
The film follows college student Jason Moss as he becomes obsessed with John Wayne Gacy, one of America’s most notorious serial killers. It chronicles Moss’s attempts to contact and interview the incarcerated murderer, detailing their unsettling correspondence and the profound psychological effect the interaction has on Moss.
Does Dear Mr. Gacy have end credit scenes?
No!
Dear Mr. Gacy does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Dear Mr. Gacy (2010) via JustWatch.
Explore the complete cast of Dear Mr. Gacy, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Brett Dier
Marcus

Anthony Shim
Paul

Eric Keenleyside
Stan

William Forsythe
John Wayne Gacy

Michael Kopsa
FBI Agent

Andrew Airlie
Professor Harris

Emma Lahana
Alyssa

Richard Harmon
Victim

Dee Jay Jackson
Desk Guard

Daryl Shuttleworth
Guard Thompson

Karissa Tynes
Amy

Jeffrey Bowyer-Chapman
Male Hustler

Andrea Brooks
Stalked Girl

Michael Ryan
Frank Moss

James Ralph
Armed Guard

John Andrew Vaas
Undercover Detective (uncredited)

Michaela Mann
Prostitute

Jaren Brandt Bartlett
Mike

Lynn Colliar
TV News Reporter

Cole Heppell
Alex Moss

Belinda Metz
Valerie Moss

Hunter Elliott
Butcher Shop Victim

Libby Osler
Counter Girl

Josh Goring
Marcus' Friend (uncredited)

Kai Kennedy
Bobby (uncredited)
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What is the main purpose of Jason Moss's correspondence with John Wayne Gacy in the film?
Read the complete plot summary of Dear Mr. Gacy, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
As part of his college thesis, Jason Moss, a criminology student, decides to write to John Wayne Gacy and try to gain his trust by posing as a vulnerable admirer. Moss sends a carefully crafted letter to the imprisoned killer, presenting himself as a troubled, sexually confused teen. The aim is not sensationalism but to dive into Gacy’s psyche in hopes of uncovering fresh material for a standout term paper.
The exchange quickly becomes a tense test of will. Gacy, initially wary, puts Moss through a grueling series of emotional trials delivered through letters and collect calls. These exchanges take a toll on Moss’s relationships with those close to him—his girlfriend and his family—while the killer manipulates the dynamic from inside the cell. Gacy attempts to pull Moss into darker behaviors, even suggesting that he should become a hustler, and Moss lies about a client stealing his wallet. In a shocking moment, Gacy claims to protect those he cares about by offering to have the man’s penis cut off, revealing how far he will go to assert control. He also pushes Moss to involve his younger brother, Alex, by asking for a letter from him and even hinting at molesting the boy, provoking fear and driving Moss to retreat from certain calls.
As the pressure mounts, Moss’s grip on reality begins to fray. Paranoia and aggression creep into his life: he lashes out at a classmate who bullies his brother, and he even contemplates hiring a prostitute to assault someone, only stopping himself at the last moment. The psychological tug-of-war grows more dangerous as Gacy learns that Moss has lied about authorities and is possibly corresponding with other inmates. The looming sense of danger complicates every choice Moss makes, blurring the line between research and risk.
When Gacy learns that Moss’s final appeal has failed and the execution is near, the killer offers to pay for a prison visit. Moss agrees, spurred by a mix of curiosity and obligation, after a warden’s call confirms the visit will be tightly supervised. A former survivor of Gacy’s crimes warns Moss against this, but he presses on. Upon arrival, Moss discovers that he will be placed in the same room with Gacy, while guards watch through cameras from outside. The moment grows increasingly intimate and menacing as Gacy feigns friendship, until a sudden shift occurs: Moss is subjected to a threat of rape and murder, and the guards misread the scene as a sexual encounter, choosing to look away briefly. The tension peaks as Moss screams for help and the guards rush in.
The encounter leaves a lasting mark. Gacy calls Moss again, threatening to reveal allegations of molestation against Alex if Moss does not comply, and Moss responds by insisting he’s merely researching the killer for school. The killer is put to death soon after, and Moss later speaks to the faculty at his college, reflecting on what happened and what it did to him. The film closes with a stark, real-life epilogue: an interview with the real Jason Moss and a photo taken of Moss and Gacy days before the execution, noting that Moss went on to write a book about their relationship before his death by suicide in June 2006.
This true-crime portrayal delves into the dangerous power of manipulation and how a single, obsessive project can erode boundaries, relationships, and even a person’s sense of self. The narrative carefully traces how Moss’s scholarly curiosity spirals into a life-altering ordeal, offering a somber meditation on fame, trauma, and the consequences of crossing lines that should never be crossed.

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