
A team-building retreat for a hoax-busting group takes a dark turn when they visit Whiskey Flats, Oregon. While there, they become entangled in a conflict between an aggressive drilling company and a secluded local family. The situation escalates, revealing a deeper, more sinister threat lurking beneath the surface of the seemingly quiet town.
Does Get Gone have end credit scenes?
No!
Get Gone does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Get Gone, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Lin Shaye
Mama

Robert Miano
Don Maxwell

John Henry Whitaker
Driller Boss

Bradley Stryker
Grant

Bailey Coppola
Apple Maxwell

Weston Cage
Patton Maxwell

Caitlin Stryker
Connie

Emily Shenaut
Abbey Rose

Adam Bitterman
Craig Eubanks

Brittany Benita
Rene

Cord Adams
Hank the Bus Driver

Cory Crouser
Kyle Hamm

Luke B. Carlson
Scott Whizzer

Rico E. Anderson
Ranger Rico

Silvia Spross
Silvia Surveyor

Gwyn LaRee
Carol

Joel Macha
Pug Maxwell

Tristan David Luciotti
Tommy Bont

Michael McBee
Thick Roughneck

Stefan Hayek
Grady Greer

Julie Caldwell
Julie The Bartender
Discover where to watch Get Gone online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Rotten Tomatoes or Letterboxd.
See how Get Gone is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Get Gone stands among top-rated movies in its genre.
Get Gone delivers a largely underwhelming horror experience, marked by unoriginal storytelling and technical shortcomings that dominate its reception. Critics and users alike cite weak direction, subpar cinematography, and uneven editing, while acting is frequently described as painful despite occasional praise for Lin Shaye. A few viewers appreciate its campy moments and visual quirks, yet these isolated positives do not offset the prevailing sense of boredom and forgettable execution. The net impression is one of a flawed, low‑budget slasher that struggles to engage.
The Movie Echo Score Breakdown for Get Gone
Art & Craft
In terms of art and craft, the film suffers from inconsistent direction and poor technical execution. Reviewers point to shaky camera work, uninspired cinematography, and editing lapses that undermine visual coherence. A minority note occasional inventive set pieces and a striking mask design, but these are outweighed by the pervasive lack of polish. Overall, the production values fall short of genre expectations, resulting in a modestly low craft rating.
Character & Emotion
When evaluating character and emotion, performances are generally described as weak, with most actors delivering unconvincing portrayals. Critics highlight painful acting and shallow character depth, while users echo similar frustrations. Lin Shaye’s presence stands out as a notable exception, receiving consistent commendation for her screen presence. Despite her contribution, the ensemble fails to generate meaningful emotional resonance, leading to a low character score.
Story & Flow
The story aspect is hampered by a formulaic plot that offers little novelty or suspense. Critics and users emphasize the film's reliance on familiar slasher tropes and a lack of engaging pacing, labeling it boring and derivative. Although a few viewers mention moments that keep them on the edge of their seat, these instances are rare and do not compensate for the overall narrative weakness. Consequently, the story rating remains low.
Sensory Experience
Sensory experience receives mixed feedback; many reviewers criticize the soundtrack and sound design as forgettable, yet some praise the visual style for its occasional campy flair and effective use of practical effects such as the mask. The contrast between poorly executed audio elements and sporadic visual creativity results in a moderate sensory score that reflects both the film’s deficits and its limited stylistic successes.
Rewatch Factor
Rewatch factor is generally low, with the majority advising against repeat viewings due to the film's lack of depth and entertainment value. Nonetheless, a subset of viewers express willingness to revisit the movie for its occasional humor, nostalgic nods, or to appreciate Lin Shaye’s performance. This divide yields a modest rewatch rating, indicating limited but not entirely absent appeal for subsequent viewings.
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