
When the Sheffield family’s middle child inherits the Foxworth mansion, long-held secrets and painful truths surface. Haunted by the family’s past and the weight of a lingering curse, they must confront their history as new tragedies unfold, threatening to tear them apart.
Does Seeds of Yesterday have end credit scenes?
No!
Seeds of Yesterday does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Seeds of Yesterday, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Sammi Hanratty
Cindy

Rachael Carpani
Cathy

James Maslow
Bart

Anthony Konechny
Jory

Andrew Herr
Lance

Kehli O'Byrne
Woman

Nikohl Boosheri
Toni

Jason Lewis
Christopher

Leah Gibson
Melodie

Nancy Ebert
Society Lady

Mark McConchie
Attorney

Aidan Kahn
College Buddy

Peter J. Gray
Hot Guy

Michelle Briscoe
Young Blonde

Owen Selkirk
Male Dancer #1

Broderick Hargreaves
Male Dancer #2

Michelle Choi-Lee
Rental Agent
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Challenge your knowledge of Seeds of Yesterday with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who works as the head butler at Bart's request?
Joel
Chris
Cindy
Jory
Show hint
Read the complete plot summary of Seeds of Yesterday, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Fifteen years after If There Be Thorns, Cathy Rachael Carpani and her husband Chris Jason Lewis arrive at the home of their son Bart James Maslow, a house that is an exact replica of Foxworth Hall and a stark reminder of the family’s dark past. The air feels tense as they step inside, and the atmosphere only grows heavier with Bart’s brittle hospitality. Bart, now grown into a handsome yet intensely guarded young man, is not just wealthy; he is suspicious, possessive, and hungry for control. He guards his money fiercely, effectively keeping Chris from his rightful share until Bart reaches the age of thirty-five, a detail that gnaws at Cathy and sows quiet resentment in the room.
A figure emerges who unsettles Cathy even further: a man named Joel, Corrine’s brother, who was long thought killed in an avalanche. He explains that he survived and sought recovery in a monastery before resurfacing at Bart’s request as the head butler. Joel’s presence injects a new dynamic into the estate, delivering troubling messages about God and punishment that seem to echo Bart’s deepest insecurities. The family’s fragile peace is strained as Bart begins to lean on Joel for guidance, creating a rift that Cathy finds hard to ignore.
Bart’s brother Jory arrives with his wife Melodie, a dancer whose radiant energy clashes with the house’s stern atmosphere. Jory, nearly thirty and married for nine years, brings news of Melodie’s pregnancy, a development that should bring joy but instead intensifies Bart’s jealousy. Bart’s envy bubbles over as he watches Jory and Melodie, and he harbors an unhealthy interest in Melodie that unsettles Cathy and reshapes the household’s balance. The arrival of Jory’s sister Cindy, now sixteen, adds another layer of complexity to a home already frayed by desire and entitlement.
Cindy’s exuberance shines even as Cathy tries to ground her, enforcing the family’s fragile rules and attempting to shield the younger generation from the shadows of the past. But the house proves a difficult tutor. An accident leaves Jory paraplegic, and Melodie struggles to cope with the changes in her husband and their new reality. She drifts away from Jory in different ways, and as Cathy tends to the fragile family, she discovers that Melodie has sought solace outside her marriage—an affair with Bart that shocks everyone and tests Cathy’s loyalties and judgment.
The revelations ripple outward. Cathy confronts Bart, who insists that his love for Melodie is genuine, but he quickly realizes that the relationship is hollow—an empty echo of the love he could never claim with the people who truly mattered. Jory learns of the affair, and though hurt, he attempts reconciliation with Melodie. Melodie, exhausted by the strain, nonetheless presses forward, and she goes into labor on Christmas Day, bringing twins, Darren and Deirdre, into a family already grappling with grief and guilt. Cathy notes the babies’ resemblance to her late twin siblings and throws herself into caring for them, hoping Melodie’s postpartum wobbles will pass, even as she senses that Melodie’s heart remains unsettled.
Melodie’s wavering resolve eventually leads her to abandon Jory and the infants, packing up to start anew in New York City. The strain of caring for a dying emotional landscape weighs heavily on Cathy, who must navigate the delicate balance of disciplining Bart while keeping peace with Cindy, whose free spirit continues to challenge the family’s boundaries.
As the household contends with these ruptures, Cathy seeks to protect the younger generation from predatory impulses. She hires Antonia “Toni” Winters as a nurse to help Jory recover, hoping Toni and Jory might forge a bond that could bring healing. Yet Bart’s possessive streak surfaces again as he becomes entangled with Toni, claiming that she loves him. Toni’s affection for Bart grows complicated when she notices his darker tendencies and eventually ends the affair. Toni’s feelings soon shift toward Jory, and the two begin a meaningful relationship that begins to lift Jory out of his earlier depression.
Meanwhile, Cindy’s world expands as she hears news of Melodie’s life in New York. Melodie moves on with her career, remarrying after her divorce from Jory and resuming her dancing, while Bart’s grip on the family grows more complicated and dangerous. Bart constructs a chapel within the home and begins presiding over Sunday sermons, enforced by Joel’s stern voice and the sense that the house is turning into a place of ritual rather than refuge. Cathy and Chris, unimpressed by the “fire and brimstone” approach, refuse to participate in these sermons, and Cathy warns Bart not to bring the twins to the chapel. Yet Bart persists, and Cathy’s insistence on leaving the house rises to a crisis point.
In a cruel twist of fate, Chris dies in a hit-and-run accident, a tragedy Cathy sees echoing their father’s fate and a reminder that the past is never truly buried. Bart delivers a moving eulogy at Chris’s funeral, expressing remorse and acknowledging that he really did love his father. The eulogy softens Cathy’s heart somewhat, and she returns to support Bart, who begins to find his place as a televangelist, channeling his charisma into a public-facing leadership that makes the family feel closer than before. Cindy and Bart eventually find a way to coexist, and Cathy witnesses them singing together, a fragile moment of peace in a house that has tasted too much pain.
Joel, having spent years under a monastery’s quiet discipline, returns to his solitude, leaving the family to chart their own futures. Jory and Toni marry, and Toni becomes pregnant, signaling another potential new chapter for the younger generation. Despite the family’s gradual healing and rapprochement, Cathy remains haunted, and the shadow of loss lingers—a reminder that happiness here comes with a price.
Ultimately, Cathy’s story ends as it began: within the attic, a private, quiet moment that becomes a final, poignant act. She decorates the room with paper flowers and sits by the window, reflecting on the generations that have passed—the mother, grandmother, and siblings whose innocence was stolen. Cathy dies, officially from natural causes, but the narrative hints that her heart broke long before, a quiet resonance of love, memory, and the unspoken pain that has bound the family for so long.
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