Fashions of 1934 1934

An innovative, sumptuous spectacle that redefines entertainment. After the Manhattan investment firm run by Sherwood Nash fails, he teams up with his partner Snap and designer Lynn Mason to supply discount retailers with inexpensive reproductions of Paris haute‑couture gowns, creating a wave of affordable fashion that thrills shoppers.

An innovative, sumptuous spectacle that redefines entertainment. After the Manhattan investment firm run by Sherwood Nash fails, he teams up with his partner Snap and designer Lynn Mason to supply discount retailers with inexpensive reproductions of Paris haute‑couture gowns, creating a wave of affordable fashion that thrills shoppers.

Does Fashions of 1934 have end credit scenes?

No!

Fashions of 1934 does not have end credit scenes. You can leave when the credits roll.

Where to Watch Fashions of 1934

See current US streaming, rental, and purchase options for Fashions of 1934 (1934) via JustWatch.


Meet the Full Cast and Actors of Fashions of 1934

Explore the complete cast of Fashions of 1934, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.


George Davis

George Davis

French Bartender (uncredited)

Bette Davis

Bette Davis

Lynn Mason

Frank McHugh

Frank McHugh

Snap

Hobart Cavanaugh

Hobart Cavanaugh

Inventor on Ship (uncredited)

William Powell

William Powell

Sherwood Nash

Henry O'Neill

Henry O'Neill

Duryea

Etienne Girardot

Etienne Girardot

Glass

Jane Darwell

Jane Darwell

Customer at Maison Elegance (uncredited)

Reginald Owen

Reginald Owen

Oscar Baroque

Bonnie Bannon

Bonnie Bannon

Chorus Girl (uncredited)

Arthur Treacher

Arthur Treacher

The Duchess' Butler (uncredited)

Harry Beresford

Harry Beresford

Paris Bookseller

Gordon Westcott

Gordon Westcott

Harry Brent

Hugh Herbert

Hugh Herbert

Joe Ward

Phillip Reed

Phillip Reed

Jimmy

Lee Phelps

Lee Phelps

Hotel Desk Clerk (uncredited)

Martin Kosleck

Martin Kosleck

Dance Director (uncredited)

Leo White

Leo White

French Couturier (uncredited)

Mary MacLaren

Mary MacLaren

Customer at Maison Elegance (uncredited)

Frank Darien

Frank Darien

Jules

Florence Wix

Florence Wix

Duryea's Fashion Show Director (uncredited)

Loretta Andrews

Loretta Andrews

Chorus Girl (uncredited)

Mildred Dixon

Mildred Dixon

Chorus Girl (uncredited)

Ruth Eddings

Ruth Eddings

Chorus Girl (uncredited)

Donna Mae Roberts

Donna Mae Roberts

Chorus Girl (uncredited)

Virginia Dabney

Virginia Dabney

Chorus Girl (uncredited)

Renee Whitney

Renee Whitney

Chorus Girl / Girl Chased by Snap (uncredited)

Marlo Dwyer

Marlo Dwyer

Chorus Girl (uncredited)

Amo Ingraham

Amo Ingraham

Chorus Girl (uncredited)

Nella Walker

Nella Walker

Mrs. Van Tyle

André Cheron

André Cheron

French Detective Arresting Nash (uncredited)

Georges Renavent

Georges Renavent

Paris Couturier (uncredited)

Albert Conti

Albert Conti

Savarin (uncredited)

Spencer Charters

Spencer Charters

Man Removing Telephone

Eric Wilton

Eric Wilton

Mrs. Van Tyle's Butler (uncredited)

Helen Freeman

Helen Freeman

Mme. Margot - Paris Model Supervisor (uncredited)

Sam McDaniel

Sam McDaniel

Cleaning Man (uncredited)

Armand Kaliz

Armand Kaliz

Paris Cafe Manager (uncredited)

Dorothy Burgess

Dorothy Burgess

Glenda

Vivian Wilson

Vivian Wilson

Chorus Girl (uncredited)

William Burress

William Burress

Feldman

George Humbert

George Humbert

Caponelli

Rosalie Roy

Rosalie Roy

Chorus Girl (uncredited)

Bee Stevens

Bee Stevens

Chorus Girl (uncredited)

Verree Teasdale

Verree Teasdale

Mabel McGuire aka Grand Duchess Alix

Jean Perry

Jean Perry

First Frenchman (uncredited)

Pat Wing

Pat Wing

Chorus Girl (uncredited)

Adrian Rosley

Adrian Rosley

Filthy Pictures Seller (uncredited)

Charles Fallon

Charles Fallon

Second Frenchman (uncredited)

Maxine Doyle

Maxine Doyle

Chorus Girl (uncredited)

Estelle Etterre

Estelle Etterre

Chorus Girl (uncredited)

Lucyle Keeling

Lucyle Keeling

Chorus Girl (uncredited)

Victoria Vinton

Victoria Vinton

Chorus Girl (uncredited)

Beatrice Hagen

Beatrice Hagen

Chorus Girl (uncredited)

Marguerite Caverley

Marguerite Caverley

Chorus Girl (uncredited)

