
On his deathbed in the 1820s, King Ferdinand I of Naples looks back on his reign, finding solace in memories of youthful hunts and reckless love games. He remembers his political marriage to Maria Carolina of Austria, daughter of Empress Maria Theresa, which began happily but later fell apart under court intrigue as a new era reshaped their lives.
Does Ferdinando and Carolina have end credit scenes?
No!
Ferdinando and Carolina does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Ferdinando and Carolina (1999) via JustWatch.
Explore the complete cast of Ferdinando and Carolina, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Matt Patresi
Angelo Goudar

Yari Gugliucci
Gennarino Rivelli

Lina Wertmüller

Nicole Grimaudo
Principessa di Medina

Elena Presti
Principessa di Floridia

Gabriella Pession
Maria Carolina

Carlo Caprioli
Emperor Giuseppe d'Asburgo

Adriano Pantaleo
Ferdinando I Borbone (bambino)

Sergio Assisi
Ferdinando I

Paolo De Giorgio
Principe di Caramanico

Lola Pagnani
Sara Goudar

Moira Grassi
Countess S. Marco

Vanessa Sabet
Maria Giuseppa

Lucilla Vacondio
Lady Stratfordshire

Giuseppe Bottiglieri
Giacomo Goudar
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Read the complete plot summary of Ferdinando and Carolina, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In the 1820s, the aging King Ferdinando I Sergio Assisi of Naples faces a slow descent into illness, and as his strength fades, he revisits the early twists and turns that shaped his turbulent reign. A life that begins with a boisterous, impulsive childhood sets the stage for a throne that will come to him at the precarious age of sixteen. The young prince already harbors a passion for a lover, the Princess of Medina Nicole Grimaudo, but the court’s marriages are choreographed by politics as much as by affection.
The royal matchmaking quickly takes a darker turn when a series of arranged unions unfolds. Maria Teresa of Austria is chosen as the first bride for the future king, but she dies of smallpox before the ceremony can bind their fates. Her sister is proposed next, only to perish as well, leaving a third sister to be offered as a potential partner: Maria Carolina Gabriella Pession. Despite Ferdinand’s initial reluctance, the ever-watchful advisors and Carolina’s mother, the formidable Maria Theresa, push the match forward. On their honeymoon, the couple discovers an unusual harmony between them in the sheets, yet their bond proves hollow in other aspects, revealing a partnership built more on strategy than shared values.
From the moment of union, Carolina’s influence surges; she captivates the king and wields political power that begins to rival his own. The marriage evolves into a tense alliance, a balancing act where romance and policy intertwine, and the king’s famed roving eye never fully fades. The pair rule with a lavish confidence, shaping court life even as they become targets of envy, suspicion, and fear. Their relationship is marked by extravagance and volatility, a display of opulence that masks the creeping sense of fragility in a continent on the edge of upheaval.
As revolutions roil France and threaten the broader European order, the couple remains largely oblivious to the encroaching storm, absorbed in the pleasures and displays that define their reign. The palace becomes a stage for both grandeur and coercion, where the king’s threats to behead those who displease him are not merely empty bravado but a chilling reminder of the autocratic gravity surrounding the throne. Yet even amid these intimidation tactics, the corridors of power hum with political intrigue, and alliances shift under the pressure of restless publics and rising ideals.
The narrative follows the dizzying arc of their life together—from the moonlit ceremonies and gilded halls to the prickly councils, secret agendas, and the unsteady thread of loyalty that binds a ruling couple to a volatile era. The grandeur of Pompeii’s ruins and the pace of royal hunts punctuate moments of respite, but every excursion into spectacle is tempered by the looming realities of reform, revolution, and the fragile balance between desire and duty. In the end, the story stays true to its core: a portrait of a king and his consort navigating love, power, and a Europe on the brink, with the memory of their choices echoing through the opulent yet precarious world they inhabited.

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