
Three mysterious figures emerge from the Mojave Desert and make their way to Los Angeles, leaving a trail of bodies in their path.
Does Out of Time have end credit scenes?
No!
Out of Time does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Out of Time, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Scott Peat
Motor Pool Mechanic

Blake Boyd
Cooper

Kurt Long
Tom

Mark Andrews
Bouncer

Jordan James Smith
Byers

Ellen Schoeters
Stacey

Justin Sintic
Tough

Nadège August
Lisa

David Schroeder
Vernon

Cole Gerdes
Lon

Anthony S. Johnson
Dr. Jackson

Gary Fredo
Lt. Jenkins

Jessica Graves Davis
Kelley

Daniel Gavin
Dr. Oppenheimer

Turi Haim
Base Researcher

La'Chris Jordan
Mrs. Jackson

Kimberlee Kidd
Diva

Timothy Mittel
The Runner

Katie Rediger
Trouble

Beth Scherr
Canvas

Clint Tauscher
Clark
Discover where to watch Out of Time online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Rotten Tomatoes or JustWatch.
See how Out of Time is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Out of Time stands among top-rated movies in its genre.
Out of Time delivers a modestly entertaining experience that hinges on its low‑budget charm. Reviewers note that the film’s direction and visual staging occasionally rise above the constraints, while the performances swing between competent and hammy. The plot offers a handful of intriguing twists but suffers from pacing hiccups and occasional confusion. Although some viewers find it enjoyable on a repeat viewing, others consider it forgettable. Consequently, the movie earns a mixed‑to‑slightly‑positive overall impression.
The Movie Echo Score Breakdown for Out of Time
Art & Craft
Artistic elements show a blend of competence and limitation. Several reviewers commend the director’s eye for composition, noting effective camera angles and staging that belie the modest budget. Conversely, frequent remarks about cheap cuts, poor sync, and cheesy visual effects reveal noticeable technical flaws. Overall, the film’s craft is respectable for its resources but remains uneven.
Character & Emotion
Character work varies widely across the film. While a few reviewers highlight strong moments, such as Nadège August’s standout presence and a compelling central relationship, many criticize the overall acting as hammy or cringeworthy, with wooden dialogue and miscast moments. The emotional resonance therefore feels intermittent, offering occasional depth amid generally uneven performances.
Story & Flow
Storytelling in Out of Time is marked by an initially sluggish setup that gains momentum after the first twenty minutes. Reviewers appreciate occasional inventive twists and an engaging core premise, yet they also point to plot holes, uneven pacing, and a simplistic structure that can be confusing. Consequently, the narrative delivers modest intrigue but lacks consistent cohesion.
Sensory Experience
Sensory aspects reflect the film’s limited resources. Viewers note that the visual effects resemble early television quality, with cheesy time‑travel sequences and occasional rough editing, while the audio design receives little comment. Nonetheless, some praise the effective use of lighting and set design that convey mood despite budgetary constraints. Overall, the sensory experience is functional but unremarkable.
Rewatch Factor
Rewatch potential is modest; some audience members find the campy humor and surprising twists enjoyable upon repeat viewings, while many cite the uneven pacing, limited production values, and inconsistent performances as reasons to skip revisiting. The film offers occasional moments that reward a second look, but overall it does not compel strong repeat engagement.
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