Frankenstein’s Monster’s Monster, Frankenstein (2019): Cast & Ratings
Frankenstein’s Monster’s Monster, Frankenstein is a 2019 short comedy directed by Daniel Gray Longino, starring David Harbour as David Harbour III / David Harbour Jr. / Frankenstein, Alfred Molina and Mary Woronov. It runs 32 minutes. Its Echo Score is 59/100.
- Released
- Runtime
- 32 min
- Director
- Daniel Gray Longino
- Genre
- Comedy
- Original language
-
English
- Studio
- A24
- After the credits
- No No extra scene
What Is Frankenstein’s Monster’s Monster, Frankenstein About?
The premise of Frankenstein’s Monster’s Monster, Frankenstein without spoilers.
When actor David Harbour finds lost footage of his father’s disastrous televised stage play of a literary classic, he uncovers shocking family secrets.
Frankenstein’s Monster’s Monster, Frankenstein Themes & Keywords
· 1 tag- f word
Frankenstein’s Monster’s Monster, Frankenstein Cast & Characters
David Harbour leads the cast as David Harbour III / David Harbour Jr. / Frankenstein, with Alfred Molina as Aubrey Fields / Captain and Mary Woronov as Nancy Erlich. Directed by Daniel Gray Longino; 14 actors are credited in all.
- Director Daniel Gray Longino
-
David Harbour as David Harbour III / David Harbour Jr. / Frankenstein -
Alfred Molina as Aubrey Fields / Captain -
Mary Woronov as Nancy Erlich -
Michael Lerner as Bobby Fox
Also Starring in Frankenstein’s Monster’s Monster, Frankenstein
· 10 more- Kate Berlant Monica Fulton / Miss Machbeth
- Heather Lawless Doctor
- O-Lan Jones Mother
- Bridey Elliott Reporter
- Alex Ozerov-Meyer Joey Vallejo / Sal
- Lidia Porto Detective Cepeda
- Marion Van Cuyck Niece
- Randolph Thompson Mr. Orlando
- Graham Wagner Graham
- Marc Vietor Voice Over (voice)
Frankenstein’s Monster’s Monster, Frankenstein Reviews & Ratings
Our Echo Score gives it 59/100, strongest in rewatch factor (75) and weakest in sensory experience (45).
Frankenstein’s Monster’s Monster, Frankenstein Echo Score Breakdown
Frankenstein’s Monster’s Monster, Frankenstein garners a mixed reception, with critics highlighting its inventive mockumentary format and David Harbour’s committed performance, while noting a rudimentary production aesthetic and an uneven narrative. User commentary underscores the low‑budget visual quality and occasional pacing issues, though many find the brevity conducive to repeated viewings. The synthesis of strong comedic intent and modest craftsmanship results in a moderate overall rating that reflects both its charm and its flaws.
Our own 0–100 rating, built from five aspects: art, character, story, the sensory experience and how well a film rewatches.
- Art & Craft 55
In terms of art and craft, the short displays a deliberately campy visual style that many reviewers describe as cheaply produced. Critics mention a lack of formal structure and low‑budget cinematography, while some appreciate its playful homage to television tropes. The production design does not aim for realism, instead opting for a surreal, absurd aesthetic. Overall, the craftsmanship is modest, yielding a mid‑range assessment.
- Character & Emotion 70
When evaluating character and emotion, David Harbour’s performance is repeatedly praised as the centerpiece of the piece. Critics note his willingness to embrace absurdity and his ability to anchor the satire, while users acknowledge his presence as the primary draw. Some viewers note supporting actors are occasionally upstaged, but the overall impression is that the central performance delivers nuanced, engaging humor. Consequently, the character aspect receives a relatively high score.
- Story & Flow 50
The story and flow receive mixed feedback, with the mockumentary premise seen as original yet inconsistently executed. Critics describe the plot as ambitious but sometimes unfocused, and users point out that half the runtime is devoted to a convoluted investigation subplot that stalls momentum. Pacing is considered uneven, and the narrative’s coherence fluctuates. This balance of inventive ideas and structural weakness results in an average story rating.
