adults grapple with what they want from one another. A dramatic blaze—ignited inadvertently by oversized candles and an impulse to keep Russ entertained—threatens everyone, only to be snuffed out by a fire extinguisher and a quick dose of luck.

In the aftermath, the hospital lights glow with a sense of fragile renewal. Carey and Ashley discover they are nonetheless capable of building a life together, and they become parents to a baby boy, hinting at a lasting reconciliation. The beach house settles into a new rhythm as a kind of informal bed-and-breakfast, a symbol of how the adults have learned to live with each other’s needs. Julie and Paul, no longer a traditional couple, maintain a rooted but unconventional closeness that lingers in the air. Russ continues to push boundaries, sometimes testing limits in ways that force the adults to confront the consequences of their choices. The story closes on a note of complex, evolving relationships, where care, competition, affection, and resilience intertwine against the backdrop of a sunlit coast and a shared, imperfect family life.