
After his mother’s death, young Peter Ibbetson flees Paris, leaving his childhood friend Mary behind, to live with a stern uncle in England. As an adult he becomes an architect and is hired by the Duke and Duchess of Towers. The Duchess reveals she is Mary, but the jealous Duke suspects an affair and forces Peter into a duel, endangering their second chance at love.
Does Peter Ibbetson have end credit scenes?
No!
Peter Ibbetson does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Peter Ibbetson, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Donald Meek
Mr. Slade

John Halliday
The Duke of Towers

Gary Cooper
Peter Ibbetson

Robert Adair
Prisoner (uncredited)

Dickie Moore
Gogo

Leonid Kinskey
Prisoner (uncredited)

Christian Rub
Major Duquesnois

Ida Lupino
Agnes

Ann Harding
Mary, Duchess of Towers

Doris Lloyd
Mrs. Dorian

Martha Bamattre
Woman at the Paris Museum (uncredited)

Virginia Weidler
Mimsey

Martha O'Driscoll
Girl (uncredited)

Douglass Dumbrille
Colonel Forsythe

Harry Cording
Guard (uncredited)

Gilbert Emery
Wilkins

Marcelle Corday
Maid (uncredited)

Stanley Andrews
Judge (uncredited)

Jack Adair
Guard (uncredited)

Adrienne D'Ambricourt
Nun (uncredited)

Theresa Maxwell Conover
Sister of Mercy (uncredited)

Colin Tapley
Clerk (uncredited)

Cyril McLaglen
Captain of Guards (uncredited)

Clive Morgan
Clerk (uncredited)

Ambrose Barker
Clerk (uncredited)

Marguerite Namara
Madame Ginghi (uncredited)

Blanche Craig
The Countess (uncredited)

Elsa Buchanan
Madame Pasquier

Gerald Rogers
Warden (uncredited)
Discover where to watch Peter Ibbetson online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Letterboxd.
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What is Peter Ibbetson's profession as an adult?
Read the complete plot summary of Peter Ibbetson, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Gogo is a young boy of English extraction growing up in Paris, where he shares a friendly but often combative bond with Mimsey. Their easygoing mischief and close proximity paint a vivid picture of childhood in a bustling, artistic city, setting the stage for a life that feels both playful and foreshadowed. After his mother dies, Gogo is taken to England by his uncle, who renames him after his mother’s maiden name, transforming Gogo into Peter Ibbetson.
“So ended the first chapter in the strange foreshadowed life of Peter Ibbetson.”
Now an adult Englishman, Peter Ibbetson is an architect working in Yorkshire on a restoration project for the Duke of Towers, a nobleman with a stern presence and a history that will soon intersect with Peter’s own. Peter falls in love with Mary, Duchess of Towers, and she with him, though she is already married. When the duke discovers their affair, he demands explanations in a powerful, looming moment that tests Peter’s resolve. Peter soon realizes that Mary is his childhood sweetheart, a revelation that folds the past into the present in a way that paints their romance with both tenderness and peril. Mary has kept, in the dresser beside her bed, the dress she wore at their last childhood meeting, a tangible link to a love that refuses to fade.
The Duke becomes jealous and pulls a gun on Ibbetson. Ibbetson manages to kill the Duke in self-defense, and the weight of what has happened crashes down with iron gravity.
“So Death ended the second chapter. And then, in a prison on the bleak English moors…”
Ibbetson is unjustly convicted of murder, sentenced to life in prison, and he despares that he will never see Mary again. In a moment of desperate pain, he breaks his back during a fight with his guards and lies unconscious. Mary visits him in his dreams and convinces him that they can continue to live together in one another’s dreams, which connect them spiritually. Peter can leave prison to join Mary in sunlit glades and meadows, but only in his slumbers.
“…and so, many years went by.”
Though the years pass, Peter and Mary remain youthful in their dreams, a timeless corridor where their love endures beyond the confines of the world outside. Mary eventually dies of old age, but she goes to her usual dream rendezvous one last time and speaks to Peter from beyond. Peter, back on his bed in prison, promises to join her now, and dies, closing the loop of a life told in two realms—one of waking duty and another of dream-visited devotion.

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