
A woman in her thirties, still yearning for a past relationship, finds herself unexpectedly in an alternate reality. There, she discovers she married the man she always desired. Navigating this parallel life, she’s forced to examine the choices she's made and the possibilities she left behind, ultimately questioning whether her dreams truly align with her happiness.
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No!
Me Myself I does not have end credit scenes. You can leave when the credits roll.
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46
Metascore
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User Score
63%
TOMATOMETER
58%
User Score
Challenge your knowledge of Me Myself I with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What profession does Charlie hold?
Teacher
Police officer
Limousine driver
Engineer
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Read the complete plot summary of Me Myself I, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Charlie Baileygates, played by Jim Carrey, has dedicated 18 years of his life serving as a trooper for the Rhode Island State Police. However, throughout his existence, Charlie has often been the victim of manipulation and deceit by those around him. He resides in a quaint home near the water, though he is not particularly fond of swimming.
Reflecting on his past, we learn that right after marrying his clever wife, Layla, portrayed by Traylor Howard, Charlie’s life took a shockingly unexpected turn. Layla engaged in an affair with a violent dwarf limousine driver named Shonte, played by Tony Cox, whom she met on their wedding day while Charlie was driving them as their limo driver. Shonte, a member of Mensa, is not just a dwarf but also possesses a genius-level IQ and works as a tenured professor specializing in molecular genetics at a university. This unconventional partnership serves as a backdrop to Charlie’s unfolding misfortunes.
Despite attempts from Charlie’s friends to reveal the truth about Layla’s betrayal, he remains in denial, even after Layla gives birth to three sons, all of whom are African American. Eventually, Layla leaves Charlie for Shonte, forcing him to raise the three boys—who are also unexpectedly intelligent—as his own. Remarkably, these children construct an airworthy plane out of household items, ready for takeoff until Charlie intervenes just in time.
The emotional scars from his wife’s departure leave Charlie deeply affected. Instead of reclaiming his identity and strength, he becomes a target for ridicule and mistreatment by his community. Even as a police officer, he is perceived as a pushover, earning him disdain and abuse from neighbors and townsfolk alike. Despite his badge, Charlie is hardly respected; a neighbor steals his newspaper, a little girl hurls insults, and a friend blatantly disregards parking tickets Charlie issues.
Fast forward fifteen years, and Charlie still finds himself desperately nurturing and spoiling his three sons—Jamal, played by Anthony Anderson, Lee Harvey, and Shonté Jr.—who have now become rather hefty, thanks in part to their unhealthy eating habits and exposure to profane humor from stand-up comedians. The town continues to treat Charlie with open scorn, leading to a crescendo of pent-up frustration and anger within him.
One fateful day, after a particularly rude encounter with a “soccer mom” in the supermarket, Charlie’s suppressed emotions erupt, giving birth to a malevolent alter ego named Hank. Rude and violent, Hank takes control of Charlie’s actions, exacting revenge on all who have wronged him. With his own colleagues arresting him, Charlie’s inner turmoil becomes evident.
Following this chaos, his boss, Colonel Partington, insists that Charlie seek help from a psychiatrist who reveals that Hank emerged as a coping mechanism for Charlie’s decades of repressed rage stemming from Layla’s abandonment, leading to a diagnosis of advanced delusional schizophrenia with involuntary narcissistic rage. The doctor prescribes medication to help Charlie manage this inner conflict.
Amidst this turmoil, a woman named Irene Waters, played by Renée Zellweger, finds herself entangled in legal troubles stemming from a hit-and-run accusation linked to her ex-boyfriend, Dickie. As Charlie is assigned to escort Irene back to New York, they find themselves in a fight for survival against criminal enforcers sent to silence her about Dickie’s misdeeds.
As the plot thickens, Charlie’s refusal to take his medication allows Hank to resurface at critical moments, leading to chaotic encounters with corrupt police officers and hitmen. In the midst of the chaos, Charlie and Irene form an unexpected bond while navigating through danger, all while being pursued by menacing forces. They even pick up an unusual companion named “Whitey,” an albino with a questionable past.
As they evade capture, the tension mounts until a dramatic confrontation with Dickie culminates in a near-death experience for both Charlie and Irene. In a desperate move, Charlie’s sons hijack a police helicopter to assist their father, showcasing the lengths they will go for family.
After a series of harrowing events, including a jaw-dropping showdown on a bridge, Charlie confronts his fears, nullifying Hank’s influence. In a twist of fate, Whitey reveals his fabricated backstory as part of his own insecurities.
In the aftermath, as law enforcement closes in, the criminals are apprehended, and Charlie’s bravery is recognized. As the dust settles, Charlie proposes to Irene, bringing a hopeful conclusion to their tempestuous journey. In a lighthearted post-credits scene, the community band together in a search for Charlie’s missing thumb—humorously illustrating that even amidst the chaos, life continues with its quirks and oddities.
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