
Gopalakrishnan faces bankruptcy and plans to sell his city property, but first must evict the tenants. His toughest obstacle is the spirited Meera and her family, who refuse to leave. Exploiting a little‑known clause, he moves into the house himself and uses every trick to force the occupants out.
Does Sanmanassullavarkku Samadhanam have end credit scenes?
No!
Sanmanassullavarkku Samadhanam does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Sanmanassullavarkku Samadhanam, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Mohanlal
Gopalakrishna Panikkar

Mamukkoya
Ummer

Innocent
Kunji Kannan Nair

Thilakan
Damodaran

KPAC Lalitha
Karthyayani

Sukumari
Panikkar's Mother

Sreenivasan
Sub-Inspector Rajendran

Yadu Krishnan
Monukuttan

Thodupuzha Vasanthi
Ayisha

M G Soman
Poomkinavu Ammavan

Sankaradi
Adv. P. Sreedharan Nair

Karthika
Meera
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Read the complete plot summary of Sanmanassullavarkku Samadhanam, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Gopalakrishna Panikkar Mohanlal is a short-tempered, domineering house owner who finds himself overwhelmed by debt accumulated during the wedding celebrations of his two sisters. He faces the grim prospect of bankruptcy and sees only one path to relief: force his tenants to vacate so the city house can be sold to repay what he owes. The tenants, however, have their own reasons for not leaving, creating a tense stalemate inside the building.
To turn the tide, he exploits a little-known clause in the lease and moves himself into the house, hoping this will pressure the occupants to pack up. He enlists the help of his friend, Sub-Inspector Rajendran [Sreenivasan], in his eviction plan. But Rajendran discovers a more personal motive for resisting eviction: he has fallen for Meera [Karthika], and his duty to protect her makes him refuse to drive her out.
Complications multiply when Meera’s elderly uncle Damodaran [Thilakan] tries to help eject Gopalakrishnan with the aid of a goon. A physical confrontation ensues, and Gopalakrishnan manages to fend off the threat and chase Damodaran away, heightening the clash between them.
Gopalakrishnan then crafts a new scheme: he hopes Rajendran will marry Meera to force her family’s hand and clear the tenants out. The plan hits a snag when Meera’s mother reveals a painful truth about her daughter’s mental health, a consequence of her father’s death. This revelation injects both sympathy and confusion into the situation, adding to the film’s comic and dramatic beats.
As the truth comes to light and emotions churn, Meera, realizing the extent of Gopalakrishnan’s predicament, vacates the house with some hesitation. Yet, in a final turn of sentiment, Gopalakrishnan calls her back and declares that the space they inhabit could become their shared home.

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