Within the traditional Mea Shearim quarter of Jerusalem, two sisters, Rivka and Malka, find themselves at odds with deeply ingrained customs. As societal expectations and patriarchal pressures intensify, they struggle to reconcile ancient traditions with personal desires. Their journey explores themes of love, faith, and identity, set against a backdrop where women face immense scrutiny and expectations.
Does Kadosh have end credit scenes?
No!
Kadosh does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Kadosh, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.
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70
Metascore
4.0
User Score
62
%
User Score
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Who is the main character and Talmudic scholar in Kadosh?
Read the complete plot summary of Kadosh, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In the intriguing drama Kadosh, the complex landscape of Haredi society is vividly depicted through its multifaceted characters and deeply moving narratives. The story begins with Meir (Yoram Hattab), a devoted young Talmudic scholar, who starts his day with gratitude during prayers, particularly thankful for not being born a woman. At first, Meir’s marriage to Rivka (Yael Abecassis) seems ideal; however, as the story progresses, it becomes evident that the couple’s life is overshadowed by the pain of childlessness after ten years of marriage. Desperation soon drives Meir to seek counsel from his father, the Rabbi of their community in Jerusalem, who shockingly advises him to divorce Rivka due to her perceived failure to fulfill her role as a woman.
As Meir’s union with Rivka deteriorates, it is increasingly clear that he prioritizes societal expectations over the emotional welfare of his wife. The impact of this decision is devastating, leaving Rivka emotionally shattered and eventually prompting her to leave their life. Meanwhile, Rivka’s younger sister, Malka, is coerced into a loveless marriage with Yosef, despite her heart belonging to Yaakov, a rock singer who has distanced himself from the religious community. Malka’s predicament escalates when Yosef’s emotional distance pushes her towards a one-night encounter with Yaakov; upon returning home, she is met with a torrent of verbal and physical abuse from her husband.
As Meir embarks on his new life with a second wife, he makes an impulsive visit to Rivka during Purim, a day typically filled with festivities and merriment. His unexpected arrival ignites tension between them, leading Rivka to withdraw emotionally. The situation intensifies when Malka, escaping her troubled marriage, seeks refuge in Rivka’s arms. The film reaches a profound and surreal climax when Rivka appears to Meir in his bed, her grief and longing intertwining with an overwhelming fatigue. As she collapses beside him, it becomes painfully clear that her emotional scars have stifled her spirit.
The story concludes with Malka, left alone and heartbroken amidst the bustling city of Jerusalem, symbolizing the tragic ramifications of societal pressures and the delicate nature of the human experience.
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