- Sensory Experience 45
Sensory experience is characterized by a deliberately low‑budget aesthetic, with reviewers noting cheap‑looking production values and minimal sound design. No specific praise is offered for soundtrack or visual cohesion, and the visual style leans toward the absurd rather than polished. The lack of refined sensory elements contributes to a lower assessment, reflecting the piece’s focus on satire over technical polish.
- Rewatch Factor 75
Rewatch factor is highlighted as a strength, with critics noting the brevity allows multiple viewings without fatigue and some describing it as “ridiculously funny.” Users find it an entertaining filler and appreciate the off‑beat humor that benefits from repeat exposure. The humor’s bite‑size nature and recurring jokes encourage repeat engagement, leading to a relatively high score for replay value.
Frankenstein’s Monster’s Monster, Frankenstein Trailers & Videos
The trailer of Frankenstein’s Monster’s Monster, Frankenstein.
Frankenstein’s Monster’s Monster, Frankenstein Also Known As
12 alternative titles, including “프랑켄슈타인의 괴물의 괴물” and “프랑켄슈타인”.
- Also known as
-
- 프랑켄슈타인의 괴물의 괴물
- 프랑켄슈타인
- Франкенщайн - Чудовищното чудовище на Франкенщайн
- Un uomo, un monstro e un mistero
- Frankenstein szörnyének szörnye
- O Monstro do Monstro de Frankenstein
- המפלצת של פרנקנשטיין
- פרנקנשטיין המפלצת
- El hombre, el monstruo el, misterio
- Potwór Potwora Frankensteina
- 男子,怪人,谜团
- 男子,怪人,謎團
Seen Frankenstein’s Monster’s Monster, Frankenstein?
Movies Like Frankenstein’s Monster’s Monster, Frankenstein
Films with a similar story, tone or audience, including Cinematic Titanic: Frankenstein’s Castle of Freaks, Son of Frankenstein and Billy Frankenstein.
-
Cinematic Titanic: Frankenstein’s Castle of Freaks 2008 -
Son of Frankenstein 1939 -
Billy Frankenstein 1998 -
Frankenstein 1970 1958 -
Frankenstein 90 1984 -
Frankenstein 1931 -
Frankenstein 2004 -
Terror of Frankenstein 1977 -
Frankenstein and Me 1996 -
The Horror of Frankenstein 1970 -
Frankenstein’s Daughter 1958 -
Frankenstein, the Vampire and Company 1962
Frankenstein’s Monster’s Monster, Frankenstein FAQ: Cast & Runtime
Runtime, release date, director, cast and post-credit scenes of Frankenstein’s Monster’s Monster, Frankenstein, each answered in a sentence.
How long is Frankenstein’s Monster’s Monster, Frankenstein?
Frankenstein’s Monster’s Monster, Frankenstein runs 32 minutes.
When was Frankenstein’s Monster’s Monster, Frankenstein released?
Frankenstein’s Monster’s Monster, Frankenstein was released on July 16, 2019.
Who directed Frankenstein’s Monster’s Monster, Frankenstein?
Frankenstein’s Monster’s Monster, Frankenstein was directed by Daniel Gray Longino.
More films by Daniel Gray Longino Who is in the cast of Frankenstein’s Monster’s Monster, Frankenstein?
Frankenstein’s Monster’s Monster, Frankenstein stars David Harbour as David Harbour III / David Harbour Jr. / Frankenstein, Alfred Molina as Aubrey Fields / Captain and Mary Woronov as Nancy Erlich, among 14 credited actors.
Does Frankenstein’s Monster’s Monster, Frankenstein have a post-credit scene?
No. Frankenstein’s Monster’s Monster, Frankenstein has no extra scene during or after the credits.
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