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Le Amiche 1955

Clelia, a resource‑driven woman of modest origins, returns to her native Turin to survey sites for the thriving Roman fashion house where she is employed. While staying at a hotel she meets a circle of affluent, upper‑middle‑class women, and gradually becomes entwined in their social world and intimate friendships.

Clelia, a resource‑driven woman of modest origins, returns to her native Turin to survey sites for the thriving Roman fashion house where she is employed. While staying at a hotel she meets a circle of affluent, upper‑middle‑class women, and gradually becomes entwined in their social world and intimate friendships.

Does Le Amiche have end credit scenes?

No!

Le Amiche does not have end credit scenes. You can leave when the credits roll.

Meet the Full Cast and Actors of Le Amiche

Explore the complete cast of Le Amiche, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.


Take the Ultimate Le Amiche Movie Quiz

Challenge your knowledge of Le Amiche with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.


Le Amiche (1955) Quiz: Test your knowledge of the 1955 Italian drama *Le Amiche* with these ten questions ranging from easy to challenging.

Which actress portrays the character Clelia?

Full Plot Summary and Ending Explained for Le Amiche

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Read the complete plot summary of Le Amiche, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


Clelia [Eleonora Rossi Drago] returns from Rome to her native city Turin, assigned to supervise the opening of a branch of the Roman fashion salon where she previously has been working. By coincidence, she is confronted with the suicide attempt of a young woman named Rosetta [Madeleine Fischer] and gets acquainted with her circle of Turin socialites. The group includes the coquettish Mariella [Anna Maria Pancani], Momina [Yvonne Furneaux], who lives separated from her husband and has changing affairs, and successful ceramics artist Nene [Valentina Cortese], who lives with Lorenzo [Gabriele Ferzetti], an unrecognised painter. The construction work on the salon, whose opening lies only a few days ahead, is not finished yet, for which Clelia scolds Cesare [Franco Fabrizi], the architect in charge, who turns out to be Momina’s present affair. During her inspection, Clelia also meets Cesare’s assistant Carlo [Ettore Manni]. Although she feels attracted to him, she is soon confronted with the social boundaries between Carlo, who is of working class descent, and herself, regardless of the fact that Clelia grew up in one of Turin’s poor quarters as well.

After Rosetta’s return from the hospital, the five women, Cesare and Lorenzo take a trip to the beach. It becomes evident that Rosetta has fallen in love with Nene’s partner Lorenzo, for whom she modeled and whom she had tried to ring up on the night of her suicide attempt. Rosetta tells Clelia of her inner emptiness and that she loathes the predictability which surrounds her. Clelia offers Rosetta a job at the salon as a means to find a different perspective on her life.

Rosetta tries to talk Lorenzo into leaving Nene for her, but Lorenzo remains hesitant. Eager to spend every moment possible with her lover, she decides against the opportunity to work at Clelia’s salon. During the opening event, Nene, who has sensed the attraction between Rosetta and Lorenzo, offers Rosetta to let him go. When the group later meets in a restaurant, Cesare mocks Lorenzo for his lack of artistic success, and the two men get into a fight. Rosetta follows Lorenzo, who tells her that he cannot give her the love she seeks from him. Lorenzo returns to Nene, who eventually accepts him back, even if it means giving up the chance to go to New York for an exhibition of her work.

Soon after, Rosetta drowns herself in the Po river. Disgusted by Momina’s self-righteousness in the face of her friend’s death, Clelia attacks her for her coldness and cynicism in front of the salon customers and her employer. Convinced that she will lose her job, Clelia hints at Carlo the possibility of a relationship, but when her employer offers her to return to the salon in Rome, she chooses her professional career and independence over the prospect of becoming, in her words, “a peaceful wife in a modest home.” She asks him to meet her one last time, but Carlo does not show up, instead secretly watching her departure on the train to Rome.

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Le Amiche Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


italyrome italycowritten by directorchapter headingsself realizationceramic artistduplicitysocial commentarysociety melodramalove across social classeslove trianglelove cynicart exhibitionemployer employee relationshipitalian socialiteworking classfashion modelpo rivertrain stationspoiled socialitecynicismcouturierdress shopnext door neighborsecret love affairbeachtrain tripkissreference to new york cityunrequited lovehusband wife relationshipmarital infidelityself sacrificewedding gownvanitypet catselfless lovepromiscuouschoosing work over loveforgivenessunhappy loveincommunicabilitycouplemale protagonistfemale protagonistchance meetingflirtingambiguous characterold fashioned cinemacreative process
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