
While working in his garage, Vahid is approached by a customer with car trouble and suddenly thinks he recognizes Eghbal, the officer who tortured him in prison. Consumed by thoughts of revenge yet plagued by doubt, Vahid and several fellow survivors launch a desperate investigation to uncover the truth. Their quest leads them into increasingly risky and absurd situations as they struggle to confirm they have the right man.
Does It Was Just an Accident have end credit scenes?
No!
It Was Just an Accident does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for It Was Just an Accident (2025) via JustWatch.
Explore the complete cast of It Was Just an Accident, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Jafar Panahi

Ebrahim Azizi
Eghbal

Majid Panahi
The Groom

Vahid Mobasseri
Vahid

Maryam Afshari
Shiva

Hadis Paak Baten
Golrokh

Mohammad Ali Eliyas Mehr
Hamid

Delmaz Najafi
Eghbal's Daughter

Afsaneh Najm Abadi
Eghbal's Wife

Madjid Panahi
Ali

Mariam Afshari
Shiva

Hadis Pakbaten
Golrokh

Mohamad Ali Elyasmehr
Hamid

Afssaneh Najmabadi
Eghbal's Wife

George Hashemzadeh
Salar
Discover where to watch It Was Just an Accident online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
See how It Was Just an Accident is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where It Was Just an Accident stands among top-rated movies in its genre.
It Was Just an Accident garners strong acclaim for its daring moral inquiry and cohesive cinematic execution. Critics highlight the director’s adept handling of social critique, while audiences commend the compelling performances and the film’s resonant themes. Some note occasional repetitiveness and talk‑heavy passages, yet these do not diminish its impact. The consensus is that the work stands as a noteworthy, memorable addition to contemporary Iranian cinema.
The Movie Echo Score Breakdown for It Was Just an Accident
Art & Craft
Regarding art and craft, the film benefits from Panahi’s restrained direction and deliberate composition. Reviewers observe an air of fear sustained through stark framing and static wide shots, while the editing maintains a measured rhythm that supports the tension. Production design subtly reinforces the oppressive atmosphere. Collectively, these elements are viewed as purposeful and effective, underscoring the film’s thematic weight.
Character & Emotion
When evaluating character and emotion, critics and viewers repeatedly praise the nuanced performances, especially the lead’s portrayal and the young girl’s impact. The ensemble chemistry conveys the moral stakes without melodrama, and the emotional arcs resonate with the film’s critique of power. Although a few reviewers mention lingering spots, overall the acting is deemed a central strength that elevates the narrative.
Story & Flow
The story aspect presents an original premise that spirals from a minor traffic accident into a complex moral dilemma. Reviewers commend the film’s ability to intertwine suspense with ethical debate, though some criticize repetitive scenes and overly talky sections toward the climax. Despite these pacing concerns, the plot’s measured development and unresolved conclusion sustain audience engagement and provoke reflection.
Sensory Experience
Sensory experience is highlighted through a stark visual palette that reinforces the pervasive sense of fear. Sound design remains unobtrusive, allowing dialogue and ambient noise to shape tension, while the minimal score supports the film’s austerity. Critics regard these choices as cohesive, contributing to an immersive atmosphere that aligns with the narrative’s somber tone.
Rewatch Factor
The rewatch factor is strong, as the film’s layered moral questions and subtle visual cues invite repeated viewings. Audiences note that new details emerge on subsequent watches, particularly in character interactions and symbolic motifs. While occasional pacing lulls may deter casual viewers, the overall lasting appeal and critical relevance encourage revisiting the work.
91
Metascore
7.4
User Score
%
TOMATOMETER
0%
User Score
7.4 /10
IMDb Rating
Discover all the awards and nominations received by It Was Just an Accident, from Oscars to film festival honors. Learn how It Was Just an Accident and its cast and crew have been recognized by critics and the industry alike.
Best Motion Picture - Drama
Best Motion Picture - Non-English Language
Best Screenplay
Read the complete plot summary of It Was Just an Accident, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
One night, a man with a prosthetic leg drives home with his wife and daughter, only to hit and kill a dog. To repair his car, he visits a nearby garage where Vahid Vahid Mobasseri recognizes him from the distinctive sound of his prosthetic leg after he speaks to his mother on the phone. The next day, Vahid trails the man, abducts him, and tries to bury him in the desert. He tells him that he recognized his voice and stumbling walk as that of Eghbal ([Ebrahim Azizi]), his former tormentor in an Iranian prison. The man denies being Eghbal and begs not to be killed, insisting that the scars on his leg are recent, unlike Eghbal’s.
Doubting the man’s identity, Vahid places his unconscious body into the van and visits Salar George Hashemzadeh at a bookshop. Salar refuses to help identify the man but directs him to a photographer named Shiva Mariam Afshari, who is in the middle of taking wedding photos of Goli and Ali, an engaged couple to be married the next day. Reluctant to assist, Shiva recognizes the smell of the man as that of Eghbal but remains unsure due to the fact that they were blindfolded during their torture. Goli reveals she was also tortured by Eghbal but cannot confirm his identity, so they seek out Hamid Mohamad Ali Elyasmehr, Shiva’s former partner, and drug the captive before plugging his ears.
Hamid instantly identifies the man as Eghbal after touching his legs and urges killing him immediately, but Vahid and Shiva restrain him, wanting a formal testimony first. At that moment, a cellphone rings from the man’s body. Vahid answers and hears the man’s daughter, who says that her pregnant mother has fainted. The group visits the man’s house and drives his daughter and her mother to a hospital, where the mother gives birth to a son.
Frustrated, Hamid, Goli, and Ali decide to leave Vahid and Shiva behind. The remaining two drive the man to a quiet location at night, tie him to a tree, wake him, and demand a confession. The man initially again claims mistaken identity, but then concedes that he is Eghbal, arguing that his actions were justified for the good of the Iranian regime and that killing him would only make him a martyr. Vahid and Shiva recount the torment they endured and tell him that his wife has given birth to a son. Shiva insists that Eghbal apologize, and after a tense exchange, he relents and apologizes, claiming he was only trying to make a living. Vahid then frees Eghbal and drives away with Shiva.
Later, Vahid and his mother prepare the van for his sister. A white car, similar to Eghbal’s, enters the area as Vahid moves through the house to retrieve something. The familiar squeak of Eghbal’s prosthetic leg grows louder, approaching the scene.

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