
When a kidnapping victim turns up alive after fifteen years, a profiler and a private investigator try to piece together the mystery.
Does Into the Labyrinth have end credit scenes?
No!
Into the Labyrinth does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Into the Labyrinth, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Toni Servillo
Bruno Genko

Dustin Hoffman
Dottor Green

Luis Gnecco
Mordecai Lumann

Valentina Bellè
Samantha Andretti

Orlando Cinque
Bauer

Stefano Rossi Giordani
Ragazzo con cicatrice

Carla Cassola
Sig.ra Wilson

Riccardo Cicogna
Paul Macinsky

Vinicio Marchioni
Simon Berish

Caterina Shulha
Linda

Filippo Dini
Delacroix

Sergio Grossini
Peter Lai / Rizzo

Riccardo Von Hoenning O’Carrol Cicogna
Paul Macinsky

Marta Richeldi
Signora Lai

Diego Facciotti
Prete
Discover where to watch Into the Labyrinth online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Rotten Tomatoes or Box Office Mojo.
See how Into the Labyrinth is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Into the Labyrinth stands among top-rated movies in its genre.
Overall, Into the Labyrinth delivers an unsettling visual atmosphere but struggles to sustain a coherent narrative. Critics and viewers commend the stylised cinematography and occasional strong performances, yet the plot is repeatedly described as over‑long, confusing, and lacking satisfying resolution. The mixture of praise for the film's mood and criticism for its storytelling results in a mixed overall impression, leaving the movie appealing to a niche audience while deterring broader acceptance.
The Movie Echo Score Breakdown for Into the Labyrinth
Art & Craft
In terms of art and craft, the film earns both commendation and criticism. Reviewers highlight the stylised visuals, atmospheric set‑pieces, and strong mise‑en‑scene as positive attributes. Conversely, the costume design of the bunny and accusations of derivative, underpowered direction temper the praise. The net effect is a moderately positive view of the film’s artistic execution, placing it in the middle of the scoring range.
Character & Emotion
When evaluating character and emotion, performances receive generally favorable remarks. Several critics note the solid acting of the Italian cast and the effort of the performers despite a miscast cameo. Some viewers find specific characters confusing or poorly integrated, but the overall sentiment leans toward appreciation of the actors’ work. This tilt toward positive reception yields a relatively high character score.
Story & Flow
Regarding story and flow, the consensus is predominantly negative. Many reviewers label the plot over‑stuffed, convoluted, and lacking clear resolution, with pacing described as slow and the narrative deemed incomprehensible. A few positive notes mention an engaging premise and occasional intrigue, yet these are outweighed by widespread criticism of plot coherence and pacing. Consequently, the story aspect scores low.
Sensory Experience
In the sensory experience domain, the film is praised for its atmospheric tone, stylised visuals, and the trippy camera work that some viewers find compelling. Negative feedback centers mainly on a single unsettling costume element, which does not dominate the overall perception. The balance of favorable comments about soundscape and visual style results in a solid, above‑average sensory score.
Rewatch Factor
Rewatch factor assessment reveals mixed reactions. A subset of viewers expresses strong desire to revisit the film, citing its enthralling moments and lingering mood. However, many cite excessive length, confusing structure, and unresolved plot points as detracting from repeatability. This blend of enthusiasm and disappointment positions the rewatch value near the midpoint of the scale.
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