Driven to Dance (2018): Cast & Ratings
Driven to Dance is a 2018 drama directed by Tati Elsher, starring Juliet Doherty as Paige, Asher Angel and Kaitlyn Black. It runs 1 hour 38 minutes. Its Echo Score is 30/100.
- Released
- Runtime
- 1h 38m (98 min)
- Director
- Tati Elsher
- Genre
- Drama
- Original language
-
English
- Studio
- Little Unicorn Productions
- After the credits
- No No extra scene
What Is Driven to Dance About?
The premise of Driven to Dance without spoilers.
While preparing to audition for a renowned ballet company, Paige must convince herself and her mother that she has what it takes to make it in the world of dance.
Driven to Dance Themes & Keywords
· 1 tag- mother
Driven to Dance Cast & Characters
Juliet Doherty leads the cast as Paige, with Asher Angel as Alex and Kaitlyn Black as Lynda. Directed by Tati Elsher; 23 actors are credited in all.
- Director Tati Elsher
- Juliet Doherty as Paige
-
Asher Angel as Alex - Kaitlyn Black as Lynda
- John H. Euber as Divorce Lawyer
Also Starring in Driven to Dance
· 19 more- Aaron Ginn-Forsberg George
- Jeffrey T. Unterkofler Derek
- Ashlieya Mariano Jessica
- Daniel Blunck Harry
- Jared Norton Dylan
- Walter Belcher Glenn
- Michelle Y. Allen Maggie
- Keely Doherty Kate
- Genevieve Carlson Annabel
- Tia Wenkman Leah
- Bel Pickering Lily
- Avery Stamm Abigail
- Jack Beckham Luke
- Alicen Carter Miriam
- Tiffany Coleman Club Girl
- Joseph Franco Bartender
Show all 23 cast members Show fewer cast members
- Nadia Henry Babysitter
- Rachelle Lanae Themselves
- Lexb Girl at party
More from Tati Elsher
One more film directed by Tati Elsher: The Lies I Tell Myself.
Driven to Dance Reviews & Ratings
Our Echo Score gives it 30/100, strongest in art & craft (45) and weakest in rewatch factor (25).
Driven to Dance Echo Score Breakdown
In terms of overall impact, the film falls short due to weak narrative cohesion and underdeveloped characters, which many reviewers highlighted as major drawbacks. While Juliet Doherty’s dance talent receives consistent praise, the scarcity of performance footage limits its appeal. Critics repeatedly cite a redundant script, wooden acting, and problematic audio mixing that diminish the viewing experience. The few positive notes on a striking opening sequence and realistic slice‑of‑life moments cannot compensate for the pervasive shortcomings. Consequently, the movie offers limited lasting value.
Our own 0–100 rating, built from five aspects: art, character, story, the sensory experience and how well a film rewatches.
- Art & Craft 45
ART: The film’s visual presentation receives mixed feedback; several reviewers commend the opening sequence for its gorgeous cinematography and effective use of limited budget, describing it as inspiring. Conversely, many cite inconsistent editing, flat production design, and a general lack of polish throughout the rest of the movie. The director’s choices fail to sustain the early visual promise, resulting in an overall uneven artistic execution.
- Character & Emotion 30
CHARACTER: Acting quality is consistently criticized, with reviewers describing performances as wooden, unconvincing, and detracting from emotional engagement. While Juliet Doherty’s dance ability is praised, her dramatic portrayal is deemed flat, and supporting actors receive similar negative remarks. A few notes mention occasional strong moments from the brother’s performance, yet the lack of depth and chemistry across the cast leads to a largely ineffective character experience.
- Story & Flow 35
STORY: The narrative is widely regarded as disjointed, with reviewers pointing out a redundant script, abrupt ending, and underdeveloped plot threads such as the mother’s backstory and the protagonist’s academic struggles. Some acknowledge the premise—a realistic slice of a ballet aspirant’s life—has potential, yet the execution fails to maintain coherence or meaningful tension. Consequently, the story feels incomplete and fails to sustain audience investment.
- Sensory Experience 30
SENSORY: Audio design draws the most criticism, with multiple reviewers noting excessively loud, repetitive music that drowns dialogue and creates listening fatigue. Visual style beyond the opening sequence is described as flat, offering little distinctive aesthetic. Though a few praise the striking intro, the overall sensory experience suffers from poor sound mixing and a lack of atmospheric cohesion, limiting immersion.
- Rewatch Factor 25
REWATCH: Given the limited amount of dance footage, weak script, and subpar acting, most viewers express little desire to revisit the film. The occasional inspiring moments and realistic portrayals are insufficient to outweigh the pervasive narrative and technical flaws. Consequently, the movie’s replay value is low, and it is unlikely to attract repeated viewings.
Driven to Dance Trailers & Videos
The trailer of Driven to Dance.
Driven to Dance Also Known As
4 alternative titles, including “On Pointe” and “Táncra született”.
- Also known as
-
- On Pointe
- Táncra született
- Předurčena k tanci
- Predurčená na tanec
Seen Driven to Dance?
Movies Like Driven to Dance
Films with a similar story, tone or audience, including Driven, Center Stage: Turn It Up and Dancers.
Driven to Dance FAQ: Cast, Runtime & Release Date
Runtime, release date, director, cast and post-credit scenes of Driven to Dance, each answered in a sentence.
How long is Driven to Dance?
Driven to Dance runs 1 hour 38 minutes (98 minutes).
When was Driven to Dance released?
Driven to Dance was released on April 15, 2018.
Who directed Driven to Dance?
Driven to Dance was directed by Tati Elsher.
More films by Tati Elsher Who is in the cast of Driven to Dance?
Driven to Dance stars Juliet Doherty as Paige, Asher Angel as Alex and Kaitlyn Black as Lynda, among 23 credited actors.
Does Driven to Dance have a post-credit scene?
No. Driven to Dance has no extra scene during or after the credits.
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