
Penrod and Sam, best friends, head the secret In‑Or‑In Boys Club in their neighborhood. Their fun is interrupted when a snooty newcomer insists on joining and a land deal forces them to abandon their clubhouse. Undeterred, they continue pulling pranks, staging a carnival, tasting first love, and romping with Duke, the legendary dog.
Does Penrod and Sam have end credit scenes?
No!
Penrod and Sam does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Penrod and Sam, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Michael Stuart
Rodney Bitts

Matt Moore
Henry Schofield

Elizabeth Patterson
Schoolteacher (uncredited)

Dorothy Peterson
Mary Schofield

Sidney Miller
Maurice Levy (uncredited)

Leon Janney
Penrod Schofield

Zasu Pitts
Mrs. Bassett

Johnny Arthur
Mr. Bassett

William Beaudine

Gus Leonard
Violinist at Birthday Party (uncredited)

Wade Boteler
Mr. Williams (uncredited)

Dorothy Vernon
Irate Mother at Birthday Party (uncredited)

Frank Coghlan Jr.
Sam Williams

Betty Jane Graham
'Baby' Amy Rensdale (uncredited)

Beaudine Anderson
Boy (uncredited)

Charles Sellon
Mr. Bitts

Albert Schaefer
Piggy Nelson (uncredited)

Margaret Marquis
Marjorie Jones

Gertrude Howard
Delia (uncredited)

Cameo the Dog
Duke (as Cameo)

Billy Lord
Georgie Hemingway Bassett

Jimmy Robinson
Herman Washington

Robert Dandridge
Verman Washington

Helen Beaudine
Margaret Shofield

Billy Byrne
Pudge Brown (uncredited)
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Read the complete plot summary of Penrod and Sam, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Penrod Schofield and Sam Williams are the heart of an enterprising little club called In-Or-In, a duo whose bold curiosity and mischievous humor often lands them in gentle trouble around school and the neighborhood. Penrod Schofield is a lightning-fast schemer, forever poking at rules and conventions, while Sam Williams stands by his side as a loyal partner in all sorts of playful schemes. Together, they embody that specific era of boyhood where friendship, imagination, and a little mischief compels a small community to rally around a clubhouse built with cardboard dreams and a lot of gumption.
Two of Penrod and Sam’s classmates, Georgie Bassett and Rodney Bitts, are never shy about chiming in when the duo’s antics threaten to spill into their own reputations. They take every opportunity to report their pranks to adults, hoping to keep the In-Or-In club from expanding its ranks. When Georgie’s father, Mr. Bassett, becomes involved, he insists that Georgie be invited to join the circle, a move that Padro and Sam reluctantly accept to maintain a sense of harmony—even as they plot a surprisingly rough initiation that would test Georgie’s resolve and their own standing among their peers. The arrangement introduces a uneasy balance: inclusion comes with strings attached, and the line between friendship and exclusion becomes a delicate dance.
Tension within the club deepens as Penrod and Sam find themselves torn between loyalty to their new member and a growing discomfort with the social cliques their initiation plan would unleash. Meanwhile, the trio’s dynamic is complicated by a budding romantic rivalry—Penrod and Sam both find themselves vying for the affection of Marjorie Jones, a girl whose presence adds a sweet generosity to the boys’ competitive banter. Marjorie Jones embodies a calm center in a world of pranks and pressures, giving the story a grounded center even as the boys chase favors and friendships with feverish energy.
The story’s emotional high point arrives when tragedy interrupts the club’s lighthearted orbit: Duke, Penrod’s faithful dog, is struck by a car, plunging Penrod into a genuinely painful moment of loss. The club’s sense of safety and belonging seems to crack, and the consequences of a world where boundaries can be tested and tested again become painfully real. The grief surrounding Duke’s death marks a turning point for Penrod, forcing him to confront the fragility of the little world he’s built with Sam and their friends.
That sense of instability is reinforced when Penrod’s father agrees to sell the empty lot that serves as the club’s clubhouse to Mr. Bitts, a decision that physically removes the boys from their sanctuary. The move pits friendship against home, and Rodney’s retaliation to keep Penrod away from Duke’s grave—located near the clubhouse—cuts even deeper into Penrod’s sense of belonging and loyalty. The visceral ache of losing the place where their mischief turned into memory weighs heavily on the young protagonists, adding a stark, human dimension to what began as a carefree venture.
As the tide shifts back toward reconciliation, Penrod’s father steps in to correct the wrongs of the moment, buying the land back from [Mr. Bitts]. This act signals a moral reckoning: a reminder that success isn’t measured by dominance or clever pranks, but by resilience, responsibility, and the capacity to mend what’s been damaged. With the clubhouse restored and Duke’s memory respected, Penrod is able to reevaluate his priorities, recognizing how much the lot—and the friendships that orbit it—mean to him.
In the end, Penrod makes amends with Sam Williams and extends an open invitation to Rodney Bitts to rejoin the group, signaling a hopeful balance between rivalry and fellowship. The film closes with a quiet affirmation: true companionship isn’t about winning battles over a playground; it’s about choosing loyalty, embracing responsibility, and learning that sometimes the best way to grow is to bring friends back into the circle and protect the place where memories are made. The result is a gently humorous, warmly moral tale that captures the spirit of boyhood, the complications of growing up, and the enduring value of friendship.

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