Runtime
117 mins
Language
Telugu

A police officer investigates a baffling case when conflicting accounts emerge about a man's identity. Several young women appear to be linked to him in a mysterious way. An elderly man insists he knew the man as Krishnamurthy, who supposedly died thirty years prior, deepening the enigma and raising unsettling questions about the truth.
Does Seven have end credit scenes?
No!
Seven does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Seven, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Regina Cassandra
Saraswathi

Dhanraj Sukhram
Karthik's coworker (Telugu Version)

Satya
Journalist

Rahman
Vijay Prakash

Nandita Swetha
Ramya

Vidyullekha Raman
Karthik's coworker

Tridha Choudhury
Priya

Anisha Ambrose
Jenny

Aditi Arya
Abhinaya

Pujita Ponnada
Bhanu

Kishore Rajkumar
Karthik's coworker (Tamil version)

Havish
Karthik

Sangeetha Venkatesh
Discover where to watch Seven online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb or Letterboxd.
See how Seven is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Seven stands among top-rated movies in its genre.
Overall, Seven delivers a largely unsatisfying experience across its core components. The narrative falls short due to an early reveal and uneven pacing, while direction and editing receive little commendation. Performances are inconsistent, with a few standouts amid generally weak acting. Technical aspects such as sound design and visual cohesion are underdeveloped, and the film offers little incentive for repeat viewings. In sum, the collective impression is one of disappointment with limited replay value.
The Movie Echo Score Breakdown for Seven
Art & Craft
In terms of direction and overall craftsmanship, the film is notably uneven. Reviewers repeatedly cite poor direction and uninspired editing, with only a brief mention of an effective opening setup. No aspects of cinematography or production design receive praise. Consequently, the technical execution feels subpar throughout most of the runtime. The net impression is that the film’s art and craft fall well below standard expectations.
Character & Emotion
When evaluating acting and character depth, the consensus skews negative. Multiple reviewers describe performances as rubbish, mediocre, or among the worst seen, though a few note a solid effort by Regina and occasional moments from veteran actors. No sustained emotional resonance is reported, and chemistry is largely absent. The mixed but predominantly poor acting leads to a modestly low character score that reflects the overall weakness in this area.
Story & Flow
The story and plot structure are criticized for weakness and early revelations that undermine tension. Several reviewers label the narrative as drag‑heavy, unoriginal, and lacking engagement, despite occasional praise for an intriguing opening. Pacing issues and a predictable twist are highlighted as major flaws. While a handful of comments suggest the premise had potential, the prevailing view is that the storyline fails to sustain interest, resulting in a below‑average rating.
Sensory Experience
Sensory elements such as soundtrack and sound design receive consistently poor feedback. Critics mention substandard background music and a lack of compelling audio cues, with no positive remarks about visual style or cohesion. The absence of noteworthy sensory highlights contributes to an overall bland viewing experience. This aspect therefore scores at the low end of the scale, reflecting the film’s failure to engage audiences through sound or visual flair.
Rewatch Factor
Rewatch value is limited according to the gathered opinions. Viewers describe the film as a one‑time watch, often fast‑forwarded or abandoned midway, and note little incentive for repeated viewings. A minority mention a guilty‑pleasure aspect, but this does not offset the dominant sentiment of low replay appeal. Consequently, the rewatch factor is rated modestly low, indicating minimal lasting attraction.
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