Marie Marks

Marie Marks

Chorus Girl (uncredited)

Laura Treadwell

Laura Treadwell

Supervisor of Models (uncredited)

Miriam Marlin

Miriam Marlin

Chorus Girl (uncredited)

Diane Bourget

Diane Bourget

Chorus Girl (uncredited)

Margaret Carthew

Margaret Carthew

Chorus Girl (uncredited)

Donna La Barr

Donna La Barr

Chorus Girl (uncredited)

Lois Lindsay

Lois Lindsay

Chorus Girl (uncredited)

Juliet Ware

Juliet Ware

Acme Agency Girl (uncredited)

Peggy Graves

Peggy Graves

Chorus Girl (uncredited)

Claire Augerot

Claire Augerot

Chorus Girl (uncredited)

Eleanor Bayley

Eleanor Bayley

Chorus Girl (uncredited)

Mary Cassidy

Mary Cassidy

Chorus Girl (uncredited)

Joyce Clark

Joyce Clark

Chorus Girl (uncredited)

Gloria Faythe

Gloria Faythe

Chorus Girl (uncredited)

June Glory

June Glory

Chorus Girl (uncredited)

Rita Hale

Rita Hale

Chorus Girl (uncredited)

Ann Ingraham

Ann Ingraham

Chorus Girl (uncredited)

Adele Lacy

Adele Lacy

Chorus Girl (uncredited)

Rickey Newell

Rickey Newell

Chorus Girl (uncredited)

Maybelle Palmer

Maybelle Palmer

Chorus Girl (uncredited)

Alice Phillips

Alice Phillips

Chorus Girl (uncredited)

Full Plot Summary and Ending Explained for Fashions of 1934

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Read the complete plot summary of Fashions of 1934, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


In this brisk Manhattan-set caper, the collapse of Sherwood Nash, a driven investment firm leader, forces him to team up with his scheming partner Snap and the sharp fashion designer Lynn Mason to flood discount shops with cheap copies of Paris couture. The plan pulls in rivals and risks as money, style, and ambition collide in a world where the line between genius and crime often blurs.

Lynn uncovers that top designer Oscar Baroque, portrayed with condescending flair in the eye of the storm, gets his inspiration by rummaging through old costume books, and she begins to craft designs in a strikingly similar vein, signing each one with the name of a recognized designer. The revelation kicks the duo’s scheme into a new gear, turning fashion into a game of imitation and reputation, where every sketch carries the weight of a brand name.

Sherwood soon realizes Baroque’s companion, the so-called Grand Duchess Alix, is really Mabel McGuire from Hoboken, a revelation that could topple the designer’s glamor and profit. The tension thickens as he threatens to expose the bride’s true identity unless she persuades Baroque to lend his designs to a musical revue in which Alix will star, tightening the stakes and entangling every participant in a web of leverage and deception. The tension rests on wit, risk, and a sharp understanding of showbiz power.

To fuel the fashion feud, Baroque purchases a crucial supply of ostrich feathers from Sherwood’s ally Joe Ward, setting off a cascade of flashy trends and heated rivalries that drive the plot toward a public spectacle. The gleaming showroom world of Maison Elegance—Sharply dressed windows, glossy fabrics, and the promise of Parisian chic—delivers a great success, even as the underlying schemes begin to crack.

As Baroque discovers that Lynn has been forging his sketches, the separator between art and crime becomes perilously thin. Baroque moves to arrest Sherwood, yet the cunning plan proves more pliable than anyone anticipated, and the two men dance around a courtroom that could redefine their future in fashion and finance. The film crescendos when Baroque’s world collides with Alix’s wedding, a moment designed to humiliate the designer unless the charges are dropped, forcing a dramatic decision that tests loyalty, love, and ambition.

In the finale, Baroque agrees to withdraw the charges and even purchases Maison Elegance from Sherwood. With a vow to avoid further illegal schemes, Sherwood promises that Lynn can return to America with him, hinting at a reset and a chance for both professional and personal futures to be rewritten away from the shadows of counterfeit couture. The story closes on a note of wry optimism, where bold fashion and sharper wits have reshaped the players’ lives, and the line between heist and haute couture has finally been drawn in the open.

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Fashions of 1934 Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


fashionunited states of americanew yorkfranceyear in titledancedanceryear 1934dancingcameraarc de triomphe parispassenger shipnewspaper headlinemusical numbereiffel tower paris1930swormweddingtheatrical backershow businessshippoliceparis franceostrichnew york citymusical revuemodelmarriage proposaljealousyimpersonationfraudforgeryfinancial crisisfeatherdrunkennessdress designerdeceptioncon mancomposerblackmailbarfashion show

Fashions of 1934 Other Names and Titles

Explore the various alternative titles, translations, and other names used for Fashions of 1934 across different regions and languages. Understand how the film is marketed and recognized worldwide.


Fashion Follies Le armi di Eva Только любовь Liebe ohne Zwirn und Faden Моделите на 1934 Les Pirates de la mode 时尚1934 El altar de la moda Paris i gala

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