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What's After the Movie?
Horror thriller

Ryde (2017): Cast & Ratings

Ryde (2017) movie poster

Ryde is a 2017 horror thriller directed by Brian Frank Visciglia, starring Delpaneaux Wills as Deputy Martinez, Jessica Serfaty and Dylan Taylor. It runs 1 hour 24 minutes. IMDb users rate it 4.9/10.

IMDb rating
4.9/10
Echo Score
39
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Ryde (2017) movie poster
Released
Runtime
1h 24m (84 min)
Genres
Thriller , Horror
Original language
English
After the credits
No No extra scene
The story

What Is Ryde About?

The premise of Ryde without spoilers.

A groundbreaking ride-sharing application quickly gains popularity in the city, promising unprecedented convenience. However, users soon discover their drivers are anonymous, and a growing sense of unease emerges as the relationship between passenger and driver becomes increasingly ambiguous, leading to a thrilling exploration of trust and danger.

Ryde Themes & Keywords

· 20 tags
  • female full frontal nudity
  • female topless nudity
  • knife
  • female nudity
  • male rear nudity
  • pubic hair
  • male pubic hair
  • car
  • rideshare driver
  • one word title
  • title appears in writing
  • final girl
+8 more
  • male nudity
  • brief male frontal nudity
  • trimmed pubic hair
  • psychopath
  • date night
  • driving
  • serial killer
  • title spoken by character
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Cast & crew

Ryde Cast & Characters

Delpaneaux Wills leads the cast as Deputy Martinez, with Jessica Serfaty as Jasmine and Dylan Taylor as Terrance. Directed by Brian Frank Visciglia; 10 actors are credited in all.

Ratings

Ryde Reviews & Ratings

IMDb users rate Ryde 4.9/10. Our Echo Score gives it 39/100, strongest in art & craft (80) and weakest in rewatch factor (10).

39 /100

Ryde Echo Score Breakdown

Overall, the film presents a striking visual style that is undermined by shallow narrative and underdeveloped characters. Reviews consistently praise the polished cinematography, synth-driven score, and nighttime cityscapes while highlighting an absence of psychological depth or coherent pacing. The story relies on familiar horror tropes and contains problematic depictions that detract from engagement. Despite strong technical merits in visual and auditory crafting, the film struggles to sustain emotional resonance or narrative intrigue, resulting in a largely unsatisfying viewing experience.

Our own 0–100 rating, built from five aspects: art, character, story, the sensory experience and how well a film rewatches.

  • Art & Craft 80

    In terms of art and craft, the film leverages polished cinematography and sleek production design to strong effect. Several reviews note a consistent visual sheen, stylish nighttime shots of Los Angeles, and coherent framing that heightens tension. The editing maintains energy during key sequences, while the direction delivers a glossy atmosphere. Overall, the art and craft provide the principal aesthetic appeal.

  • Character & Emotion 30

    When it comes to character and emotion, the film offers minimal depth and uneven performances. Critics highlight a lack of psychological motivation for the killer and shallow development of supporting roles. While a few performers bring moments of charisma, most character interactions feel unconvincing and devoid of emotional resonance. In conclusion, weak characterisation and inconsistent acting undermine the intended dramatic impact.

  • Story & Flow 30

    Regarding story and flow, the narrative is undermined by predictable plotting and a lack of coherent pacing. Reviews cite by-the-numbers horror beats, improbable character decisions, and missed opportunities for deeper suspense. The storyline resembles a shallow homage to similar thrillers without delivering meaningful twists or engagement. Ultimately, the disjointed plot structure detracts from narrative immersion and reduces overall investment.

  • Sensory Experience 70

    In terms of sensory experience, the synth-driven score and sound design receive moderate praise for setting an eerie tone. Observers commend the cohesive audio-visual interplay during nighttime sequences and the deliberate use of ambient effects. Some note that the soundtrack elevates tension despite occasional mismatches in mixing. Overall, sensory elements enrich atmosphere but fall short of fully offsetting narrative weaknesses.

  • Rewatch Factor 10

    When considering rewatch factor, the film’s limited depth and uneven pacing discourage repeated viewing. Commentators mention that once its central gimmick and key scares are known, the tension dissipates quickly. The lack of character replay value and thin narrative layers leave little incentive for subsequent viewings. In sum, the movie offers minimal lasting appeal and poor replay potential.

Videos

Ryde Trailers & Videos

2 videos: 2 trailers.

Ryde Movie || Official Trailer || David Wachs, Jessica Serfaty
  • Trailer RYDE I Horror Trailer
Cars

Cars in Ryde

39 cars on screen, including the 2006 Cadillac DTS and the 2007 Mercedes-Benz E-Klasse W211.

All 39 cars
  • 2006 Cadillac DTS in Ryde 2006 Cadillac DTS Main role
  • 2007 Mercedes-Benz E-Klasse W211 in Ryde 2007 Mercedes-Benz E-Klasse W211 Important role
  • 2012 BMW 3 F30 in Ryde 2012 BMW 3 F30 Minor role
  • Ford Crown Victoria in Ryde Ford Crown Victoria Minor role
Details

Ryde Also Known As

4 alternative titles, including “Бомбила” and “打车惊魂”.

Also known as
  • Бомбила
  • 打车惊魂
  • 데스 라이드
  • Fuvar app

Seen Ryde?

FAQ

Ryde FAQ: Cast, Runtime & Release Date

Runtime, release date, director, cast, ratings and post-credit scenes of Ryde, each answered in a sentence.

How long is Ryde?

Ryde runs 1 hour 24 minutes (84 minutes).

When was Ryde released?

Ryde was released on September 15, 2017.

Who directed Ryde?

Ryde was directed by Brian Frank Visciglia.

Who is in the cast of Ryde?

Ryde stars Delpaneaux Wills as Deputy Martinez, Jessica Serfaty as Jasmine and Dylan Taylor as Terrance, among 10 credited actors.

How is Ryde rated?

Ryde has 4.9/10 on IMDb, 44% on TMDB and 2.4/5 on Letterboxd.

Does Ryde have a post-credit scene?

No. Ryde has no extra scene during or after the credits.

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