
Roy, a hardened bronc‑busting drifter who hauls his beat‑up truck across the range, meets a restless teen with no direction. Though both are loners, Roy takes the young man under his wing and helps him mature, guiding him toward adulthood.
Does Mackintosh and T.J. have end credit scenes?
No!
Mackintosh and T.J. does not have end credit scenes. You can leave when the credits roll.
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Which actor portrays the aging cowboy Mackintosh?
Roy Rogers
Luke Askew
James Hampton
Billy Green Bush
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Read the complete plot summary of Mackintosh and T.J., including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
MacKintosh Roy Rogers is an aging migrant cowboy who drifts from ranch to ranch, taking whatever work is available. When he pulls into a small town to gas up and fix a leaking radiator on his old truck, he spots T.J. Clay O’Brien, a 14-year-old recently released from doing cleanup for vagrancy, about to pocket an apple while a store owner keeps watch. Mackintosh steps in, buys their supplies, and pretends the boy is with him, a small act that marks the start of an unlikely partnership.
Giving T.J. Clay O’Brien a ride, the two discover they share a quiet kinship born of travel, hardship, and a sense that they’re both trying to outrun the past. T.J. has left his single mother and hasn’t been in school since the days of early readers like Dick and Jane, and Mackintosh sees in the boy a chance to keep moving and to do a man’s work in a world that’s never quite kind. When their vehicle breaks down, T.J. catches a lift with a well-dressed stranger heading toward El Paso while Mackintosh works on repairs, each man learning a little more about the other along the dusty road.
That night, over dinner in a bar, T.J. explains that the man who picked him up was “funny” (described by T.J. as homosexual), and the memory prompts him to leave the scene quickly. A drunken, loud cowboy named Cal [Luke Askew] misplaces his money and accuses the boy of theft. When Cal strikes T.J., Mackintosh steps in to defend him, knocking the larger man down. Cal pulls a knife, but Mackintosh again subdues him with a decisive blow—smashing a catsup bottle over Cal’s head. After the dust settles, the missing money is found, and the two teens begin to rely on each other more than ever.
The pair soon find steady work at the 6666 Ranch, run by Jim Webster [James Hampton], where Mackintosh impresses everyone by breaking horses, while T.J. is put to work cleaning up abandoned buildings. The assignment to trap coyotes becomes a tempting opportunity: the sick man who held that job is found, but Webster offers Mackintosh a new arrangement instead. He’ll live in a remote cabin, earn the wage of a ranch hand, and collect cash bounties for every coyote he shoots. The arrangement creates a sense of independence and purpose, but it also stirs trouble as whispers begin to circulate about Mackintosh’s relationship with the battered wife of a ranch hand named Luke [Billy Green Bush].
As tensions rise, a birthday party for Webster turns sour when Luke confronts Mackintosh for standing too close to his wife. Mackintosh, calm but firm, suggests the alcohol and jealousy may have fueled the outburst and forgives the moment, warning that any future aggression will be met with a strong response.
That night, a ranch hand—the known Peeping Tom—is caught by Luke peering into a window at his wife. The two clash, and the intruder grabs a rock and strikes, killing Luke. Word of the tragedy spreads, and several ranch hands close in on Mackintosh, ready to strike. Webster arrives and declares Mackintosh innocent, diffusing the mob. The guilty ranch hand, wracked with guilt, writes down what happened and eventually hangs himself from the top of a windmill.
With Luke dead and the ranch’s tensions reaching a breaking point, MacKintosh and T.J. [Clay O’Brien] decide to leave the ranch behind and press on toward the Pacific Ocean, hoping to find work along the way while keeping faith with a bond that grew out of necessity and mutual protection.
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