A rebellious teenager is torn from her ancestral roots and forced into assimilation at a boarding school, where she's subjected to cultural erasure and societal conditioning. As she navigates the treacherous landscape of identity and belonging, she must confront the dark legacy of colonialism and the struggle for indigenous rights.
Does Sami Blood have end credit scenes?
No!
Sami Blood does not have end credit scenes. You can leave when the credits roll.
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79
Metascore
6.8
User Score
%
TOMATOMETER
0%
User Score
7.3 /10
IMDb Rating
74
%
User Score
3.7
From 24 fan ratings
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What is the original Sami name of the main character, Christina?
Read the complete plot summary of Sami Blood, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In 2017, Christina, a 78-year-old woman, travels to a quaint town in Swedish Lapland accompanied by her son Olle Sarri and granddaughter Sanna, to partake in the Sami funeral of her younger sister. However, Christina, referred to by her original Sami name Elle-Marja, feels a strong aversion to being there. She harshly criticizes the Sami community, labeling them as “thieves and liars,” and her discomfort increases when spoken to in her native tongue, Southern Sami. Opting to avoid the family home of her late sister, she chooses to stay in a hotel instead. As the evening unfolds, Christina reflects on her past, particularly the childhood experiences that distanced her from her heritage.
As a 14-year-old, Elle-Marja faces significant challenges; her mother is ill, prompting her to attend a nomadic boarding school for Sami children alongside her younger sister Njenna. Here, a blonde teacher named Christina Lajler enforces Swedish and a rigid hierarchy among the students. The punishment for speaking Sami, even in private conversations, is severe. Demonstrating exceptional academic prowess, Elle-Marja achieves perfect scores and exhibits a keen interest in literature, spurred on by her teacher’s encouragement. Presented with a poetry book by Edith Södergran, she finds herself increasingly alienated from her classmates. This sense of isolation escalates when researchers from the State Institute for Racial Biology arrive, measuring the children’s heads and taking invasive photographs, disregarding their feelings of shame.
After defending herself against a group of boys who mock her with derogatory names and slurs, Elle-Marja’s frustration boils over. Nicking the edge of her ear, reminiscent of Sami traditions, she discards her gaeptie and borrows a dress from her teacher’s line.
Catching a glimpse of soldiers heading to a dance, Elle-Marja can’t resist the urge to follow. For a fleeting moment, she experiences respect and dignity, dancing with a boy named Niklas, who is from Uppsala. Under the guise of a different identity, Christina, she chooses not to disclose her Sami heritage. Nevertheless, her sister, informed about Elle-Marja sneaking away, disrupts this moment of freedom, resulting in Elle-Marja facing punishment.
Determined to pursue her education, Elle-Marja seeks a recommendation from Christina Lajler, who begrudgingly acknowledges her intellect but firmly states that Sami people are not suited for advanced studies. In a moment of rebellion, Elle-Marja resolves to escape to Uppsala; she steals clothes, discards her gaeptie, and enters Niklas’ home uninvited. Though they share an intimate moment, Niklas’ family soon realizes her background and asks her to leave, forcing her to seek shelter outdoors.
In Uppsala, she adopts the name Christina Lajler and enrolls in school. Just as she begins to forge new friendships, financial burdens surface when she receives a bill for tuition. In a bid to cover her costs, Elle-Marja returns to Niklas’ celebration, hoping for assistance. However, she faces humiliation as a group discovers her ancestry and coerces her into performing a traditional joik during the party.
Unable to sustain her schooling, Elle-Marja reluctantly heads back home, where resentment brews against her Sami origins. She wishes to sell her share of the family reindeer to raise funds but is met with rejection from her mother, who is rooted in preserving their culture. In a tender but silent act of love, the next morning, her mother presents her with a silver belt, a legacy from her father, enabling Elle-Marja to continue her education.
As the narrative returns to 2017, Christina finds a moment of reconciliation, expressing her long-overdue sorrow to her deceased sister Njenna, speaking in South Sami.
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