
When rain falls over the city, a faceless serial killer called “The Judge” stalks the streets, strangling victims and leaving cryptic clues. Police Lt. Harry Grant becomes obsessed, even constructing a life‑size dummy of the murderer in hopes of catching him. Relentless reporter Ann Gorman shadows Grant, determined to break the story, as the hunt for the elusive killer intensifies.
Does Follow Me Quietly have end credit scenes?
No!
Follow Me Quietly does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Follow Me Quietly, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Jeff Corey
Police Sgt. Art Collins

Frank Ferguson
J.C. McGill

Nestor Paiva
Benny

Douglas Spencer
Phony Judge

Paul Guilfoyle
Overbeck

Charles D. Brown
Police Insp. Mulvaney

Paul Bryar
Sgt. Bryce

Michael Mark
Mr. Mark, apartment manager

William Lundigan
Harry Grant

Lee Phelps
Detective

Howard M. Mitchell
Don, bartender

Martin Cichy
Policeman

Art Dupuis
Detective

Maurice Cass
Book store proprietor

Marlo Dwyer
Waitress

Virginia Farmer
Woman in bookstore

Joe Whitehead
Ed

Dorothy Patrick
Ann Gorman

Robert Emmett Keane
Coroner

Nolan Leary
Larson

Edwin Max
Charlie Roy aka The Judge

Cy Stevens
Kelly

Wanda Cantlon
Waitress

Archie Twitchell
Dixon (as Michael Branden)

Walden Boyle
Intern
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Challenge your knowledge of Follow Me Quietly with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is the profession of Ann Gorman in the film?
Detective
Reporter
Lawyer
Doctor
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Read the complete plot summary of Follow Me Quietly, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Ann Gorman, Dorothy Patrick, a persistent young reporter, is on the trail of a brutal murder spree attributed to a shadowy strangler known only as “The Judge.” Her pursuit begins in a bar where she crosses paths with the police, and after a tense moment, she follows Lieutenant Harry Grant and Sergeant Art Collins as they answer a fresh crisis. The trio converges at the scene of a fresh crime, where McGill, J.C. McGill, a newspaper editor, lies injured outside his workplace. A jagged memory unfolds in a flashback: the ruthless attack on McGill in his own office, culminating in him tumbling out the window as the chaos ends. The scene is marked by a chilling clue—a note left by the killer with cut-out letters, a message that proclaims the Judge’s desire to destroy all evil.
The following morning brings an all-consuming push to solve the case. Grant sifts through the note and other fragments, trying to predict the killer’s next move. A coroner’s early theory points to a Caucasian male with greying hair, a detail that narrows the field but only creates more questions. To counter the killer’s anonymity, Grant devises a faceless dummy to help map the killer’s height, weight, and silhouette. When he returns to his apartment, he finds Ann Gorman waiting, her appetite for news unquenched and her questions pointed. She presses for inside scoops, and though he resists, she ultimately receives a paper bearing precise descriptive details about the Judge.
A demonstration at police headquarters drives the investigation into the pages of the press as photos of the dummy circulate through major newspapers. Later, Grant and Gorman reconvene at a bar, but their collaboration hits a rough patch when she uncovers unauthorized access to the case in his name. Back at headquarters, an older man steps forward—a claim to be the Judge—that Grant doubts, noting the killer’s method seems to come from behind rather than the front. That night, Grant patrols the rainy streets in search of the elusive predator, while Gorman, seeking reconciliation, apologizes for crossing a boundary.
Then comes a new development: a radio alert announces a fresh strangulation at a residence, and Grant rushes to question the victim’s husband, trying to separate truth from rumor. As clues mount, a pulp magazine found at the scene becomes a critical link. The investigators trace the magazine to second-hand bookstores, where they question a string of middle-aged customers who smoke and keep a careful eye on the shop’s inventory. The trail leads to a diner, where a waitress identifies the suspect as Charlie Roy, a name tied to the exact magazine issues. They tail Roy to his apartment, confirm the magazine set, and prepare for a pursuit.
A rooftop chase unfolds atop a refinery, with Grant pursuing Roy after a tense confrontation. Roy, cornered, attacks, and in the struggle he falls to his death. The case seems closed, though not without lingering tension, as Collins then appears at the bar to find Grant and Gorman sharing a moment of quiet companionship, suggesting a new connection forged in the heat of their investigation.
Throughout the narrative, the tension between pursuit and principle underscores every decision, as the team weighs caution against urgency and the need to uncover a killer who operates behind the veil of ordinary life. The investigation moves from a bar to a newsroom, from a police precinct to the rain-soaked city streets, threading together a string of observations, deductions, and near-misses that keep the audience balancing on the edge of whether the killer can be stopped before he strikes again. The Judge’s ploy—an ominous note, a magazine clue, and a calculated mix of misdirection—serves as a reminder that the truth can be hiding in plain sight, waiting for a careful mind to connect the threads.
been ordained to destroy all evil
In the end, the alliance between a determined reporter and diligent detectives yields a concrete conclusion about the killer’s identity and method, while personal boundaries and professional boundaries ebb and flow under the pressure of an ongoing investigation. The city’s shadows begin to thin as night gives way to the possibility of closure, yet the experience leaves all involved with a heightened awareness of how easily fear and mystery can blur into everyday life.
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