
Andrea falls for the lovely Rosetta, but her protective father tries to secure her future by steering her toward the affluent Giorgio, creating a love triangle that drives the plot. The film bursts with lively musical numbers performed by Al Bano and Romina, showcasing the musicarello style and becoming a notable box‑office hit.
Does Il suo nome è Donna Rosa have end credit scenes?
No!
Il suo nome è Donna Rosa does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Il suo nome è Donna Rosa, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Enzo Cannavale
Gennarino

Romina Power
Rosetta Belmonte

Nicoletta Elmi
Rosy

Anna Campori
Carmela

Pippo Baudo
Duke Pippo Della Corte

Al Bano
Andrea 'Canarino'

Enzo Guarini
Rossi, l'avvocato

Nino Terzo
Gaetano

Carlo Taranto
Il maggiordomo

Dolores Palumbo
Madre di Andrea e Pietro

Bice Valori
Donna Rosa

Nino Taranto
Antonio Belmonte

Lisa Halvorsen
Turista dalla Svezia

Stelvio Rosi
Giorgio De Barberis

Luciano Fineschi
Fefè

Walter Brugiolo
Pietro 'Canarino'
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Read the complete plot summary of Il suo nome è Donna Rosa, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Andrea, Al Bano, a young boatman from Capri, arrives in Naples on a commission and immediately clashes with Rosetta Romina Power, a bright young student. Their heated encounter ends with Andrea breaking the arm of a jade statuette he was meant to deliver to the antiquarian, the widower Antonio Belmonte, who then pays him a lower price than expected. Rosetta overhears the exchange and, moved to help, brings money to Andrea’s mother to cover the damage. The two young people begin dating and fall in love, their affection growing amid shared glances and small, hopeful moments.
Meanwhile, Rosetta’s father, the widower Antonio Belmonte, sets his sights on Countess Rosa De Barberis Bice Valori, who has promised to marry only a nobleman to her late husband. To secure that future, Belmonte pursues the birth certificate of his great-great-grandfather in hopes of proving a noble lineage and the right to the Di Belmonte name. Rosetta, unsure of Andrea’s feelings, becomes entangled in a misunderstanding that leads her to suspect he is involved with a foreign tourist, and she is drawn to Giorgio De Barberis Stelvio Rosi, the Countess De Barberis’ son, a gambler whose vice threatens to derail the family’s stability. Giorgio’s habit and debts force the sale of the house’s artworks, adding pressure to the already tense situation.
As the story unfolds, loyalties are tested, secrets are weighed, and social tensions creep into everyday life in a lively, sunlit Italian setting. Yet through misinterpretations and financial strain, the core bond between Andrea and Rosetta holds firm, slowly guiding them toward a hopeful, joyful resolution. In the end, misunderstandings are cleared, and love triumphs, leaving the couple to step forward together into a brighter future.

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