Obsessed 1992

A chilling study of obsession and control unfold through the volatile romance between a young marine surveyor and a much older, twice-divorced man.

Lorie Brindel is drawn to risk and experience, a pattern that leads her to fall for Ed Bledsoe, a successful, older man who hires her for a yacht assessment and then becomes her boyfriend. Their relationship starts with flirtation on the deck of his luxury yacht, but it quickly deepens: Lorie moves in while he’s away on business, a decision he reluctantly accepts, and soon she asserts herself as the dominant partner in a romance that she insists must be all-consuming. The dynamic grows increasingly unhealthy as Lorie demands that Ed be with her at all hours and cut every other potential connection from his life.

As time passes, Lorie’s need for control intensifies. Ed’s initial commitment wavers, and when he tries to draw a line, she presses harder, inflaming a conflict that pushes him toward a blunt remedy: she must leave. Yet before he can fully end things, she reenters his world in a reinvigorated storm of reappearing affection and manipulation. Ed, unsettled but human, cannot fully sever the bond and he finds himself slipping back into the relationship, even sleeping with Lorie again after she instigates a moment of apparent reconciliation. The cycle of pursuit, doubt, and desperation escalates, and Andie, Ed’s daughter, urges him to draw firmer boundaries.

The tension crescendos when Lorie’s public attempts to reclaim Ed’s attention—embarrassing him in front of his friends and a new partner, Louise—and a drunken, revealing appearance on Ed’s birthday night that ends with Andie present and Lorie fleeing in humiliation. The emotional weight precipitates a suicide attempt by Lorie, an act that thrusts Ed into guilt and a visit to her hospital room to check on her condition, after which he leaves without a conversation that could salvage anything.

In the psychiatrist’s clinic, Lorie articulates a bleak fantasy of romance—one that never truly materializes—and she is released, only to descend further into instability. She begins to shadow Ed, threatening to wreck his belongings and, eventually, his life. A devastating blow comes when she destroys Ed’s boat, prompting Ed to report her to the authorities. The police, constrained by a lack of hard proof, can’t intervene decisively, leaving Lorie free to continue her destabilizing saga.

Lorie’s rage culminates at Ed’s home, where she seizes his handgun and holds Andie hostage. She reveals a painful backstory of an absent, neglectful father and an upbringing that shaped her disturbing fixation on older men whom she can mold in his image. As Ed arrives, Lorie threatens to kill Andie, and a brutal struggle erupts. Ed fights back, almost choking her, and Andie intervenes, pulling them apart. Lorie is transported to a different medical facility, uncooperative and hostile, and she is eventually led away to be committed to a mental hospital, where she violently resists and rips her arm from a guard’s grasp.

The film closes with a year-long leap forward: Ed has moved on, purchasing a new yacht and dating Louise, whom he now regards as the best thing that has happened to him. Yet in a final, piercing moment, he glances across the water and sees another yacht—Lorie aboard with another wealthy, older man—an unsettling reminder that some obsessions endure beyond the immediate crisis.

This story builds its tension through intimate, claustrophobic scenes—on yachts, in hospital rooms, and inside the claustrophobic spaces of a relationship that tips from romance into dependence, control, and danger. The characters’ emotional storms are rendered with a careful balance of empathy and menace, offering a stark look at fixation, fear of abandonment, and the perilous line between care and possession.