
A mother, Kathy, and her reserved son, Cody, move into a new home and find an unexpected connection with their neighbor, Del. Throughout the summer, Del's guidance helps Cody gain confidence and encourages him to embrace new experiences. Meanwhile, Kathy grapples with her sister's complicated history, ultimately finding solace and a renewed sense of belonging as she strengthens her relationship with her son.
Does Driveways have end credit scenes?
No!
Driveways does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Driveways (2020) via JustWatch.
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SDExplore the complete cast of Driveways, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Brian Dennehy
Del

Hong Chau
Kathy

Bill Buell
Tom

Christine Ebersole
Linda

David Chen

Hannah Bos

Jack Caleb
Brandon

James DiGiacomo
Reese

Jennifer Delora
Cheryl

Jerry Adler
Rodger

Jeter Rivera
Miguel

Joe Felece
Bingo Caller

Lucas Jaye
Cody

Sophia DiStefano
Anna

Stan Carp
Lester

Tyler Altomari
Pizza Delivery Guy
Discover where to watch Driveways online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
See how Driveways is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Driveways stands among top-rated movies in its genre.
Driveways distinguishes itself through a restrained yet resonant emotional narrative supported by cohesive performances and understated direction. Critics note that its unhurried pacing and quiet moments leave a lasting impact despite minimal plot developments. User reactions emphasize the tender chemistry between characters and Brian Dennehy’s nuanced portrayal. The film’s modest production design and precise editing further reinforce its gentle atmosphere. Overall, Driveways offers a quietly powerful viewing experience that lingers after completion.
The Movie Echo Score Breakdown for Driveways
Art & Craft
In terms of art and craft, Driveways employs a subtly expressive visual language through measured direction and intimate cinematography. The restrained production design emphasizes everyday environments, while precise editing allows quiet moments to resonate. Reviews highlight the film’s elegant compositions and seamless transitions between scenes. Overall, these choices establish a unified aesthetic that supports the narrative’s gentle tone.
Character & Emotion
When it comes to character and emotion, the film excels in crafting deeply resonant interpersonal dynamics. Performances, particularly Brian Dennehy’s, are praised for their nuance and authenticity. The evolving bond among the protagonists conveys genuine warmth, as subtle dialogue and thoughtful pacing allow emotional beats to unfold naturally. Overall, character interactions form the emotional core that anchors the story.
Story & Flow
In terms of story and flow, Driveways adopts a deliberately measured pace that prioritizes mood over narrative complexity. Critics observe that the plot unfolds gently, with minimal dramatic turns, yet remains engaging through its emotional subtleties. Some note that familiar themes receive unconventional treatment, though a few narrative elements feel underdeveloped. Overall, the film sustains interest through its quiet momentum and thematic consistency.
Sensory Experience
In terms of sensory experience, the film delivers an understated auditory and visual atmosphere that complements its reflective tone. The soundtrack and ambient sound design remain unobtrusive, allowing moments of silence to amplify emotional resonance. The visual style favors naturalistic lighting and muted color palettes, reinforcing the narrative’s gentle mood. Overall, the sensory elements cohere to create an immersive, contemplative viewing environment.
Rewatch Factor
As for rewatch factor, Driveways offers modest replay value grounded in its emotional warmth and nuanced performances. The film’s subtle storytelling and understated moments may reveal additional layers on subsequent viewings. However, its gentle pace and minimalist plot structure could limit appeal for audiences seeking more dynamic narratives. Overall, it maintains a moderate rewatch potential through its character-driven emotional depth.
83
Metascore
7.8
User Score
99%
TOMATOMETER
84%
User Score
7.2 /10
IMDb Rating
70
%
User Score
3.8
From 23 fan ratings
Discover all the awards and nominations received by Driveways, from Oscars to film festival honors. Learn how Driveways and its cast and crew have been recognized by critics and the industry alike.
Read the complete plot summary of Driveways, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Late one summer night in a quiet upstate New York neighborhood, Kathy, [Hong Chau], and her son Cody, [Lucas Jaye], pull up to a dark house with sleeping bags in tow. The power is out, so they head to a nearby motel. Del, [Brian Dennehy], an elderly widower who lives next door, watches from his upstairs window.
The next morning, Kathy calls the electric utility to restore power to her recently deceased sister April’s house; she intends to pack it up and sell it. She learns that April owed the electric company $900. Back at the house, they realize April was a hoarder.
Cody goes outside for water from a hose. Del warns him to turn the faucet the other way, and Cody complies, wetting his shirt. Kathy notices, misreading it as an offense, and tells Del she doesn’t let her son talk to strangers. Yet when Del’s ride to a local veterans’ event doesn’t show, Kathy takes him to the VFW lodge herself, all while venting about the electric bill.
Back at April’s house the next day, they discover Del has strung an extension cord across the driveway from his house to theirs. They also visit Charlene, a local realtor, to list the house. Kathy is hesitant to do a walk-through, but Charlene argues that the house doesn’t need to be staged, and she relents. Once inside, Charlene sees the state of the place and understands why Kathy hesitated.
That night, Cody asks Kathy about April; she explains she didn’t know her sister well since April was twelve years older. The next day, Cody meets two other neighborhood kids while cleaning some old furniture in the driveway. He also encounters Brandon, [Jack Caleb], and Reese, [James DiGiacomo], who imitate professional wrestlers. Their grandmother Linda, [Christine Ebersole], greets Kathy and recalls that April was a kind woman who preferred not to have visitors intruding.
Kathy and Cody decide to stop staying at the motel and begin sleeping in the house. Del helps Cody bury a dead cat and takes him to bingo at the VFW. Linda offers to watch Cody while Kathy runs errands. Cody, however, vomits rather than wrestle with Brandon and Reese, and runs away. Del shares a memory of vomiting himself as a young man on a troop ship during the Korean War, helping Cody understand Del’s quiet presence.
From there, Cody grows closer to Del, and he spends more time with the older man. Kathy succeeds in cleaning the house enough to live there and even hosts a yard sale. She suggests that, instead of selling, they could move into the house, and Cody supports the idea. Meanwhile, Del’s daughter—described as a judge in Seattle—tells him that a nursing-home space is available near her. Cody invites Del and the other neighborhood kids to a birthday party at a roller rink, but Del is the only guest, so they relocate the celebration to the VFW lodge, joining Del’s circle of friends.
Cody confesses to Del that they plan to move in, and Del explains he will move closer to his daughter and her wife. On the day Del moves out, he and Cody share a final porch conversation. Cody imagines a long road trip to visit Del, and Del smiles at the memory of a hitchhiking trip he took after leaving the Army. The talk folds into a reflection about how much time has passed, and how cherishable the moments with a neighbor can be.

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