
Gauri: The Unborn is a 2007 Hindi-language film directed by Akku Akbar, featuring Atul Kulkarni and Rituparna Sen Gupta in the lead roles. Produced by Shogun Films, it earned strong critical praise though its box‑office performance was modest. The story was later adapted into the Malayalam remake Kana Kanmani in 2009, also helmed by Akku Akbar.
Does Gauri The Unborn have end credit scenes?
No!
Gauri The Unborn does not have end credit scenes. You can leave when the credits roll.
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What are the names of the couple who are Shivani's parents?
Sudeep and Roshni
Arun and Maya
Rahul and Priya
Karan and Anjali
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Read the complete plot summary of Gauri The Unborn, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Sudeep Atul Kulkarni and Roshni Rituparna Sengupta are a carefree, loving couple enjoying life on the outskirts of Mumbai with their school-going daughter, Shivani Rushita Pandya. The film opens with a sense of warmth and everyday happiness, where their small world revolves around school events, family routines, and the quiet joys of suburban life. Yet a single, unexplained incident at Shivani’s school—the moment she slips during a sports day, seemingly caused by nothing visible—begins to cast a shadow over that happiness. Neither Shivani nor her mother notices at first that an unseen force was involved, but the seed of trouble has been planted.
After the accident, Shivani’s behavior grows stubborn and resistant, a change that goes largely unspoken by the adults who want to preserve normalcy for their child. The family carries on with life’s routines, choosing to push through the odd moodiness rather than confront an invisible menace. Meanwhile, Sudeep’s company recognizes his capabilities and promotes him, offering a coveted business trip to any destination he chooses. The couple weighs Mauritius as the dream location, a chance to unwind and celebrate the new milestone in Sudeep’s career. Yet Shivani unexpectedly voices a different longing—she urges the family to visit their ancestral home first, a place she herself has never seen. Her insistence shifts the plan, convincing everyone to delay the Mauritius trip for a brief, purposeful detour.
The journey to the ancestral home soon brings a heavier, more unsettling atmosphere. As the house opens its doors to them, Shivani’s demeanor grows more erratic and obstinate, and the air around the old walls fills with a chill that isn’t just from the season. Strange, inexplicable events begin to unfold, casting ripples of fear through the family. It becomes clear that Shivani is not merely acting out; something supernatural is taking hold, choosing her as its vessel. The realization lands with a heavy weight on Sudeep and Roshni, who must face a truth they never anticipated.
A critical revelation unfolds through Shivani’s experiences: the cause of her affliction is an evil entity possessing her body. This force reveals itself as Gauri, a name the couple once gave to the daughter they might have had—a girl who never lived. Through Shivani, Gauri speaks of jealousy and revenge, explaining that she resented the love and attention the couple showered on Shivani and that her anger would manifest in a deadly plan. Gauri’s threat becomes chilling: she promises to kill Shivani on the third night, setting a countdown that intensifies the parents’ fear and sense of urgency.
Desperate to protect Shivani, Sudeep and Roshni throw themselves into a sequence of attempts to sever the haunting hold. They endure a series of haunting attacks and taunting tricks from the entity, each one testing the couple’s resolve and their faith in one another. The house seems to conspire with Gauri, amplifying the fear and forcing the parents to confront the magnitude of what they are facing. Night after night, they fight to keep Shivani safe, praying for a miracle and for any sign that the siege might end.
On the third night, the climax of the ordeal arrives with tense, emotional intensity. The couple pleads for Shivani’s life and pleads with Gauri to release her from the possession. They even implore the spirit to depart, offering kindness and a chance for peace rather than vengeance. In a moment of painful clarity, Gauri does not strike Shivani down. She reveals a bitter truth—that her parents’ past choices and their inability to give her the kind of love she needed left her longing for connection in Shivani’s life. This recognition becomes the turning point: the haunting ceases to be merely a threat and becomes a story of unresolved grief and the need for acceptance.
With the third night behind them, the film closes on a quieter note of uneasy coexistence and fragile reconciliation. Gauri’s presence is no longer a simple enemy to fear but a memory that hints at what might have been—and what might still be possible if love and attention are extended beyond the present to embrace the past. The couple accepts Gauri’s lingering presence, not as an intruder, but as a part of their life that they can acknowledge and tend to. The result is a shift in the family’s dynamic, a willingness to carry forward with greater sensitivity to the unseen threads that bind their lives together.
This story unfolds as a family drama wrapped in supernatural tension, crafting a careful balance between fear and forgiveness. It invites viewers to consider how past choices echo in the present, how grief can take on a voice that speaks through the living, and how love, when extended with understanding, can soften even the hardest wounds. The film remains grounded in the warmth of Sudeep and Roshni’s bond, the protectiveness they owe Shivani, and the complex, human feelings that rise when a once-forgotten life reaches back from the past to touch their future.
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