
During World War II, sisters Thom and Mars develop LOLA, an invention allowing them to intercept future broadcasts, revealing military secrets and predicting popular music. They initially use this ability to help the Allied forces, but Thom’s increasing obsession with LOLA's potential and the unforeseen consequences it brings begin to trouble Mars. The sisters must confront the moral implications of manipulating time and the risks of unchecked power.
Does LOLA have end credit scenes?
No!
LOLA does not have end credit scenes. You can leave when the credits roll.
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SDExplore the complete cast of LOLA, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.
Discover where to watch LOLA online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
See how LOLA is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where LOLA stands among top-rated movies in its genre.
Lola delivers a striking visual concept anchored in vintage black‑and‑white cinematography, yet its narrative framework feels uneven and occasionally confusing. Critics applaud the film’s technical daring and occasional emotional resonance, while many viewers struggle to connect with the plot and characters. The soundtrack and period aesthetics add texture, but the film’s pacing and structural ambition limit its broader appeal. Overall, the work stands as a bold, if flawed, experiment that will likely polarize future audiences.
The Movie Echo Score Breakdown for LOLA
Art & Craft
In terms of art and craft, Lola excels in its use of vintage lenses and tactile black‑and‑white imagery, producing a distinctive visual texture praised by several reviewers. However, some critics note obtrusive handheld camera work and editing choices that feel confusing, detracting from the overall polish. The blend of analogue and digital flourishes adds originality, but the technical focus sometimes overshadows narrative clarity. Consequently, the film’s craftsmanship is strong but not uniformly refined.
Character & Emotion
When evaluating character and emotion, the lead performances receive commendation for their intensity and magnetic presence, especially from the Los Angeles Times and IndieWire. Nevertheless, a portion of audience feedback highlights difficulty connecting with the protagonists and perceives the acting as pretentious. The emotional core is noted as thin, though some reviewers find the characters’ motivations compelling within the film’s conceit. Overall, the character work is solid yet uneven in its impact.
Story & Flow
Regarding story and flow, Lola offers a novel time‑travel premise that many find intriguing and enjoyable, with several reviewers praising its clever twists and engaging concept. At the same time, critics point to pacing issues, tonal shifts, and moments of narrative confusion that weaken coherence. The balance between experimental structure and plot clarity is inconsistent, leading to a mixed reception. The story remains inventive but is hampered by occasional disjointedness.
Sensory Experience
In the sensory experience category, the film’s score, sound design, and visual style receive consistent praise for their atmospheric depth and inventive use of period music. The ghostly black‑and‑white images and judicious visual atmosphere are highlighted as strengths by both critics and users. Some viewers critique the harshness of the cinematography, yet the overall sensory palette is regarded as a compelling element that enhances immersion. Thus, the sensory execution is generally strong.
Rewatch Factor
Assessing rewatch factor, Lola’s originality and stylistic flair give it a moderate replay appeal for audiences who appreciate experimental cinema. Positive remarks emphasize its curiosity‑sparking premise and occasional emotional payoff, while several users report disengagement and difficulty following the narrative on a second viewing. The uneven pacing and narrative thinness limit its lasting draw, resulting in a rewatch potential that is modest rather than robust.
67
Metascore
6.8
User Score
98%
TOMATOMETER
69%
User Score
6.4 /10
IMDb Rating
65
%
User Score
3.4
From 23 fan ratings
Challenge your knowledge of LOLA with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What are the names of the two sister protagonists?
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Read the complete plot summary of LOLA, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Two sisters, Thomasina Hanbury (“Thom”) and Martha Hanbury (“Mars”), grow up in near total isolation inside a secluded English country house after becoming orphans. Thom is a brilliant inventor who creates a machine named Lola, named for their late mother, a device capable of tapping into radio and television signals from the future. The sisters mostly use Lola to listen to music from times to come, crafting a private window into a world they cannot access directly. Yet the calm of their existence is upended when the Second World War erupts.
As the Blitz shakes Britain, Thom and Mars begin listening to future news bulletins and broadcasting clandestine messages to warn civilians to take cover from impending German air raids, a daring act that saves many lives and draws the attention of the authorities. Lt. Sebastian Holloway of the Royal Corps of Signals seeks out the source of the transmissions and eventually brings his superior, Major Henry Cobcroft, to inspect Lola and its messages. Cobcroft is skeptical at first, but he agrees to let Holloway stay and help authenticate the signals. With Lola’s data, the Royal Air Force is able to shoot down a large number of German bombers, altering the balance of the air war and constraining Luftwaffe raids over Britain.
A romance blooms between Mars and Holloway, even as Thom grows increasingly enthralled by Lola’s power. She begins to banish Mars and Holloway from the house so she can work without interruption, convinced that her work with Lola can shape the future. The sisters start to witness concrete signs that their meddling with time is bending events, a realization that unsettles Mars and sharpens Thom’s resolve.
Mars’s curiosity about the future is tested when she tunes into a TV appearance by David Bowie from 1973, only to discover that the broadcast is hijacked by Reginald Watson Reginald Watson, whose music bears disturbing fascist themes. This moment strengthens Thom’s conviction to push Lola’s capabilities further, even as the consequences of their meddling begin to ripple outward. Thom orchestrates a risky trap for German U-boats in the Battle of the Atlantic, but the operation backfires in a grim way: the German plan succeeds in sinking the American ship SS Abraham Lincoln, killing around 2,000 people, and rumors spread that the British knew this attack would come, souring American support and delaying American entry into the war.
With the United States reluctant to join the fight, Germany makes a renewed bid to invade Britain. Thom receives signals that an invasion will land the next day at Southampton, only for the next day’s events to reveal the real landing at Dover—a deception that signals the first major crack in the sisters’ control over Lola. Cobcroft’s suspicions grow, and the sisters are arrested, tried, and sentenced to death as perceived double agents.
Just as the twins face execution, a German assault on London erupts, allowing Holloway and Mars to slip away to Cornwall. Thom is freed by German forces and becomes a public figure in a fascist government led by Oswald Mosley and Edward VIII, pursuing scientific progress as a tool for building a supposed perfect society. Adolf Hitler even visits Thom’s house during a wartime tour, but Mars detonates a bomb that injures Thom and leads to Mars’s capture and hanging in the front yard. Thom manages to rescue Mars but is fatally shot by a German soldier.
In the closing moment, Mars reflects that she made the film hoping it would reach Thom in the past and deter her from further Lola experiments. A final title card notes that Lola has never been found, and that the only known trace of the Hanbury sisters is a newspaper photo of them among a crowd celebrating V-E Day.

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