
Want to hear my story? A grumpy old woman befriends a young civil servant and learns English from him. She then reveals to him her shocking past.
Does I Can Speak have end credit scenes?
No!
I Can Speak does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of I Can Speak, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Na Moon-hee
Na Ok-boon

Lee Je-hoon
Park Min-jae

Jeong Yeon-joo
A-young

Lee Dae-yeon
Ward Chief

Lee Jung-hyun
Student

Lee Sang-hee
Hye-jung

Park Cheol-min
Team Leader Yang

Lee Ji-hoon
Jong-hyun

Son Sook
Jung-sim

Seol Chang-hee
Interviewer

Kim So-jin
Geum-joo

Sung Yu-been
Young-jae

Kim Ja-young
Executive of Shopkeepers co-op

Yeom Hye-ran
Jinjoo-daek

Kim Il-woong
Bald Guy

Jung Won-chang
Student

Lee Dong-yong
Bongwon Market Noodle Restaurant

Lee Shin-seong
Reporter

Lee Jae-in
Young Jung-sim

Son Seong-chan
Interviewer

Jo Hyeon-im
Park Min-jae's Aunt

Ok Joo-ri
Merchant

Woo Ji-hyeon
Public Service Employee

Chu Yeon-gyu
Ward Office Employee

Choi Soo-in
Young Na Ok-boon

Cho Wan-ki
YBM Counselor

Kim Seon-kyeong
Hye-jung's Friend

Kim Kyung-duk
Labor Service Subordinate

Kim Nan-hee
Interviewer

Kim Gun
Young Young-jae

Terris Brown
Airport Immigration Agent

Hwang Yeon-hui
Merchant

Lee So-jin
Student

Jung Yeon
Teacher
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Read the complete plot summary of I Can Speak, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Nah Ok-Bun, Na Moon-hee, is an elderly woman known around her district as the “Goblin Granny” for her relentless citizen-complaint habits and outspoken persistence. When she crosses paths with Park Min-jae, Lee Je-hoon, a newly appointed junior civil service officer, she immediately bristles at his calm, by-the-book attitude that seems to brush off her decades of grievances. The clash between an impatient veteran of public service and a stubborn elder who fights for every voice sets the stage for a quiet but deep clash of worlds.
Yet the story takes a surprising turn when Ok-Bun hints at a different motive behind her tenacity: she longs to learn English. She hopes the skill will open doors—for herself and for a larger cause she holds dear. The local resident center’s senior class proves unsuitable, and the English academy’s pace proves too rapid, leaving Ok-Bun frustrated and briefly kicked out. It’s in this moment of doubt that she notices Min-jae speaking fluent English with a native speaker at the academy, a sight that rekindles a chance for connection.
Against his initial instinct to avoid taking on a difficult student, Min-jae is softened by a look at Ok-Bun’s daily life—her steadfast care for her younger brother, Young-jae. That warmth pierces his resolve, and he agrees to become her English teacher. What begins as a reluctant arrangement gradually blossoms into meaningful progress: Ok-Bun’s English improves, and with it, her confidence blooms.
As the lessons unfold, Min-jae learns that Ok-Bun’s goal goes beyond mere communication. She hopes to honor a lost friend’s dream: Jeong-Shim’s wish to testify at the public hearing in Washington, D.C., about the comfort women who suffered under wartime oppression. Ok-Bun has prepared her words, but the enormity of speaking in a foreign place—coupled with the weight of history—threatens to overwhelm her.
In the moments when doubt grows loud and the unfamiliar surroundings press in, Min-jae’s quiet presence in the audience becomes a source of courage for Ok-Bun. Her voice finally finds its ground, allowing her to testify to the atrocities committed by the Japanese military with a dignity that reflects the resilience she has shown in learning a new language and in standing up for a remembered past. The film traces not just a linguistic journey, but the way compassion and persistence can bridge generations, heal old wounds, and give a voice to those who endured unspeakable hardship.

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