
In 1920s Paris, the spirited Nana fends off a drunken military officer in a café, catching the eye of fellow diner Gaston Greiner. He offers her a place in his musical theater, and she quickly becomes a star and the lover of Greiner and two other men. When Greiner learns of her affairs, he fires her, and Nana must struggle to reclaim her singing career while facing new suitors and the fallout of her choices.
Does Nana have end credit scenes?
No!
Nana does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Nana, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Mae Clarke
Satin

Lionel Atwill
Colonel André Muffat

Lucille Ball
Chorus Girl (uncredited)

Richard Bennett
Gaston Greiner

Reginald Owen
Bordenave

Lawrence Grant
Grand Duke Alexis

Ferdinand Gottschalk
Finot

Jessie Ralph
Zoe

Dorothy Arzner

Phillips Holmes
Lieutenant George Muffat

Anna Sten
Nana

Muriel Kirkland
Mimi

Helen Freeman
Sabine Muffat
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Read the complete plot summary of Nana, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Nana Anna Sten is a Parisian streetwalker who is discovered by a theatrical impresario and rises to stage fame, stepping into a glittering world where talent meets ambition. Her rise sets the stage for a charged romance with Lieutenant George Muffat Phillips Holmes, a liaison that draws both fascination and protective concern from his older brother, Colonel Muffat Lionel Atwill.
Nana’s circle expands as Satin Mae Clarke, Mimi Muriel Kirkland, and Zoe Jessie Ralph join her in a countryside villa, a move that brings them into close proximity with the Muffat family. The pair’s romance faces stern disapproval from Colonel de Muffat, whose protective stance fuels tension and sets the stage for a calculated intervention. In a bid to drive a wedge between Nana and Georges, the Colonel arranges a overseas assignment, sending Georges on a commission to Algeria with the quiet hope of breaking their bond. Georges, determined not to give up, promises Nana that he will return for her, clinging to a future together.
Time passes and miscommunication festered by distance takes its toll. Nana waits for letters that never arrive, while Satin, Mimi, and Zoe are revealed to have intercepted the correspondence in a calculated bid to pull Nana back into the stage life—and, with it, back toward the wealth she once enjoyed. The ruse momentarily works in the hopes of restoring her former glamour, yet the personal cost grows heavier beneath the gleaming surface of success.
A turning point arrives when an apologetic Colonel de Muffat offers to shepherd Nana toward a fresh theater opportunity, and she accepts the chance to be his mistress. The renewed attention from admirers brings a fresh wave of public adoration, but it deepens Nana’s longing for Georges, and the alcohol-fueled haze that follows hints at a life slipping away from balance and clarity.
Georges finally returns to Paris, seeking the woman he loves and believing she has received his letters while waiting for a sign. He longs to be with Nana, and the couple make plans to run away together, seeking a private refuge away from the encroaching scrutiny of society. But the moment of escape is interrupted when Colonel de Muffat arrives, and the confrontation culminates in a heartbreaking tragedy as Nana’s hopes collapse and she meets a tragic end. In the wake of these events, the film presents a stark portrait of desire, power, and the perilous pull of fame.

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