
During the intensifying Cold War in 1951 USSR, KGB agent Stoichkov investigates a bizarre stage show in the Baltic region. The show features lifelike dolls – Robert, Kalashnikov, and Miss Cyclops – captivating audiences. He discovers the show’s host is a German toymaker possessing a mystical book rumored to grant eternal life. Believing the toymaker can save the ailing dictator Joseph Stalin, Stoichkov kidnaps him and transports him to Moscow. However, the toymaker's animated creations pursue them, and chaos erupts aboard the plane as Stoichkov and his team confront the dolls’ relentless mission to free their master.
Does Robert Reborn have end credit scenes?
No!
Robert Reborn does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Robert Reborn, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Alec James
Coroner

David Lenik
Adler

Klemens Koehring
Herzog

Lee Bane
The Toymaker

Andy Evason
Hansen

Lux Kapsaski
Olga

Dennis Farrin
Stoichkov

Peter Svatik
Petrov

Christopher Bennett
Bartender

Brendan Purcell
Peters

Paris Stangl
Romanov

Cassandra Hodges
Alberta Crow

Oliver Berry
Robert Crow

Matt Houlihan
Elias

Svend Emil Jacobsen
Chef

Alistair Armstrong
Sanders
Discover where to watch Robert Reborn online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
See how Robert Reborn is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Robert Reborn stands among top-rated movies in its genre.
Robert Reborn delivers a consistently low‑budget experience that fails to overcome its series fatigue. The film’s direction and production values feel cheap, while performances are widely regarded as sub‑par and the narrative lacks cohesion. A few reviewers note marginal improvements in visual design and occasional moments of dark humor, yet these do not offset the pervasive technical and storytelling shortcomings. Consequently, the movie offers limited appeal beyond dedicated fans of the franchise.
The Movie Echo Score Breakdown for Robert Reborn
Art & Craft
In terms of art and craft, the film presents a visibly low‑budget aesthetic, with critics describing sets as cheap and special effects as unconvincing. Some reviewers acknowledge marginally better doll design and a slightly toned‑down Toymaker appearance compared to earlier entries. Nonetheless, the overall cinematography, editing, and production design are perceived as inferior, contributing to a perception of visual austerity that undermines the intended creepiness.
Character & Emotion
When evaluating character and emotion, the consensus highlights poor acting, stilted dialogue, and unconvincing performances from the lead cast. Accents are criticized as inauthentic, and the chemistry among characters is deemed weak. A lone positive note mentions Lee Bane delivering a comparatively stronger performance within the series, but this exception does not alter the overall view that the film’s characters lack depth and fail to engage the audience.
Story & Flow
The story and flow receive mixed feedback, with most reviewers calling the plot thin, aimless, and riddled with anachronisms. While a few acknowledge a lingering potential in the series’ premise and occasional intriguing set pieces, the lack of coherent pacing and original thrills leaves the narrative feeling stale. Consequently, the film is seen as a repetitive continuation that does not capitalize on its horror‑thriller foundation.
Sensory Experience
Sensory experience is largely viewed as substandard, with complaints about obvious and poorly mixed sound design and a soundtrack that fails to sustain tension. Visual style suffers from low production values, though some reviewers note fleeting moments of atmospheric lighting in toy‑room scenes. Overall, the auditory and visual components do not coalesce into an immersive horror atmosphere, reinforcing the film’s amateurish feel.
Rewatch Factor
Rewatch factor is considered low, as the majority of reviewers label the film a waste of time and recommend it only to die‑hard fans of the franchise. The repetitive jokes, lack of scares, and overall poor quality diminish its replay value. A minority of viewers appreciate its consistency with low‑budget horror series, but this niche appreciation is insufficient to elevate its lasting appeal.
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