
A former vice detective, now operating as a vigilante, embarks on a dangerous mission to rescue his kidnapped daughter from a sinister satanic cult. Driven by rage and a desire for vengeance against the cult’s charismatic leader, he seeks help from a traumatized woman who managed to escape. Together, they descend into a horrifying underworld filled with violence and depravity as he fights to reclaim his daughter and exact retribution.
Does God Is a Bullet have end credit scenes?
No!
God Is a Bullet does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of God Is a Bullet, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.
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See how God Is a Bullet is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where God Is a Bullet stands among top-rated movies in its genre.
God Is a Bullet presents a divisive viewing experience, with critics highlighting its pacing and tonal excesses while a segment of audiences appreciate its visceral energy. The film’s direction and narrative ambition are often described as overextended and lacking coherence, leading to perceptions of a slogging B‑movie. Conversely, some viewers commend its gritty aesthetic and moments of shock, noting an appeal for fans of grindhouse revenge tales. The net impression is mixed, resulting in an average Echo Score that reflects both the film’s shortcomings and its niche strengths.
The Movie Echo Score Breakdown for God Is a Bullet
Art & Craft
Artistic execution in God Is a Bullet is uneven, with critics describing the direction as lumbering and the visual presentation as lacking atmospheric depth. Some viewers note a gritty underworld aesthetic and commend the cinematography’s raw texture, yet these moments are interspersed with an overlong edit that hampers momentum. Overall, the craft reflects a modest ambition that falls short of cohesive artistry.
Character & Emotion
Character development in the film receives mixed reactions; critics argue the narrative scarcely explores its protagonists, rendering them hollow and the villains overly misogynistic. In contrast, several audience members praise the lead performances, highlighting nuanced chemistry between Maika Monroe and Nikolaj Coster‑Waldau. The divergence suggests that while the script underdelivers depth, individual actors inject moments of emotional resonance.
Story & Flow
Storytelling in God Is a Bullet is perceived as meandering and overlong by many critics, who cite a lack of narrative coherence and an implausible premise. Some viewers, however, appreciate its relentless, hyper‑violent premise and the revenge‑driven plot as an engaging grindhouse experience. The mixed feedback indicates that while the pacing hinders accessibility, the core premise retains appeal for genre enthusiasts.
Sensory Experience
Sensory elements draw both criticism and praise; reviewers note an inconsistent sound design and a soundtrack that at times undermines emotional impact. Conversely, certain audience comments commend the film’s gritty visual style and occasional striking cinematography, particularly the use of stark lighting. The overall sensory impression is uneven, offering bursts of atmospheric intensity that are diluted by uneven execution.
Rewatch Factor
Rewatch potential is contested; critics argue the film’s excessive length and tonal flatness reduce its repeatability, describing it as an empty exercise in nihilism. Yet many users express a strong desire to view it again, citing visceral thrills, compelling action and memorable performances that sustain excitement. This polarity suggests that while the movie may not appeal broadly for multiple viewings, it holds replay value for fans of intense revenge narratives.
31
Metascore
6.6
User Score
24%
TOMATOMETER
56%
User Score
5.8 /10
IMDb Rating
59
%
User Score
2.8
From 24 fan ratings
4.33/5
From 3 fan ratings
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