
After entering witness protection, a wisecracking mobster, Vinnie Antonelli, attempts to embrace a peaceful life in the suburbs. Steve Martin stars as Vinnie, who finds it surprisingly difficult to leave his old habits behind. His attempts to adapt to suburban normalcy are complicated by the resurfacing of people from his past, leading to humorous and chaotic situations as he tries to maintain his cover.
Does My Blue Heaven have end credit scenes?
No!
My Blue Heaven does not have end credit scenes. You can leave when the credits roll.
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35
Metascore
6.4
User Score
71%
TOMATOMETER
59%
User Score
5.1 /10
IMDb Rating
61
%
User Score
Challenge your knowledge of My Blue Heaven with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Which actor portrays former mobster Vinnie Antonelli?
Steve Martin
Rick Moranis
John Candy
Dan Aykroyd
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Read the complete plot summary of My Blue Heaven, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Vinnie Antonelli Steve Martin is a former mobster who has just entered the Witness Protection Program and now lives with his wife Linda in a quiet, sunlit suburb near San Diego. They are under the steady, watchful eye of federal agent Barney Coopersmith Rick Moranis, a meticulous man who believes in procedure and control even as he tries to keep up with the couple’s stubborn stubbornness and big-city habits in a place where quiet raises questions.
As Vinnie attempts to adjust to the slower rhythms of suburban life, his old habits tug at him like old ghosts. He tests the boundaries in small, mischievous ways—like when he finds a price gun in the supermarket and uses it to slash prices on high-end items, a playful but risky return to his former days. A simpler thrill turns chaotic when he accidentally steals a car, landing him squarely in a police station and facing Assistant DA Hannah Stubbs, who sees through his tall stories and quick lies. Yet even as Hannah challenges him, Barney steps in, flashing credentials and authority, arguing that she cannot arraign him given the looming testimony he would give in mob trials. The tension between the protective, procedural Barney and the smoke-and-mirrors world Vinnie inhabits becomes the backbone of the story, a tug-of-war between law and instinct.
The Thanksgiving-day shopping center becomes a focal point where the two worlds collide. Barney’s partner convinces him to shadow a suspect of credit-card theft, only to discover it is the very same Tod who has tangled with their lives before. Meanwhile, Tod winds his way into a pet store where he encounters another ex-mobster, widening the cast of characters whose loyalties are shifting as springboards for trouble. Soon, Vinnie and Barney discover a surprising shared pain: their wives have left them. Linda longs for New York City and the familiar bustle she misses, while Barney’s longtime love Margaret leaves because his methodical nature makes life feel dull and empty.
In a circle of ex-mobsters who gather for support and camaraderie, the grim reality becomes clear: the government stipend ends once Vinnie testifies. This realization sparks a new, dangerous plan among the group—the hijacking of delivery trucks to fuel their needs. Hannah grows suspicious and brings Tod back for questioning when contraband is found in his car; Tod, caught in his usual tall tale, finds that this time the authorities are not fooling around. But Barney’s insistence on following legal procedures again pays off when the police lack a warrant, letting Tod walk—a moment that deepens the uneasy bond between him and Hannah, even as they each navigate their complicated feelings and professional duties.
A bold turn of events sends Vinnie and Barney on a road trip to New York City. On the path to testifying, Vinnie slips away, first at the crowded airport and then in a hotel, dragging Barney into a chase that leads them to a club where Barney loosens up and learns to merengue in a tailored suit. The danger around Vinnie intensifies when rival mobsters try to finish him off; Barney’s swift, improvised action—dropping a chandelier on the attackers—turns peril into a moment of mutual debt and reluctant respect. The trip crystallizes a fragile but powerful alliance, a recognition that each man owes the other a debt for keeping the other alive in a world full of threats.
Back in San Diego, Tod brings Hannah and her sons to a baseball game, inviting Barney to join them. The family-friendly outing softens the edges of the men’s battles and gives them a chance to reconnect with life beyond the case. Tod even jokes about improving the local field’s drainage and turning it into a fundraiser, while Barney quietly contemplates a future where law-and-order responsibilities coexist with real human connections. A party follows, and Barney gently invites Hannah to a law-enforcement cocktail party, signaling the possibility of new beginnings even as the old case lingers.
Vinnie crosses paths with the person who becomes his kind of love—another woman who understands the grind and the risk, found in a moment of chance in the supermarket. The couple elopes to Reno, and at a party, Barney demonstrates the merengue once more, while he and Hannah exchange notes about how their spouses abandoned them. With a heavy heart but renewed resolve, Barney escorts Hannah home, where he faces the reality of their diverging paths.
Even as his assignment nears completion, Barney and a colleague go undercover as Canadians, pretending to bid on stolen goods from a hijacking ring. The gaffe turns out to be a harmless mix-up, but Vinnie takes the opportunity to distribute a cache of watercooler bottles through town, turning them into donations for a little league program he wants to support. Hannah—the same officer who once sought to have him booked and fingerprinted—now finds herself entangled in a sting that she believes will end with justice, even as she contends with the practicalities of the case.
The confrontation in the motel room becomes a turning point: Hannah insists on using Vinnie’s real name in an indictment, while Barney warns that a court appearance in New York in three days could bring a storm of legal trouble for both of them. Yet Hannah’s conviction remains steadfast, and soon a crisis erupts when two mafia hitmen open fire in court. Crystal, an officer who has harbored a long-standing crush on Vinnie, springs into action, getting him out of the courthouse and earning his lifelong debt in return. Their kiss seals a dangerous but tender moment, and Crystal offers herself as a hostage to help him reach a new sense of safety as they drive to an active worksite.
In a twist that brings together the threads of their lives, Vinnie uses the ex-mob connections he still has to break ground on a new little league ball park. He’s no longer just a defendant or a witness—he’s a man who has built something lasting for a town and its kids. Hannah, facing the realities of the courtroom and the truth about her own judgment, has to accept the outcome, even as she acknowledges the cunning, stubborn resilience in both Vinnie and Linda.
One year later, the town gathers at the new ballpark, a symbol of rebuilt trust and second chances. The stands are crowded, and a modest bestseller by Vinnie, How I Got Here, sits on the sidelines, a reminder of the life he chose to rewrite. He has married Crystal, and they have a baby, a concrete sign of a new ordinary that seems almost miraculous after so much danger and deception. Barney serves as the team’s coach, guiding the young players with the same careful strategy that once kept him two steps ahead of danger. The story closes on a hopeful note: a community rebuilt, a family found, and two former adversaries who learned to navigate a world where loyalty, love, and courage can coexist with the truth.
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