
This anthology film presents six chilling horror stories conceived by black writers and directors. The tales explore a range of terrifying themes, featuring racist vampires, supernatural creatures, and encounters with demonic forces. Each segment offers a unique and unsettling perspective on the horror genre.
Does Horror Noire have end credit scenes?
No!
Horror Noire does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Horror Noire, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Sean Patrick Thomas
Theodus (segment 'Bride Before You')

Lauren Buglioli
Ashley (segment 'Sundown')

Lavell Crawford
Samuel (segment 'Sundown')

Tim Ware
Zander (segment 'Fugue State')

Peter Stormare
Erebus (segment 'Sundown')

Tony Todd
Pike (segment 'Fugue State')

Tone Bell
Marcus (segment 'Sundown')

Erica Ash
Shanita (segment 'Sundown')

Afemo Omilami
Zeke (segment 'The Lake')

Kearia Schroeder
Loretta (segment 'Daddy')

Rachel True
Charlotte (segment 'Fugue State')

Maceo Smedley
Jack (segment 'The Lake')

Nathaniel Logan McIntyre
Derek (segment 'The Lake')

Lamar Stewart
Baidy (segment 'Brand of Evil')

Luke James
Red (segment 'Daddy')

Lenora Crichlow
Mrs Clay (segment 'Brand of Evil')

Roxzane T. Mims
Ms Lawrence (segment 'Brand of Evil')

Brandon Mychal Smith
Nekani (segment 'Brand of Evil')

Tyriq Withers
Cornelius (segment 'Bride Before You')

Jason Graham
Principal Millhouse (segment 'The Lake')

Tabyana Ali
Regina (segment 'The Lake')

Samuel Taylor
Cordell (segment 'Brand of Evil')

Carl W. Crudup
Mr Meeks (segment 'Daddy')

Lesley-Ann Brandt
Abbie (segment 'The Lake')

Malcolm Barrett
Arthur (segment 'Fugue State')

Samantha Neyland
Clara (segment 'Bride Before You')

TiJuan Mosley
Sabine (segment 'Bride Before You')

Miles McNicoll
James (segment 'Daddy')

Keith Douglas
Waylen (segment 'Brand of Evil')

Cindy Karr
Mila (segment 'Fugue State')

Gabrielle Byndloss
Josephine (segment 'Bride Before You')

Tony Smithey
Client (segment 'Brand of Evil')

Gail Everett-Smith
Conjure Woman (segment 'Bride Before You')
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See how Horror Noire is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Horror Noire stands among top-rated movies in its genre.
The anthology overall struggles with inconsistency, as the majority of reviewers criticize its sub‑standard scripts and uneven execution, which diminish the potential of its premise. While a few segments receive modest praise for atmosphere and direction, the collective impression is one of missed opportunity and limited appeal. Consequently, the film offers little incentive for repeat viewings, resulting in a generally unfavorable reception.
The Movie Echo Score Breakdown for Horror Noire
Art & Craft
In terms of art and craft, the film shows occasional technical competence, with a modest budget that yields competent cinematography and clear sound in certain segments. However, many critics note simplistic direction, uneven editing, and a generally lackluster visual style that betrays its anthology format. The production design is functional but unremarkable, resulting in a mixed technical impression.
Character & Emotion
When evaluating character and emotion, performances exhibit a notable disparity. Several reviewers commend individual actors, such as Laura Crichlow, for delivering nuanced portrayals despite weak material. Conversely, many point out that talented cast members are hampered by underdeveloped scripts, resulting in flat or unintentionally comedic characters. Overall, the acting talent is recognized but largely underutilized.
Story & Flow
Story-wise, the anthology suffers from uneven narrative quality. While a few segments, such as “Brand of Evil” and “Bride Before You,” are praised for compelling premises and atmospheric tension, the majority are criticized for generic plots, rushed pacing, and incoherent endings. The ambition to address Black horror themes is noted, yet the execution often feels superficial and disjointed.
Sensory Experience
In terms of sensory experience, the film generally avoids major sound flaws, with clear dialogue and functional audio mixing noted by some reviewers. Visual style is modest, reflecting low‑budget constraints; sets are described as bare but serviceable. Nonetheless, several critics comment on poor filming quality and uninspired cinematography, leading to an overall average sensory impression.
Rewatch Factor
The rewatch factor is low for most viewers, with numerous comments that the anthology lacks incentive for a second viewing due to its inconsistent storytelling and underwhelming execution. A minority, however, express genuine enjoyment and cite the film’s thematic relevance and occasional strong direction as reasons to revisit. Overall, repeat appeal remains limited.
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