
A distrustful high‑stakes gambler arrives in revolutionary Cuba, drawn to the city's dangerous allure. He seeks big poker wins, but his world shifts when he falls for the wife of a Communist revolutionary. Their forbidden love ignites passion and peril amid the upheaval of the Cuban Revolution.
Does Havana have end credit scenes?
No!
Havana does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Havana (1990) via JustWatch.
Explore the complete cast of Havana, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Robert Redford
Jack Weil

Richard Farnsworth
Professor

Alan Arkin
Joe Volpi

Mark Rydell
Meyer Lansky

Richard Portnow
Mike MacClaney

Tony Plana
Julio Ramos

Lena Olin
Bobby Duran

Vasek Simek
Willy

Daniel Davis
Marion Chigwell

Dennis Farina
Joe Volpe's Assistant (uncredited)

Victor Rivers
Young Cuban #1

Carmine Caridi
Captain Potts

Tomas Milian
Menocal

Betsy Brantley
Diane

Owen Roizman
Santos

Miguel Ángel Suárez
Sim #2

Franklin Rodríguez
Jose

René Monclova
Sim #1

Raúl Juliá
Arturo Duran (uncredited)

Joe Lala
Cuban Businessman

Dion Anderson
Roy Forbes

Fred Asparagus
Baby Hernandez

James Medina
Corporal

Lise Cutter
Patty

Bernie Pollack
Hotel Man

Salvador Levy
Menocal's Lieutenant

Alex Ganster
Young Cuban #2
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What is the name of the American gambler who becomes entangled in the Cuban Revolution?
Read the complete plot summary of Havana, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
On Christmas Eve, 1958, as Cuba’s revolution edges toward its crescendo, Roberta Duran enlists the help of Jack Weil, Robert Redford, to smuggle radios for the insurgents hiding in the hills. Weil agrees only because he is drawn by a romantic interest in her, and the arrangement feels like a dangerous, glittering bargain. When they meet again for the promised payoff, Roberta reveals she is married, shattering Weil’s hopeful illusion and setting a precarious course through a world of risk and loyalty.
In Havana, Weil reconnects with a Cuban journalist acquaintance, and during a night on the town they unexpectedly cross paths with Roberta and her husband, Dr. Arturo Duran, a recognized revolutionary leader. Duran asks for Weil’s continued aid, but Weil, wary and overwhelmed, refuses to be drawn deeper into the conflict. This moment marks the uneasy blend of charm and duty that threads through Weil’s choices.
After a night of hedonistic excess, Weil learns from the newspapers that Duran has been arrested and killed, a blow that leaves him reeling yet still technically entangled in the game. He presses on with the poker schedule, a distraction that mingles with real danger when he meets the head of the secret police. The news of Roberta’s arrest and torture follows, and Weil uses leverage over a debt-ridden player to secure her release, a move that binds his fate to hers in increasingly intimate ways.
Roberta, shaken by danger and captivity, takes shelter in Weil’s apartment, then vanishes that afternoon, leaving Weil to confront the price of attachment in a country tearing itself apart. Realizing he has fallen in love with her, and buoyed by the encouragement of an old gambling friend, Weil ventures into Cuba’s interior to locate her at Duran’s old estate. He persuades Roberta to return with him to Havana and to leave the country together, even as he reveals a secret: a diamond concealed in a lump on his arm—insurance from a youth spent in risk and riskier gambles. Plans are set for her to depart by boat, but when Weil returns to the apartment he is confronted by two Cubans who inform him that Duran’s men want him to extract Roberta from the country.
A CIA acquaintance, Marion Chigwell, confirms that Duran is alive, and Weil uses that leverage to coerce Chigwell into assisting with the rescue. Posing as an agent, Weil visits Duran, who is being held by the chief of the secret police, and tells the officer that Washington intends to free Duran, offering a $50,000 payoff. To fund the rescue, Weil visits a doctor and a jeweler to convert the diamond into cash, all while telling Roberta that her husband is still alive. Overwhelmed by the deception and the stakes, Roberta departs to search for Duran herself.
Back at the casino, Weil dominates the big games with a blend of nerve and nerve-racking risk, and the casino’s manager, Joe Volpi, forgives him, recognizing that Weil’s primary aim has always been saving Roberta. As New Year’s Eve 1959 arrives, the revolution triumphs and the social order in Havana collapses in a chaotic exodus: the upper classes flee as the streets erupt in celebration, destruction, and renewal. Weil and Volpi decide it’s time to leave, yet the morning after finds Weil preparing to depart when Chigwell delivers a new, surprising line of work: he is told of a different book ahead. Roberta appears at the door, noticing the bandage on Weil’s arm and understanding the cost he paid to rescue her and her husband. She chooses to stay with the revolution, and Weil is deeply changed by the experience.
Four years pass. In 1963, Weil drives down to the Florida Keys, gazing out toward Havana and hoping to glimpse a boat carrying Roberta. He knows the ferry no longer runs, yet he continues the yearly vigil, a quiet testament to what Cuba’s upheaval did to him—and what it said about the rest of his life. The changes in Cuba echo across the United States, reminding Weil that escape is not the same as freedom, and that love, loyalty, and atonement can endure even as the world around them shifts beneath their feet.

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