
Two evacuated children living in the English countryside during World II discover two downed German airmen concealed in the nearby woods. The story, drawn from Michael Morpurgo’s 1977 novel, is brought to the screen by writer‑director John Krish, exploring the uneasy encounter.
Does Friend or Foe have end credit scenes?
No!
Friend or Foe does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Friend or Foe, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Ann Mitchell
Mrs. Hardy

Stephen Bent
Corporal

David Cunningham
Despatch Rider

John Holmes
David

Jasper Jacob
German Pilot

Prentis Hancock
Sergeant

Edward Burnham
Mr. Cooper

John Bardon
Jerry

Stacey Tendeter
Ann

Mark Luxford
Tucky

Valerie Lush
Miss Roberts

Jennifer Piercey
Miss Evans

Robin Hayter
Injured German

Philip Mankium
Captain

Len Marten
Seedy Reporter
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Read the complete plot summary of Friend or Foe, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
During the Second World War, two young boys, John Holmes and Mark Luxford, are evacuated from London to the countryside by train. They arrive in a quiet, unfamiliar village and are taken in by a kindly dairy farmer, Ann Mitchell, who offers them warmth and shelter as they begin to adjust to rural life. Once there, they pitch in with chores on the farm and attend the village’s single-room school, quickly growing to love the rhythm of country days spent exploring the fields and woods, away from the bustle of the city.
Life in the village unfolds with small adventures and simple joys: quiet mornings on the farm, afternoons roaming hedgerows and streams, and evenings that feel longer and safer in the glow of a small community. The boys discover friendship, responsibility, and the reassuring cadence of rural routines, where even a misstep can feel like a grand escapade and every day brings a new discovery about the land and themselves.
Then a night of fear interrupts the calm. A bombing raid sweeps near the village, and the boys witness a German bomber go down. They rush to tell the locals, but a later search turns up nothing—no wreckage, no plane, and no obvious proof. The authorities conclude there’s no incident, and the boys find themselves in trouble for sparing time with the authorities’ efforts, even though their instincts tell them something more urgent happened. The plane, in truth, had plunged into a pond and sunk from view.
In the woods surrounding the village, the boys encounter two German airmen who survived the crash. One of the airmen saves one of the boys from drowning in the pond, and both airmen can speak English, which helps them communicate a wary but peaceful message: they ask the boys not to reveal what they’ve seen. This moment triggers a crisis of conscience for the boys as they weigh obedience against mercy, fear against compassion. Ultimately, they choose to protect the strangers who risked their lives and offered kindness in a moment of danger. When one of the airmen injures himself, he allows the boys to “capture” him so he can receive medical attention, trusting them to keep his condition discreet. Their decision reshapes how the village sees them, and they begin to be viewed as local heroes for their unprecedented restraint and courage.
As time passes, the second German airman is captured, and the truth of what happened slowly comes to light. The foster family and the village come to understand the boys’ choice not to betray the wounded men, recognizing the complexity of war that can soften fear into empathy. The story closes on a note of quiet resilience: even in a time of upheaval and danger, compassion and integrity can guide young hearts toward humanity, and the boys’ experience becomes a lasting memory of courage forged in the uncertainty of war.

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