
An innovative, sumptuous spectacle that redefines entertainment. After the Manhattan investment firm run by Sherwood Nash fails, he teams up with his partner Snap and designer Lynn Mason to supply discount retailers with inexpensive reproductions of Paris haute‑couture gowns, creating a wave of affordable fashion that thrills shoppers.
Does Fashions of 1934 have end credit scenes?
No!
Fashions of 1934 does not have end credit scenes. You can leave when the credits roll.
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Explore the complete cast of Fashions of 1934, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

George Davis
French Bartender (uncredited)

Bette Davis
Lynn Mason

Frank McHugh
Snap

Hobart Cavanaugh
Inventor on Ship (uncredited)

William Powell
Sherwood Nash

Henry O'Neill
Duryea

Etienne Girardot
Glass

Jane Darwell
Customer at Maison Elegance (uncredited)

Reginald Owen
Oscar Baroque

Bonnie Bannon
Chorus Girl (uncredited)

Arthur Treacher
The Duchess' Butler (uncredited)

Harry Beresford
Paris Bookseller

Gordon Westcott
Harry Brent

Hugh Herbert
Joe Ward

Phillip Reed
Jimmy

Lee Phelps
Hotel Desk Clerk (uncredited)

Martin Kosleck
Dance Director (uncredited)

Leo White
French Couturier (uncredited)

Mary MacLaren
Customer at Maison Elegance (uncredited)

Frank Darien
Jules

Florence Wix
Duryea's Fashion Show Director (uncredited)

Loretta Andrews
Chorus Girl (uncredited)

Mildred Dixon
Chorus Girl (uncredited)

Ruth Eddings
Chorus Girl (uncredited)

Donna Mae Roberts
Chorus Girl (uncredited)

Virginia Dabney
Chorus Girl (uncredited)

Renee Whitney
Chorus Girl / Girl Chased by Snap (uncredited)

Marlo Dwyer
Chorus Girl (uncredited)

Amo Ingraham
Chorus Girl (uncredited)

Nella Walker
Mrs. Van Tyle

André Cheron
French Detective Arresting Nash (uncredited)

Georges Renavent
Paris Couturier (uncredited)

Albert Conti
Savarin (uncredited)

Spencer Charters
Man Removing Telephone

Eric Wilton
Mrs. Van Tyle's Butler (uncredited)

Helen Freeman
Mme. Margot - Paris Model Supervisor (uncredited)

Sam McDaniel
Cleaning Man (uncredited)

Armand Kaliz
Paris Cafe Manager (uncredited)

Dorothy Burgess
Glenda

Vivian Wilson
Chorus Girl (uncredited)

William Burress
Feldman

George Humbert
Caponelli

Rosalie Roy
Chorus Girl (uncredited)

Bee Stevens
Chorus Girl (uncredited)

Verree Teasdale
Mabel McGuire aka Grand Duchess Alix

Jean Perry
First Frenchman (uncredited)

Pat Wing
Chorus Girl (uncredited)

Adrian Rosley
Filthy Pictures Seller (uncredited)

Charles Fallon
Second Frenchman (uncredited)

Maxine Doyle
Chorus Girl (uncredited)

Estelle Etterre
Chorus Girl (uncredited)

Lucyle Keeling
Chorus Girl (uncredited)

Victoria Vinton
Chorus Girl (uncredited)

Beatrice Hagen
Chorus Girl (uncredited)

Marguerite Caverley
Chorus Girl (uncredited)

Marie Marks
Chorus Girl (uncredited)

Laura Treadwell
Supervisor of Models (uncredited)

Miriam Marlin
Chorus Girl (uncredited)

Diane Bourget
Chorus Girl (uncredited)

Margaret Carthew
Chorus Girl (uncredited)

Donna La Barr
Chorus Girl (uncredited)

Lois Lindsay
Chorus Girl (uncredited)

Juliet Ware
Acme Agency Girl (uncredited)

Peggy Graves
Chorus Girl (uncredited)

Claire Augerot
Chorus Girl (uncredited)

Eleanor Bayley
Chorus Girl (uncredited)

Mary Cassidy
Chorus Girl (uncredited)

Joyce Clark
Chorus Girl (uncredited)

Gloria Faythe
Chorus Girl (uncredited)

June Glory
Chorus Girl (uncredited)

Rita Hale
Chorus Girl (uncredited)

Ann Ingraham
Chorus Girl (uncredited)

Adele Lacy
Chorus Girl (uncredited)

Rickey Newell
Chorus Girl (uncredited)

Maybelle Palmer
Chorus Girl (uncredited)

Alice Phillips
Chorus Girl (uncredited)
Discover where to watch Fashions of 1934 online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Letterboxd.
Read the complete plot summary of Fashions of 1934, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In this brisk Manhattan-set caper, the collapse of Sherwood Nash, a driven investment firm leader, forces him to team up with his scheming partner Snap and the sharp fashion designer Lynn Mason to flood discount shops with cheap copies of Paris couture. The plan pulls in rivals and risks as money, style, and ambition collide in a world where the line between genius and crime often blurs.
Lynn uncovers that top designer Oscar Baroque, portrayed with condescending flair in the eye of the storm, gets his inspiration by rummaging through old costume books, and she begins to craft designs in a strikingly similar vein, signing each one with the name of a recognized designer. The revelation kicks the duo’s scheme into a new gear, turning fashion into a game of imitation and reputation, where every sketch carries the weight of a brand name.
Sherwood soon realizes Baroque’s companion, the so-called Grand Duchess Alix, is really Mabel McGuire from Hoboken, a revelation that could topple the designer’s glamor and profit. The tension thickens as he threatens to expose the bride’s true identity unless she persuades Baroque to lend his designs to a musical revue in which Alix will star, tightening the stakes and entangling every participant in a web of leverage and deception. The tension rests on wit, risk, and a sharp understanding of showbiz power.
To fuel the fashion feud, Baroque purchases a crucial supply of ostrich feathers from Sherwood’s ally Joe Ward, setting off a cascade of flashy trends and heated rivalries that drive the plot toward a public spectacle. The gleaming showroom world of Maison Elegance—Sharply dressed windows, glossy fabrics, and the promise of Parisian chic—delivers a great success, even as the underlying schemes begin to crack.
As Baroque discovers that Lynn has been forging his sketches, the separator between art and crime becomes perilously thin. Baroque moves to arrest Sherwood, yet the cunning plan proves more pliable than anyone anticipated, and the two men dance around a courtroom that could redefine their future in fashion and finance. The film crescendos when Baroque’s world collides with Alix’s wedding, a moment designed to humiliate the designer unless the charges are dropped, forcing a dramatic decision that tests loyalty, love, and ambition.
In the finale, Baroque agrees to withdraw the charges and even purchases Maison Elegance from Sherwood. With a vow to avoid further illegal schemes, Sherwood promises that Lynn can return to America with him, hinting at a reset and a chance for both professional and personal futures to be rewritten away from the shadows of counterfeit couture. The story closes on a note of wry optimism, where bold fashion and sharper wits have reshaped the players’ lives, and the line between heist and haute couture has finally been drawn in the open.

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